MONSHETT 🔥🇲🇽 retweeted
a cabeça dos gringos explodem quando eles descobrem que a gente n da a mínima pra pirataria, e não só não dá a mínima como a gente apoia, pq duh, a gente sabe que toda a população deve ter direito a hobbies e coisinhas legais independente do quanto a gente ganha
Replying to @kemonomimiyaoi
The bootlegs are illegal. You're supporting illegal businesses. Just admit you're and entitled greedy jackass
MONSHETT 🔥🇲🇽 retweeted
"De Gaza a tu casa", por @deandafer. #CartónDelAverno
MONSHETT 🔥🇲🇽 retweeted
兵役に行くまでに新たに個人活動を用意したり、STAYと交流できるように準備してると説明してるし
今年だけでも
2月1日「奏」投稿
5月からノマムデロ投稿。ep10まで公開、特別に誕生日祝ったり歌唱にスポットを当てた回もあり
8月18日「엄마를 보면 자식을 알수 있다 | 고 양이 털색의 세계 | 코숏백과(w. 스트레이 키즈 리노)猫図鑑」に出演
9月9日 マーティンキム シーズンアンバサダー抜擢
雑誌3冊撮影
NYLON JAPAN 2026年4月号(2026年2月27日発売)
Numéro TOKYO(ヌメロ・トウキョウ)2026年11月号増刊(2026年9月28日発売)
W KOREA 2026年11月号(2026年10月下旬発売)
グッチアンバサダーとしての仕事もしっかりこなした
今年のラチャログ(🐰🥟、🐺🐰🦊、🐺🐰🐿🦊、🐺🐰🥟)は4回登場して多い方だし(もっと登場が少ないメンバーがいる)
4月29日には🐰V LOGも投稿した
This & Thatカムバ期は他グルとダンチャレもした(SEVENTEEN、KiiiKiii、SHINee)
Bioreやペペロなど多岐に渡るグループ活動も全て出演し、Spotifyの企画はリノが司会を務め(付箋をたくさん貼って真剣に取り組んでた)グループ活動でも活躍があり、ほぼ毎日bubbleを送り、FANSに浮上した時はSTAYにたくさん返信をして、ボイスメッセージも送って、FANSライブを5回やってSTAYとの交流も盛んだった
今年も風邪を引いて声が枯れてる時期があった、頭部を強打してMRIとって安静が必要な時期もあった(早よ病院連れていけよと思ったけど)、それでも一切弱音を吐くことなく仕事をこなして、時差や気候差がある各国の公演もペンミもフェスも全て参加してるのに、グッズ撮影も色々あるのに、「個人活動なにもなかった、リノに何もしなかった」と怒るなら、これ以上もっとリノを働かせとけばよかったのか
それで体調崩したら崩したで運営に対して「無理して働かせた」って怒るんじゃないのか
東京ドーム公演の配信を見てるならリノが「僕、嫉妬深いですからね」と言ってたことを知ってるはずなのに、兵役前に事務所に葬式の花たくさん送りつけてペン卒すると騒いで、これやってるSTAYたちはこれ以上リノに働かせないと不満だったの
他グルは兵役前にこういうことしてた~って言ってるけど、その「他グル」はスキズと似たスケジュールで今年活動してたのか疑問だし
兵役前に韓国でライブをやってほしいと私も思うけど、それにしても今年リノがいくつ仕事をこなしてきたのか省みることなく軽視しすぎじゃないのかと
Poco se habla que el primer país que creyó totalmente en SKZ desde el principio fue Filipinas y jype decidió ignorarlos, recuerdo que esperábamos las presentaciones porque solo allá cantaban con los skz y estaba todo el lugar lleno de lightsticks
Las fans de seventeen quien sabe ya cuantos miembros se les fueron al ejército y nosotras nos andamos matando por uno
MONSHETT 🔥🇲🇽 retweeted
チャニがたまにする海外イケメン風の表情、
東京ドームでメンバーからイケメン‼️ってガヤ入れられた時も同じ顔してたからイケメンのイメージがコレなのか
ボケとしてやってるんだろうけど元から超絶イケメンなのでボケとしては絶妙な感じになっちゃってかわいい
グッドルッキングガイって感じ(叶姉妹)
Quien te mintió tanto? 😂
124
En ese tiempo el 90% de mis moots eran de Filipinas y Russia jajaja, casi no tenía moots de México porque eran bien poquitas
Poco se habla que el primer país que creyó totalmente en SKZ desde el principio fue Filipinas y jype decidió ignorarlos, recuerdo que esperábamos las presentaciones porque solo allá cantaban con los skz y estaba todo el lugar lleno de lightsticks
8
539
MONSHETT 🔥🇲🇽 retweeted
it’s true that the company doesn’t promote them properly or in the way the boys deserve. but saying something like “skz are widely known among korean k-pop fans as a group that doesn’t care about their kfans” is attacking THEM, their PERSONALITY, and that is EXACTLY WHAT MOST KFANS DO. they’re always commenting on and judging their bodies, and i’m not just hearing this from someone else, i read it myself on my tl: “lose weight, you’re too chubby” “cut your hair, you look like a girl with long hair.” the ones who seem to have no regard for their feelings are k-fans. and that’s just regarding their appearance, because i’ve also seen criticism of their music, criticism claiming they don’t dance (oh, what a coincidence, in run it tour they’re now dancing a lot, with extremely difficult and complex choreographies)
“naturally kfans are going to gravitate toward groups that offer them more opportunities, activities, and benefits.” when you say that, all you do is confirm what all those tweets demonstrate. if you don’t have an event or a benefit, you lose interest in them. do you know when argentinian stays had their first event? THIS YEAR. AFTER EIGHT YEARS. it took eight years for us to finally have an event like a concert (which literally lasted half as long as their concerts in korea) and a pop-up. something that is completely normal for you to have ALL THE TIME. official promotions here literally only started this year, and yet the fandom never left just because we didn’t have an event or because they hadn’t come here. on the contrary, more and more new stays join every day because of THEIR MUSIC AND WHAT THEY TRANSMIT AND WHO THEY ARE AS PEOPLE. loving an artist shouldn’t be tied to them providing us with events 24/7, 365 days a year, and that’s something i only see happening with k-fans. not to mention that you’re always complaining about EVERYTHING.
as for streaming, i understand that melon isn’t that easy to use, but even international fans organize themselves to buy accounts (which aren’t cheap at all) and do things properly. i don’t see any kind of organization from your side when it’s comeback time. all i see from k-stays are complaints about a dance or people winning video calls and making the boys do challenges. if you organize yourselves, believe me, you can improve that.
“do you seriously think the ppl at the airport are kfans? those people are all foreigners” i don’t know, but what i do know is that when stray kids came to argentina for the first time, there wasn’t a single photo or video because NO ONE went there to bother them. we wanted their arrival to be peaceful, and i’m proud of that. meanwhile, in videos of them leaving the airport in korea, it’s not foreigners shoving their phones in their faces.
i understand and agree with demanding better promotions from the company. i agree with criticizing the company. one label / div1 and jype in general aren’t doing what’s necessary to recognize stray kids’ hard work. these boys work their asses off day and night. but i will NEVER agree with blaming the boys or directing complaints at them when all these complaints are the responsibility of THE DIVISION AND THE COMPANY, who should be taking them into account and making improvements. in this very tweet, you’re actually proving my point. you complain about the boys when your complaints should be directed 100% at the company. instead, you choose to say things like “k-stays are losing interest in them” and “stray kids don’t care about their fans.” if they didn’t care about you, they wouldn’t ask you to not leave, they wouldn’t work day and night to prepare complex choreographies, they wouldn’t show up on fans the very next day after you complained during the previous live, and they wouldn’t say they won’t get buff for the next live when you were telling them in the previous one not to exercise so much because they were getting too big (yes, all of these things actually happened) +
MONSHETT 🔥🇲🇽 retweeted
stray kids intentó satisfacer el mercado coreano innumerables veces y pocos abogaron por ellos. para la cultura coreana, tenían un sonido demasiado disruptivo y una gestión que se salía de lo convencional, características que nunca encajaron con los estándares del país.
MONSHETT 🔥🇲🇽 retweeted
入隊前に1番不安なのは本人なんだから、STAYがこんなに荒れててどうするの?
降りるなんて脅すような事言ったりワガママな事ばかり言うんじゃなくて、待ってるから安心して行ってらっしゃいって励ます時ではないの?
そんな事もできなくて何がSTAYだ
こんなワガママな人ばかりでスキズが可哀想だよ
MONSHETT 🔥🇲🇽 retweeted
JAJDJAJSAKK QUE DECIA ESTA, si la carrera de skz hubiera dependido de ustedes, ellos ahorita seguirían siendo un nugu (o probablemente ya hubieran hecho disband)
































