Water has spent thousands of years shaping Chile’s Marble Caves. Along Lake General Carrera, pale bands curve through arches and chambers above turquoise water: geology written into the walls.
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A number became a name: Laguna 69 takes its name from a park inventory of lakes. About 4,600 metres up in Peru’s Cordillera Blanca, turquoise water lies beneath rock walls and snow.
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Tayrona’s beaches are also a cultural landscape. This coast belongs to the Línea Negra, ancestral territory of the Kogui, Wiwa, Arhuaco and Kankuamo peoples, linking sacred places across the Sierra Nevada.
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Río Celeste’s blue begins upstream. Where two waterways meet, tiny mineral particles group together and scatter sunlight in blue tones. The colour carries on down to this forest waterfall.
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Before the toppings comes the masa. Traditional Mexican corn tortillas begin with nixtamalization: maize cooked in water with food-grade lime, then ground. A pre-Hispanic technique, still part of everyday food.
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The slow work happens before the taco reaches the plate. In central Mexico’s traditional earth-oven barbacoa, meat cooks beneath maguey leaves and the juices become consomé.
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Gran Torre Santiago was conceived as a modern obelisk. Its glass walls taper upward toward an open lattice crown, while the city’s traffic traces bright lines below.
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A glacier less than a degree south of the equator. Cotopaxi rises 5,897 metres above Ecuador’s Andes; here, sunset warms the snowy cone while a band of cloud crosses the foothills.
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The asador sets the pace: different cuts leave the heat at different times, and an Argentine asado can stretch over hours. In Uribelarrea, the fire is as much a gathering point as a cooking method.
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Dante’s Divine Comedy, translated into stone. Palacio Barolo’s three divisions evoke Hell, Purgatory and Paradise; its 100-metre height echoes the poem’s 100 cantos.
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Rio’s Sugarloaf skyline connects two different neighborhood days: Botafogo’s cultural houses and restaurants, and Urca’s smaller residential waterfront. Give the places beneath the view some time.
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Keep a day in Oaxaca City between valley trips: Santo Domingo in the morning, a meal chosen around one cook’s work, then textile or graphic art in the afternoon. The city deserves days of its own.
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Older houses and winding streets climb through Santa Teresa, the Rio neighborhood of the yellow tram. Below it lies Lapa, with its aqueduct and music venues.
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The view over Baía do Sancho and a day on its sand are different plans. The land approach descends steep ladders through a narrow rock passage; choose the visit that works for your group.
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Cartagena’s old roofline and waterfront towers belong to the same city, but make very different bases. Bocagrande’s hotel facilities come with journeys back to the historic center.
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A cenote is an opening into an aquifer. The water you see is only part of a larger system of rain, limestone and groundwater beneath the Yucatán Peninsula.
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Salvador’s public cultural life includes Didá’s women percussionists and the music of Olodum. Afro-Brazilian culture runs through the city’s religious practice, political history and contemporary creativity.
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Two interiors in Rio’s Centro: the Real Gabinete’s reading room, pictured here, and CCBB’s rotunda. The rotunda draws attention to scale, light and craftsmanship; CCBB also hosts exhibitions.
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Marino Ballena has four access sectors: Uvita, Colonia, Ballena and Piñuela. Save the sector name with your park pin; a beach name alone may not lead to the entrance you need.
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In Guanajuato, “central” can still mean uphill. Before booking a hillside room, check the route from the vehicle drop-off to the door. A hillside view can come with a luggage climb.
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