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"Y aunque no tenemos ahora el vigor que antaño movía la tierra y los cielos, lo que somos, somos. Un espíritu ecuánime de corazones heroicos, debilitados por el tiempo y el destino, pero con una voluntad decidida a combatir, buscar, encontrar, y no ceder."
Tennynson, Ulises.
10
Dirry Harry retweeted
“Why Don’t You Get a Job?” is from The Offspring’s 1998 album Americana. Written by Dexter Holland, the upbeat ska-punk track about lazy partners was released as the album’s second single in 1999.
It reached No. 74 on the Billboard Hot 100, No. 4 on the Alternative chart and No. 2 on the UK Singles Chart. The melody draws heavily from the Beatles’ “Ob-La-Di, Ob-La-Da,” a similarity that was widely noted at the time.
Dirry Harry retweeted
IRON MAIDEN - The Clairvoyant
Una de las canciones más Hermosas de mi Doncella cumple 38 años!!!
❤️🔥🤘🏼
Dirry Harry retweeted
If you are having a good day, let's listen to metal to celebrate. If you are having a bad day, let's listen to metal to make you feel better. Metal is always there for you.
Iron Maiden - Run To The Hills (Rock In Rio)
Dirry Harry retweeted
"Kryptonite" was written by Brad Arnold when he was just 15 years old during a high school math class. Released as the lead single from 3 Doors Down's 2000 debut album The Better Life, it became the band's breakthrough hit, peaking at #3 on the US Billboard Hot 100 and spending nine consecutive weeks at #1 on the Billboard Alternative Airplay chart.
Dirry Harry retweeted
What a heartbreaking week it has been. Sir Patrick Stewart was a friend, a colleague, and a magnificent actor. From the stage to the bridge of the Enterprise, he brought intelligence, grace, and a deep sense of humanity to everything he did. Captain Picard stood for the best of us, and so did the man who played him. I was filled with affection and admiration for him and his work.
My heart goes out to Sunny and his family. He will be deeply missed.
Esto no es un comentario político ni una opinión sobre nuestro presidente.
Esto es rotundamente falso.
Apagar el móvil cinco minutos no te protege de forma general contra los ciberataques. Puede interrumpir momentáneamente (porque el movil está apagado) un malware que está escuchando lo que dices, pero no elimina necesariamente una infección ni impide que el atacante vuelva a acceder.
Los hackers tampoco atacan móviles porque tengan mucha actividad. Los ataques automatizados buscan vulnerabilidades, otros aprovechan engaños y los más sofisticados, como Pegasus, se dirigen a personas concretas explotando fallos de seguridad.
¿Reiniciar puede ayudar en determinados casos? Sí. ¿Es una medida mágica de protección? No.
Y si tienes una reunión extremadamente importante y confidencial, la medida sensata es dejar los teléfonos fuera de la sala. Eliminas una posible vía de espionaje y reduces drásticamente la superficie de ataque durante la reunión. Eso sí es una medida de seguridad con fundamento.
Dejemos el pensamiento mágico para la política si es lo que queremos, pero para la ciberseguridad, vamos a ser rigurosos, que las consecuencias arruinan vidas.
Dirry Harry retweeted
The Sting (1973) won seven Oscars, including Best Picture, with a story built around two con men, a few elaborate tricks and an extraordinary cast. No enormous spectacle needed. Just charm, intelligence and a screenplay that respects its audience.
Dirry Harry retweeted
“T.N.T.” was written by Angus Young, Malcolm Young and Bon Scott and became one of AC/DC's signature live songs. Originally released in 1975, the hard-rock anthem is built around its instantly recognisable guitar riff and Bon Scott's iconic lyrics.
The version featured on Live at River Plate was recorded in Buenos Aires in December 2009 during the Black Ice World Tour. AC/DC played three sold-out shows at River Plate Stadium on December 2, 4, and 6, with the concerts filmed by David Mallet and later released as the Live at River Plate concert film and live album. The performance is especially memorable for the enormous crowd joining in with the song's famous chant, turning one of AC/DC's simplest choruses into a massive communal moment.
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Dirry Harry retweeted
ALL STAR by Smash Mouth first hit the big screen in MYSTERY MEN (1999), two years before SHREK made it a cultural phenomenon. The music video even featured Ben Stiller and the film’s cast as their superhero characters.
What song became so famous that it completely eclipsed the movie it originally came from?
A song everybody knows, but a film almost nobody remembers. The kind of track that has outlived its movie so completely that people are surprised to learn where it came from in the first place.
What’s your best example?
Dirry Harry retweeted
“Friday I’m in Love” is from The Cure’s 1992 album Wish. Robert Smith has called it a dumb pop song that is also excellent, precisely because it is so out of character: optimistic, naïve and happy.
Released in May 1992 as the second single, it reached No. 6 on the UK Singles Chart (the band’s last UK Top 10) and No. 18 on the Billboard Hot 100, while topping the Modern Rock Tracks chart for four weeks.
Smith became convinced he had stolen the progression and called everyone he could think of to play it for them, asking if they had heard it before. He had also accidentally left the vari-speed on during recording, so the track sits a quarter-tone sharp. After months of work in concert pitch, that slight lift is what makes the song jump out. The video, directed by Tim Pope, won the European Viewer’s Choice award at the 1992 MTV Video Music Awards.
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Dirry Harry retweeted
Iron Maiden 'Live After Death' Released October 14, 1985
Finish this sentence
This album is.....................................
The greatest metal album of all time?
What do you love most about it?
Or is it really overrated, why?
Today on @themetalvoice
Note
It was recorded at Long Beach Arena, California and Hammersmith Odeon, London during the band's World Slavery Tour.
Dirry Harry retweeted
"Whiskey in the Jar" is a cover of a traditional 17th-century Irish folk ballad. Metallica was directly inspired by the classic version of Thin Lizzy (1973) and recorded for the album Garage Inc. (1998), which is 100% made of covers.
The track became one of the band's biggest hits in the 90s, #1 in several European countries and won the Grammy for Best Hard Rock Performance in 2000.
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