edgarwright

Last Night in Soho’ turns 5 today. To celebrate this mini-milestone, here’s some concept art for Marcus Rowland’s amazing production design on the movie. This art was done by a talented human, Mr Paul Threadgold. You can see how we turned Goodge Place back to the ’60s, how we created the period Café de Paris on a soundstage, the fictitious Rialto club, an unnamed basement clip joint, and how we sent stretches of Greek, Frith and Bateman Streets in real Soho back in time. It’s been so lovely to read some of your comments on ‘Last Night in Soho’ this week. I remain very proud of the movie, both for the realization of some ambitious worlds and for the wonderful time I spent with this cast and crew. Those of you who saw it on the big screen when it was first released, I applaud you, especially with in the middle of an Omicron spike. But I do not begrudge anyone who came to it later, either. New viewers are always welcome. You can’t be late to a movie. Happy 5th, ‘Last Night in Soho’. See you in the Toucan for a pint of Numbers. @lastnightinsoho

Here are some behind-the-scenes photos from LAST NIGHT IN SOHO to celebrate its 5th anniversary this week. All stills by the great Parisa Taghizadeh. Watching the film again on Sunday night was a powerful trip down memory lane in a number of ways. It made me think of the incredible cast and crew: we worked so hard, but had a lot of fun too. It also made me think of a different London—not just the London of the 1960s, but a pre-Covid capital, as we made the film just before (and partly during) the pandemic. And of course, it made me think of two actors who are no longer with us: Dame Diana Rigg and Terence Stamp. Both legends, and both people I feel honoured to have known and have worked with.