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TheAudioSpotlight

@AudioSpotlight1

TAS is a hub that highlights various audio professionals around the world and provides you with behind the scenes footage from game and film industry.

theaudiospotlight.com
Joined July 2012
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The Sound of Inside Out theaudiospotlight.com/the-so…
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Hans-Jörg Scheffler interview theaudiospotlight.com/hans-j…
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Jonas Frederik interview theaudiospotlight.com/jonas-…
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Matt Bowdler interview theaudiospotlight.com/matt-b…
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In the Studio with 4-time Emmy Winning Composer Brian Keane theaudiospotlight.com/in-the…
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Musical Sampling Trailer Strings review theaudiospotlight.com/musica…
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High Score! Tips and Techniques for Writing Game Music theaudiospotlight.com/high-s…
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Eduardo Tarilonte’s Ancient Era Persia review theaudiospotlight.com/ancien…
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The sound of “The Lost Thing” theaudiospotlight.com/the-so…
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An interview with the music supervisor Liz Lawson theaudiospotlight.com/interv…
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Music and Sound design Wonder Boy: The Dragon’s Trap theaudiospotlight.com/music-…
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Ian Arber interview theaudiospotlight.com/ian-ar…
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RAW (Rob Papen) review theaudiospotlight.com/raw-ro…
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Philosophy of Music Design in Games – Fez theaudiospotlight.com/philos…
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Charlotte Partt interview theaudiospotlight.com/charlo…
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The Sound of Transformers: Age of Extinction theaudiospotlight.com/sound-…
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The Sound of All is Lost theaudiospotlight.com/sound-…
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Sam Hulick interview theaudiospotlight.com/sam-hu…
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Lior Ron scores “Pablo” theaudiospotlight.com/lior-r…
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Riot Audio: Recording Shenanigans theaudiospotlight.com/riot-a…
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