Making films. Mutating the process. This is NOT animation. This is CONT animation. Proposals by email only → [email protected]

Joined June 2015
Too much reality? We've got just the thing. 🧪 CHUMBO, issue 2 of the Contanimation TV anthology, a @magnific Original by Contanimation.
10
18
9
69
8,597
Directed by Javier de la Chica & Guillermo Miranda Written by Javier de la Chica Executive Producers Joaquín Cuenca, José Florido & Ángela Sarria Director of Operations Mercedes Santalla Art Director Javier de la Chica Editor Guillermo Miranda Colorist Miguel Galván Soundtrack by Carlos Bonito Original Song “Imprescindible” by Choley Voice Production Dobla Que Te Dobla Voice Cast Juan Rabadán & Mercedes Santalla A Contanimation Films original production in association with @magnific Originals. Made with Magnific: be.magnific.com/4s7h9cW
2
328
Contanimation's first frutidrama. And what a drama… 
 The second episode of CONTANIMATION TV, a @magnific Original, is coming soon.

#ContanimationTV #ContanimationFilms #MagnificOriginals
3
10
1,096
Contanimation retweeted
The Sorrowful Figure Sancho Panza suspects his master is worse than he thought. Don Quijote turns every beating into glory, every humiliation into restraint, and accepts only his own version. A Magnific Originals production, written & directed by @Cont_animation
13
29
7
113
271,950
Contanimation retweeted
Don Quixote saw giants where everyone else saw windmills Guille & Javi saw a film 'The Sorrowfull Figure', the first Contanimation TV film: 11 min, 120+ shots on Magnific & a 10-person team across writing, storyboarding, animation, voice acting & post This is how it happened
4
12
2
68
5,001
THE SORROWFUL FIGURE is OUT NOW! ⚔️ What if the giants were real? The first episode of Contanimation TV takes Don Quixote’s delusion seriously: if he sees giants, we see giants. Produced by Contanimation Films × @magnific #MagnificOriginals
17
17
8
62
8,073
Directed by Guillermo Miranda & Javier De la Chica Soriano de la Chica Written by Javier De la Chica Soriano de la Chica & Álex Rey Assistant Director & Storyboard — Víctor Ponce Art Direction — Javier De la Chica Soriano de la Chica AI Animation — Javier De la Chica Soriano de la Chica Music — Carlos Bonito Editing & Sound — Guillermo Miranda Assistant Editor — Miguel Galván Voices — Arturo Liberos & Juan Rabadán Operations — Mercedes Santalla Technical consultant — Nekodificador Producer Executives — Joaquin Cuenca Abela, Jose Florido, Ángela Sarria Thank you to everyone who put their hands, eyes and hearts into this one. This is NOT Animation. This is CONT animation. #MagnificOriginals
1
3
2,196
Contanimation retweeted
Lights down in Madrid An animated episode, made with Magnific by Contanimation TV, screening for its first audience La Triste Figura, our newest Magnific Original, starts now
3
10
1
38
4,060
Contanimation retweeted
Que barbaridad lo que se acaba de marcar @Cont_animation con @magnific La Triste Figura es una obra de arte hecha con cariño, mimo y mucho corazón. La banda sonora brutal, el diseño de personajes y escenarios súper cuidado, la historia con alma … que bonito Javi & Guille lo que habéis hecho. Enhorabuena @asarria_ por darle alas a esta loca historia 🎥❤️‍🔥
5
8
52
1,637
This is where Contanimation TV begins. Contanimation TV is an anthology of shorts about the ways we escape reality. What better place to start than a loose adaptation of literature's greatest escapist, Don Quixote? La Triste Figura is our take on a character we love, and one we consider a cornerstone of our own culture and of world literature. The full story is coming soon to YouTube, follow us to stay tuned. Watch the trailer now 👇
Madrid gets the newest Magnific Original first The Sorrowful Figure, episode one of Contanimation TV, with the team who made it on stage, seeing it with a crowd for the first time → Sept 23, Sala EQUIS, Madrid → Sept 24, Worldwide release Grab your spot before they're gone
9
1
38
2,339
Any guesses? Coming soon.
2
2
19
574
Today we are happy to announce Contanimation TV Our new short film anthology in partnership with @magnific Originals! We will be sharing more original stories, new ways of working with AI, and collaborations with amazing artists. Thanks to the Magnific team for trusting us with the project. 😎 Super excited to share the first chapter soon!
12
2
4
72
8,718
Contanimation retweeted
A new Magnific Original, made by Contanimation Coming soon
11
18
2
75
8,132
Contanimation has mutated. Again. What started as two directors experimenting with a new way of making films has slowly become something much bigger: an independent studio, a growing body of work, collaborations with people we admire and, increasingly, worlds of our own that we want to build properly. Somewhere along the way, the old Contanimation stopped looking like the Contanimation we were becoming. So we contaminated that too. We created a new identity and developed a new website 👉 contanimation.com/
9
8
1
117
5,588
We’re currently working on our own original IP. New films and a few things we’ve been keeping behind closed doors for a while. We are so excited on what's about to come!! You’ll see more of that very soon… 😎 For now, consider this phase one. Welcome to the new Contanimation. Hope you like it!
2
7
494
Friday’s mood. Turn it up, Bandoleros! 💃🏻🕺🪩
6
45
1,990
Making Sincitium Issue 3: Video & Production How we combined AI animation, human voice acting, voice design, art direction, and many, many generations to shape the final piece. 👇
1
2
34
1,740
Voices generated directly inside video tools usually come with several issues. The first one is that they tend to feel lifeless. More like voice-over than actual acting. The second is that the timbre often changes from one shot to another. And the third is the accent. From one shot to the next, the voice can suddenly jump from Spanish from Spain to Argentinian or Mexican Spanish. We collaborated with Juan Rabadán, a professional voice actor and dubbing artist we had already worked with on our short film Dale caña. Juan dubbed the text over the already animated characters, interpreting each one with different nuances, rhythms, and intentions. The timbre was modified afterwards using ElevenLabs, with voices created from scratch through its Voice Design tool.
2
15
743
The production, in numbers: 7,500+ generated images 400+ generated videos 100+ generated songs 70 hours of art, animation, and music generation 25 hours of editing The final cut includes 70 shots. A huge number of attempts to find the right take, and countless creative decisions to reach the final result. This is what our timeline looked like after 95 hours of work.
1
14
405