Need dat!
North Las Vegas, NV
Joined January 2013
- Tweets6.8K
- Following89
- Followers78
- Likes4.5K
Chuck retweeted
Tobirama realizing Naruto isn't just a goofball and instantly syncing up with him for a god-tier combo... cinema behavior ๐ญโก
Chuck retweeted
How can an old man with no Devil Fruit send a man with TWO powerful Devil Fruits running for his life? ๐
Chuck retweeted
You could show me this video in 50 years and Iโll still laugh.
It's been 8 years, and this is still the funniest video on the internet. ๐
"SHE CAME DOWN IN A BUBBLE, DOUG!" and "AM I WRRRRONNNG?" are two of the most quoted lines between me and my older kids. The head bob with the hair movement at "THE WICKED WITCH OF THE EAST, BRO!" will never, ever not be hilarious.
And it's one of the best quick examples of the nature of male friendship to boot.
Chuck retweeted
If there's only one reason Lil Dicky doesn't deserve to be on this worst rappers list it's for the ridiculous freestyle he did on Sway in The Morning:
Chuck retweeted
This just brings the point home...
You can tweak crimson deserts camera settings so extensively that it makes the game feel completely different. Try far camera distance but low fov (visual range) to make everything seem more cinematic. Suddenly distant objects and mountains appear massive and epic. Moon included. Even trees look imposing.
Swap to high FOV / close camera distance to make it feel more tailored to combat etc, and make everything a little easier to handle, albeit with a loss of cinematic flair.
Turn off follow cam settings to make character movement independent from camera to give it additional replay value/ experience variety.
Trying out new game + before the dlc ๐๐ฅ
Chuck retweeted
Es hasta doloroso saber que existe Handyman Saitou y la gente ni lo registra cuando es, muy posiblemente, el mejor isekai de los รบltimos 10 aรฑos (y por encima de los tres grandes isekai).
Chuck retweeted
โPut on a goddamn shirtโ as if he didnโt just barge into the poor guys house uninvited?
Movie: The stranger in my home
