3D hardsurface/prop artist He/Him
Joined July 2018
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More renders: artstation.com/artwork/319al…
Viktor Andryeyenkov (@?) wrote a great breakdown of OpenPBR in his latest ArtStation article: "OpenPBR: what 3D Artists actually need to know"
I'm sharing this because OpenPBR is already becoming new industry standard in Autodesk and Adobe 3D.
The link:
artstation.com/blogs/victor_…
Hi
I wanna share amazing The TechArt Guide by Benjamin Yde
A fantastic collection of deep dives into Tech Art. I highly recommend the Colors and PBR sections-they're essential reading for 3D artists.
Fair warning: some sections go very deep.
github.com/BenjaminYde/TechA…
It’s my birthday today.
I’m 26 years old, and I think I’ve been doing 3D art for about 6-7 of those years.
Thank you for supporting my art!
I kind of feel like this now that my age is starting to sound serious:
Hi there,
A small new YouTube channel called "Jarkin" just launched. It breaks down concept art and pre-production materials from games like Concord and Highguard.
No hate- just a look at these projects through their art direction.
Highly recommended, please watch it.
Here’s a small find I rarely see mentioned in @Substance3D
I usually add an HSL filter to keep all blending modes in my new fill layers in Passthrough
But in Substance Painter, you can adjust ALL layer settings right when creating it(RMB)
You can also copy all blending settings
I just wanted to point out some differences in your segments in these areas. When working on something like this it’s important to keep segment hierarchy in mind
Also, this is just one possible solution. I was keeping quad-based topology in mind while working on it.
Game dev & YouTuber @MR3Dev makes videos about game development and everything around it. I especially recommend his playlists on how 3D models look in real, shipped projects.
youtube.com/@MR3D-Dev/videos
Recommend my favourite content: a game industry veteran talking about games he worked on.
Game World Art by environment artist David O’Reilly. He’s still active, so the insights are relevant.
youtube.com/@Game-World-Art
Articles from @marmosetco website (marmoset.co/resources/) that, in my opinion, are worth at least skimming through:
Ben Armstrong, Senior Environment Artist II at Respawn Entertainment
artstation.com/benarmstronga…
He explained his approach to building composition for a render. I especially liked that he tested everything directly on primitives.
marmoset.co/posts/creating-a…
As always, I recommend checking out their resources page yourself (marmoset.co/resources/), because there are plenty of other useful goodies there as well.
And thank you for reading this through.
