#Kurdish—🇨🇦 #kamāncha player/composer/vocalist & founder of #DilanEnsemble | Recent released 🎶 #MySunsetLand_ROJAVA | Multilingual Twitting

Canada
Joined October 2015
Eyes stared at this endless horizon while sun sets gradually from azure to red in a day of Spring! My piece "Viyan" celebrates the life of a hero woman #ViyanPeyman who sang and fought in #Rojava... Artwork:@ZehraDogan2020 Video: @Zanyaromrani #Kobanî #KurdsTweet #Kurdishmusic
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Shahriyar Jamshidi retweeted
No piece of paper called a constitution or otherwise can guarantee or enshrine rights. When a society fundamentally lacks respect for rule of law and does not desire or respect democratic practices marginalised groups will always suffer. The Kurds of Rojava have returned to the pre-revolution era. Worse, they are now being doubly punished for having had the audacity to acquire autonomy. meforum.org/mef-observer/dis…
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This argument is very sensitive and scary, rooted in the brutal history of converting millions to Islamic Monotheism by Arab tribes from 623 CE until now. Frankly, this argument is entirely "Primitive and Political"—they are similar to clerics angrily shouting about identity 👇🏼
A remarkable and heated exchange on Nuce TV, a pro-PKK Kurdish channel, between Riham Hassan, a representative of the pro-PKK Yazidi women’s movement in Sinjar, and Remezan Kerim, a Kurdish nationalist from Erbil. Hassan insists that Yazidis are a distinct ethnic group, separate from Kurds. Kerim rejects this, repeatedly calls her Kurdish and accuses her of national treason. Most notably, Kerim invokes the epic of Dewresh Evdi, a legendary Yazidi warrior who, in one documented version of the oral tradition, declares: "I am neither Kiki nor Milan. I have been Yazidi for seventy generations." Kerim then renders the line as: "I am Yazidi and I am Kurd." Academic research firmly establishes Dewresh's Yazidi identity but does not record Kerim's formulation as a direct quotation from Evdi. However, the epic survives in many oral variations, some of which explicitly place Yazidis within a broader Kurdish identity. A 2022 academic study comparing six versions found that those preserved by Yazidi communities often emphasise both a distinct religious identity and a shared Kurdish identity, while versions among Muslim Kurdish communities focus more on tribal relationships. The epic is therefore more complicated than either side suggests. Dewresh's Yazidi identity is well established, and his association with Kurdishness also has a basis in the wider tradition. The exchange is particularly revealing because Hassan herself belongs to the PKK-aligned network and embraces the ideology of jailed PKK founder Abdullah Ocalan, while asserting a distinct Yazidi ethnic identity. This may reflect a strand of Ocalan's thought that emphasises plural identities and the right of communities to define themselves, leaving room for Yazidis to identify as a distinct people rather than necessarily as Kurds. Kerim represents the more conventional Kurdish nationalist position, which regards Yazidis as an integral part of the Kurdish nation regardless of how individuals identify. The confrontation exposes a basic difference in how the two approach identity: Hassan insists on the right to define her own, while Kerim insists on defining it for her. Even a shared epic becomes a vehicle for competing claims.
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("Kuda" in Kurdish) who created humankind, while all other living beings were the work of seven angels led by the ruling Peacock Angel named Malak Taus." [BBC] bbc.com/travel/article/20230… "The ancient religion is believed by some scholars to have been founded by an 11th century 👇🏼
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«ئیزەت ئالتینمەشە» ژەنیاری ساز و ئاوازدانەر و شانۆگەری تورک—کەسێکە لە ماوەی ۸۰ ساڵی ژیانیدا ژیرانە نزیک ۵۰۰۰ ئاواز و گۆرانی لە گەنجینەی نایابی مۆسیقای کوردی—وەکۆ ئەرکی نەتەوەیی سەرشانی تورکێکی نیشتمانپەروەر «دزیوە» و کردووەتە موڵکی موزیکی تورک بە گۆتن و دووبارە کردنیان بە 👇🏼
İzzet Altınmeşe, a Turkish actor & composer, received an award for adapting nearly 5000 Kurdish songs into Turkish. That's purely cultural integration into the central system, part of the smart movement—which the totalitarian Turkish ideology has been using as a soft weapon to 👇🏼
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لە خزمەتی سیاسەت بێت. دیارە هەر لەبەر ئەم هۆکارە— موزیکی نەتەوەیی کورد توشی کەمتەرخەمی بنەرەتی لە لایەن دەسەڵات و هونەرمەند و رۆشنبیری کورد بووە و بە ئاسانی و خێرایی بە دەستی داگیرکەران تاڵان دەکرێت. لەم نێوەندەدا کۆمەڵگای کوردی بە« گشتی» نائاگادارانە بە کرداری خۆی لە 👇🏼
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خێراترکردنی دیاردەی توانەوەی مۆسیقا و زمانی کوردی لە ناو فەرهەنگی داگیرکەرانی کوردستان چالاکانە بەشداری دەکات. İzzet Altınmeşe, (jdb. 1945 li Çîngûş, Diyarbekir) yek ji hunermendên ku awaz û stranên kurdî bi zimanê tirkî distirê ye. [Wikipedia].
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Paria Nasiri, a 17-year-old Kurdish student from Naqadeh, has been arrested by Iranian Intelligence Ministry agents at her high school. Several days after her arrest, her whereabouts and place of detention remain unknown. hengaw.org/en/content/news-d…
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İzzet Altınmeşe, a Turkish actor & composer, received an award for adapting nearly 5000 Kurdish songs into Turkish. That's purely cultural integration into the central system, part of the smart movement—which the totalitarian Turkish ideology has been using as a soft weapon to 👇🏼
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(South Kurdistan) was faster than the other parts of Kurdistan! Sadly, many famous Kurdish-born artists have made big contributions to their colonizers' culture by bringing Arabic instrumentation & orchestration into Kurdish ensembles—promoting Arab music as a modern Kurdish 👇🏼
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genre, and even helping the colonizers learn and perform their music. There are many reliable references, including names & further details, which are available to confirm the organized soft musical localization & adaptation of Kurdistan into Iranian, Turkish, and Iraqi music.
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#Kamāncha, a nomadic bowed instrument with distinctive style—appearing on stage as a solo to remind its West Asian roots as an important part of the world’s musical civilization highlighting story of #Zagros Mountain Range—birthplace of civilizations & home of millions of #Kurds.
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