ASAP/Journal is a peer-reviewed scholarly journal that explores new developments in post-1960s visual, media, literary, and performance arts.
Joined January 2017
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ASAP/Journal retweeted
Katherine CM Adams on Gangsterism for @ASAP_Journal asapjournal.com/review/uncan…
ASAP/Journal retweeted
Saw one picture of a classroom in the aftermath of the Oyo kidnapping, and it reminded me so much of this line "There were school uniforms and leather bags and plastic bottles and sandals and books" from @eniola_abdulroq's review
xitter.cf/ASAP_Journal/status/20…
Out now!
@eniola_abdulroq reviews Adedayo Agarau: “Unlike his contemporaries, the blend of real and imagined events/entities in The Years of Blood pushes the poetics beyond real-life catastrophes, hinting at a certain level of traditional sensibility.”
asapjournal.com/review/reima…
ASAP/Journal retweeted
@CassiaBeltran ICYMI, an excerpt:
research.library.fordham.edu…
Out now!
@eniola_abdulroq reviews Adedayo Agarau: “Unlike his contemporaries, the blend of real and imagined events/entities in The Years of Blood pushes the poetics beyond real-life catastrophes, hinting at a certain level of traditional sensibility.”
asapjournal.com/review/reima…
ASAP/Journal retweeted
Out now!
@eniola_abdulroq reviews Adedayo Agarau: “Unlike his contemporaries, the blend of real and imagined events/entities in The Years of Blood pushes the poetics beyond real-life catastrophes, hinting at a certain level of traditional sensibility.”
asapjournal.com/review/reima…
ASAP/Journal retweeted
This brilliant critic🥹🔥
Out now!
@eniola_abdulroq reviews Adedayo Agarau: “Unlike his contemporaries, the blend of real and imagined events/entities in The Years of Blood pushes the poetics beyond real-life catastrophes, hinting at a certain level of traditional sensibility.”
asapjournal.com/review/reima…
ASAP/Journal retweeted
Thanks to the editors at @ASAP_Journal, especially Bellamy for her insightful comments!
Do engage! Share your views, thoughts, agreements or disagreements. ✨✨
ASAP/Journal retweeted
My essay on Agarau's Years of Blood is out!
"The Years of Blood examines socially prevalent challenges—ritual killings, witchcraft, kidnapping, and everyday violence—through a syntax that heightens the book’s aural and visual appeal, rendering the region increasingly dystopian"
Out now!
@eniola_abdulroq reviews Adedayo Agarau: “Unlike his contemporaries, the blend of real and imagined events/entities in The Years of Blood pushes the poetics beyond real-life catastrophes, hinting at a certain level of traditional sensibility.”
asapjournal.com/review/reima…
ASAP/Journal retweeted
As our final post in celebration of this cluster, we extend our deepest gratitude to all of the contributors and especially for the amazing work of Tyler Tennant in production and artistry and Michael Dango in brilliant editorial. Many thanks @ASAP_Journal!
ASAP/Journal retweeted
“Taken together,” this cluster “suggest[s] that artistic representation can reveal what is hidden. In the case of abortion—often illegal, shameful, known more through whisper networks than official archives—so much is concealed.” Read: asapjournal.com/node/from-th… @ASAP_Journal @jmss
ASAP/Journal retweeted
“What would our resistance look like if we thought more about aesthetics? What new kinds of resistance might emerge if aesthetics were central to our conceptualization of reproductive resistance?” Read: asapjournal.com/node/from-th… @ASAP_Journal @jmss
ASAP/Journal retweeted
"Beyoncé’s version of motherhood—one that draws from cultural history, responds to the present, and looks toward the future—represents a version that is needed during this time of great reproductive restriction..." Read: asapjournal.com/node/house-m… @fridasmamita @ASAP_Journal @jmss
ASAP/Journal retweeted
“There is, unfortunately, an unironic similarity to Happy the Elephant’s quest for freedom and the continued fight for bodily and reproductive autonomy of human beings..." Read: asapjournal.com/node/her-bel… @ASAP_Journal @jmss
ASAP/Journal retweeted
“Those without access to power—to master discourse, whether because of race, gender, sexuality, economic status, nationality, religion, or other forms of identity that those with power seek to exclude—use code." Read: asapjournal.com/node/from-th… @ASAP_Journal @jmss
ASAP/Journal retweeted
“It is hard to describe abortion as a form of sexual freedom. Writing of art and abortion in 2009, when abortion was still legal across the country, Jennifer Doyle expressed this difficulty with eloquence...” Read: asapjournal.com/node/from-th… @ASAP_Journal @jmss
ASAP/Journal retweeted
"The enduring presence of the image of the Virgin Mary in art about abortion illuminates a crisis in representation." Read: asapjournal.com/node/from-th… @ASAP_Journal @jmss
ASAP/Journal retweeted
“Comstock’s network made regular headlines as they hounded those who aided and abetted bodily autonomy seekers. These laws limited discussions pertaining to bodily autonomy, which became tenuous at best and litigious at worst..." asapjournal.com/node/aiding-……. @ASAP_Journal @jmss
ASAP/Journal retweeted
"...alongside Milton’s descriptors, led me to ask questions about the biological function of the human uterus. And in that process, I discovered striking similarities between Milton’s warring chaos and a uterus during pregnancy." Read: asapjournal.com/node/from-th… @ASAP_Journal @jmss
ASAP/Journal retweeted
“In Ancient Rome, male doctors were summoned during childbirth only if labor proved difficult. Instead, it was midwives who played the literal and figurative role of a physical and emotional support in childbirth...” Read: asapjournal.com/node/from-th… @ASAP_Journal @jmss
ASAP/Journal retweeted
“Painter Paula Rego is often called a remarkable storyteller as her work is deeply ingrained with narrative—sometimes personal, entangled with family & childhood memories, individual politics, experiences, feelings & emotions.” Read: asapjournal.com/node/embodim… @ASAP_Journal @jmss
