
ALT A dark, minimalist image of a sunlit interior with a barred window on the left, a chair and table with a glass of water below, and sunlight casting shadows on the wall. Overlaid text reads: “Accessibility isn’t extra work; it’s doing the work right the first time.” The APNA (Asia-Pacific Network for Accessibility) logo appears at the bottom right.

ALT A black-and-white cartoon shows a city footpath obstructed by trees, dustbins, poles, advertising panels and uneven surfaces. A wheelchair user, a person using crutches and a visually impaired pedestrian using a cane are forced onto the busy road because the footpath is inaccessible. An observer asks, “Footpaths are for people… Is this a pedestrian-friendly city?” The poster concludes with the message “Inclusive streets. Safer journeys. Stronger communities.”

ALT A black-and-white cartoon shows a blind woman navigating a broken and debris-filled footpath beside roadworks. Heavy machinery, construction materials and deep potholes obstruct the route. Children are shown near the hazardous unfinished road. The cartoon contrasts claims of “smart cities” with the lack of tactile paths, safe footpaths and accessible crossings. A checklist calls for tactile paths, safer road design, accessible crossings and protection for children and people with disabilities.

ALT An R. K. Laxman–inspired black-and-white cartoon shows wheelchair users and senior citizens outside a closed repair shop marked “OUT OF SERVICE.” A damaged wheelchair is shown alongside repair tools and mobility equipment. A nearby cycle shop offers a possible solution, with a checklist suggesting training cycle shops to provide minor repairs, basic servicing and affordable support. The message emphasises that keeping mobility aids functional is essential to independence and mobility.

ALT A black-and-white cartoon shows a planning board headed “Planning for a Stronger, Inclusive Society.” It calls for accessible infrastructure, inclusive policies, accessible services and leaving no one behind. Below it are four sectors—education, health services, social protection and economic development—each shown with a “NO BUDGET” message indicating inaccessible facilities, services or limited opportunities. People with disabilities appear in the scene, highlighting the consequences of inadequate disability-inclusive budgeting.

ALT An airport cartoon shows a wheelchair user waiting to board an aircraft. Airport staff explain that the lifting vehicle needed for boarding is unavailable. Other passengers wait nearby. A panel displays global accessibility standards, including equal access, assistance through the journey, accessible aircraft, transit facilities and non-discrimination. The contrast highlights the gap between accessibility standards and their implementation in reality. The APNA logo reinforces the call for accessible, dignified and inclusive air travel.

ALT An R. K. Laxman–inspired black-and-white cartoon depicts a flood disaster. Rescue teams are evacuating people using boats and a helicopter, while a family remains stranded on a raised area amid the flooding. The family includes a wheelchair user and a child. A large sign reads “LEFT BEHIND.” The scene highlights the risk of excluding people with disabilities and other vulnerable groups from disaster response and evacuation planning.

ALT An R. K. Laxman–inspired black-and-white cartoon shows an architect, urban planner and engineer working among building plans. The plans and drawings show accessibility problems including a ramp that is too steep, stairs that remain barriers, an unusable lift and inaccessible entrances. A large sign reads “Accessible Building — Still a Work in Progress!” The cartoon uses humour and irony to highlight the gap between accessibility planning and real-world implementation.


















