ÆQAI retweeted
Some of my thoughts about the election in the new issue of @AEQAI: aeqai.com/main/2016/12/on-ar…
ÆQAI retweeted
I'm honored that the journal @AEQAI named #AndAfterTheFire to its list of Best Fiction of 2016. Thank you, @AEQAI!
aeqai.com/main/2016/12/best-…
ÆQAI retweeted
.@AEQAI reviews our #CACBlackBox performance "Je danse et je vous en donne à bouffer" by Radhouane El Meddeb! buff.ly/2iJ0AUI
Wm. Messer maps traditions of road trip photography via exhibits @DIADetroit & @ToledoMuseum bit.ly/2b6Lp2S
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ÆQAI retweeted
Check out my new profile on LA-based artist Erica Rawlings in @AEQAI aeqai.com/main/2016/08/engag…
ÆQAI retweeted
I'm in @AEQAI writing about George Dureau's photography as a singular family portrait bit.ly/2bigQF9
ÆQAI retweeted
Via @AEQAI: Perf art in Cincy & details on upcoming #CACBlackBox performer Napoleon Maddox! aeqai.com/main/2016/08/perfo…
In our new issue: Chelsea Borgman on Performance Art in Cincinnati bit.ly/2bc5Ys1
Little Big Theory | On Christian Schmit's universe @CincinnatiArts: bit.ly/28XRekF
ÆQAI retweeted
I'm in @AEQAI's new issue w/ thoughts on Tomás Saraceno/Zaha Hadid in @CincyCAC's lobby ow.ly/TxRl301EdEr
"30 Americans pursues issues & controversies without losing a sense of absurdity and chic." bit.ly/21Px10D
ÆQAI retweeted
Really happy about my latest for @AEQAI on the US's 1st graffiti museum. Gonzo is the best! ow.ly/4n4l2U
On a new transparency in art making | Thoughts From A Millenial Artist, in our March issue aeqai.com/main/2016/03/thoug…
Weapons of mass construction: "OK-47" at @Institute193 aeqai.com/main/2016/03/weapo…
ÆQAI retweeted
The Combustible Brink: Patrick Shoemaker’s Fire on Fire via @AEQAI link.sva.edu/1RBirT1 cc: @SVAalumni
ÆQAI retweeted
"A Profile and Interview with Jo Ann Callis" @AEQAI
bit.ly/1RBcTeq #FFpress #FotoFocus @_rosegallery_
Living Things | @_zackhatfield on Jochen Lempert's Field Guide aeqai.com/main/2016/02/livin…




























