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Teacher, Writer, Film/TV buff,etc. East of the Sun and West of the Moon 🏳️‍🌈

Joined March 2020
Photo by DCSC1973 (@DCSC1973)Photo by DCSC1973 (@DCSC1973)Photo by DCSC1973 (@DCSC1973)Photo by DCSC1973 (@DCSC1973)Photo by DCSC1973 (@DCSC1973)Photo by DCSC1973 (@DCSC1973)Photo by DCSC1973 (@DCSC1973)Photo by DCSC1973 (@DCSC1973)Photo by DCSC1973 (@DCSC1973)Photo by DCSC1973 (@DCSC1973)
Hay multitud de pelis que obtuvieron en su día muchos premios o nominaciones y hoy están olvidados. Algunas se han emitido en VOS porque su doblaje vete a saber dónde se conserva y otras no se han visto desde su estreno. Aquí os recomiendo joyas perdías a ver si @Filmin hace algo
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Creo que ya va siendo hora de que los políticos dejen de intentar ser influencers y se dediquen a ser gestores, que es su trabajo.
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Suspiria 1977 / Italy / Dario Argento Behind the scenes as Argento oversees the audio mixing of the legendary Goblin soundtrack ⚡️sound on⚡️
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“Silver Springs” was written by Stevie Nicks during the sessions for Fleetwood Mac’s album Rumours. Originally intended for the album, it was ultimately left off due to the time limitations of vinyl records and instead appeared as the B-side to "Go Your Own Way." Despite never being a major hit upon its original release, the song became one of the band's most beloved deep cuts. Widely interpreted as Stevie Nicks' emotional response to her breakup with Lindsey Buckingham, "Silver Springs" gained legendary status after the band's 1997 live reunion performance for The Dance. During the song's climactic finale, Nicks and Buckingham locked eyes while singing the deeply personal lyrics, creating one of the most unforgettable moments in rock history. The live version earned a Grammy nomination for Best Pop Performance by a Duo or Group with Vocal, and the song was finally released as a single in 1998, reaching the Top 40 in the UK.
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El rival más débil cambiando de bando
Woman tries to humiliate guy on stage and finds out
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Es que encima es tan subnormal que lo dice
Que este vídeo no se olvide: el 1 de abril, Puente reconoció que había puesto A TODO SU EQUIPO a trabajar en los insultos que recibía en medios y redes. Dos años después, sus prioridades han provocado que españoles pierdan la vida en sus trenes.
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¿Sabe Jamie Lee Curtis cómo se llaman los personajes más icónicos del cine de terror?
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Never forget #PatrickStewart in Jeffrey
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A-Haunting We Will Go (1966) is a late-era Looney Tunes short directed by Robert McKimson (DePatie-Freleng). Released April 16, 1966, it’s the final Golden Age appearance of Witch Hazel and June Foray’s voice work in the classic series. On Halloween, Daffy’s nephew goes trick-or-treating in the Broom-Stick Bunny witch costume, gets scared by Witch Hazel, and runs home. Skeptical Daffy goes to prove witches aren’t real. Meanwhile, exhausted Hazel spikes Speedy Gonzales’s cheese so he can impersonate her while she vacations in Hawaii. Speedy-as-Hazel serves Daffy potion tea, turning him into the flower-headed creature from *Duck Amuck*. Hazel returns, chaos follows, and Daffy ends up parachuting with an anvil. Classic late-’60s Looney Tunes weirdness with recycled animation and Halloween energy. Favorite bit — the cheese transformation, flower-headed Daffy, or the anvil parachute? 🎃🍂 #WarnerBrothers #BugsBunny #RetroHalloween
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Uno de esos “one hit wonder” deliciosos que era un “llenapistas” en las discotecas en toda Europa en 1976. Tina Charles tenía sólo 22 años y la llamaron ls “Gloria Gaynor” británica por esta canción que aún hoy, es un imprescindible en cualquier playlist de música de baile.
❤️ En 1969, una adolescente londinense cantó como corista en discos de un tal Elton John, que entonces no era nadie. Siete años después, el planeta entero bailaba con su voz. Esta es la historia de Tina Charles, la reina del disco que primero aprendió a cantar en la sombra. ⬇️
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Soy el único que piensa que la HUELGA GENERAL del 11 de Noviembre debe ser EN CONTRA DE TODOS LOS POLÍTICOS DE ESTE PAÍS???? TODOS!!!!! @ppopular @PSOE @sumar @PODEMOS QUE ESTAMOS HASTA LOS MISMÍSIMOS DE TANTO INEPTO COBRANDO Y DESPILFARRANDO
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Debo ser de los pocos que no recordara a Patrick Stewart por Star Trek ni Xmen ya que no me gustan nada. Tuve la suerte de verlo En teatro y prefiero recordarlo por sus otras actuaciones.
In 1986, Gene Roddenberry said Patrick Stewart's name should "never, ever be mentioned in my presence again." Five years later, Stewart sang and danced on the bridge of the Enterprise as a birthday surprise for him. It was never meant to be seen. A copy survived and ended up as a DVD bonus. RIP Sir Patrick.
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He votado al @PSOE pero soy muy crítico con ellos. Si de verdad @oscar_puente_ ha sustituido a los expertos en @Adif_es para meter a amigos, entonces no solo debe dimitir sino debe ser juzgado por el accidente. Me asombra los votantes del @PSOE que no ven esto.
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Idées noires - coffret intégrale et les origines link.amazon/B0fCoq8HW
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Tuve la suerte de verlos
Ian McKellen and Patrick Stewart sharing the stage in Samuel Beckett’s Waiting for Godot (2013). Two extraordinary actors bringing one of theatre’s most celebrated plays to life.
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Ian McKellen pays tribute to Patrick Stewart, his close friend of many years: “Before everything else, Patrick was defined by being born and bred in Yorkshire, the proud county in the north of England which he loved to the end. You could hear it in his accented voice and in the stern honesty with which he told you what he thought and felt. Yorkshiremen have no truck with half-truths or avoidance of big issues. He wore his heart on his sleeve, which made him a man to rely on, to admire and in my case, love,” McKellen wrote on Instagram. “America was his adopted home, where he met his adored Sunny who has cared for him through sickness and health, through thick and thin. But he never forsook his origins: and the proudest achievement of the most respected and beloved actor of his generation on either side of the Atlantic, was his appointment as Chancellor of Huddersfield University in Yorkshire.” “His farewell performance in ‘Avengers: Doomsday’ is yet to be seen,” McKellen concluded. variety.com/2026/film/news/i…
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Mira pide lo mismo que NO PIDIÓ con sus hermanas y su padre. Está bonito él
El Rey pide que se determine “cómo y por qué” ha sucedido la catástrofe de Urda y medidas para que “no vuelva a suceder” social.elpais.com/afoed
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R.I.P Patrick Stewart. Seen here with Patricia Quinn in I Claudius - Reign of Terror (1st November 1976)
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No sé si recordáis la tortura de este dictador….pues lo siento mucho viendo a todos los políticos asesinos que tenemos y hemos tenido que han salido de rositas y se descojonan de las víctimas, me gustaría verlos aquí. Empezando con el 11M, residencias, Dana, etc
1990: Samuel Doe torture: Did you watch it on tape? I still remember when NTA broke the news of his capture during his visit to the ECOMOG field base. Doe was captured by rebel forces under the control of Prince Yormie Johnson. Suddenly, video tapes of his capture and torture flooded the market, people started selling them in traffic, shops, filling stations, while a lot of people trooped to Alaba market to buy the tape while video clubs started renting them to members. It became a hit, Nigerians wanted to see what happened to Liberian Head of State Staff Sergeant Samuel Doe. I finally watched it at a friends place, because I know my parents, they would never bring such footage home for us to watch. Instead my dad would buy Yul Brynner ‘The King and I’ or any of the James Bond 007 movies, while my mum would gladly go to Zabadne and buy Jesus of Nazareth and make us watch it. The torture that Doe went through in the hands of Yormie Johnson and his boys was excruciating. I never watched that tape again after the first time. It was not for me
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En 1990, el mundo descubrió que el dúo que más discos vendía del planeta no había cantado nunca. Ni una canción. Ni una nota. Y en esas mismas pistas, una mujer llamada Sandra demostraba cada noche que la verdad también vende. Esta es la historia de las dos caras del pop. ⬇️
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VICENTE VALLÉS (Antena 3 Noticias) hace un Jaque Mate a ÓSCAR PUENTE y al PSOE: -Europa nos dio 160.000.000.000€ (160 mil millones de Euros), para mantener y modernizar la infraestructura ¿DÓNDE ESTÁ NUESTRO DINERO?
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