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And this isn’t just about Taylor.
The music industry has realized that fandom can be turned into its own economy.
Nobody has to buy five versions of an album. But when an artist has built an extraordinarily devoted fanbase, they also know exactly how powerful that loyalty is.
So where does the responsibility fall?
Is it entirely on the fan to know when to stop?
Or should artists also recognize when they’re asking their audience to spend simply because they know their audience will?
Because there’s a difference between giving fans options and repeatedly creating new reasons for loyal fans to buy what they already have.
This is the type of debate I think is worth having.
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The Blackening isn’t really a horror movie… and I’ll argue with anybody who says it is.
The killer is scary, yes.
The situation is dangerous, yes.
But the thing that actually kept me watching wasn’t the killer.
It was watching a group of friends slowly discover how little they actually know about each other when fear enters the room.
Everybody suddenly becomes suspicious.
Everybody starts protecting themselves.
And everybody has a different idea of who deserves to survive.
That’s what makes this movie interesting: the monster outside the group almost becomes less dangerous than the people inside it.
And here’s my controversial question:
If you were trapped in that cabin, would you save your best friend first or save yourself?
Don’t give the “I’d save everybody” answer.
Be honest
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When I was 10, my dad bought me a pair of expensive sneakers.
I was so excited.
But he didn't let me wear them to school.
“Save them,” he said.
“For what?”
“For something important.”
Years passed.
The sneakers stayed in my closet.
Eventually, I forgot about them.
Then, at 18, I found the box while packing for college.
My dad was sitting nearby.
I asked him why he'd made me keep them.
He smiled.
“Because when I was your age, I couldn't afford anything like that.”
He paused.
“I wanted you to have something I never had.”
I put them on for the first time.
They were too small.
I laughed.
My dad laughed too.
Then he said something I'll never forget....
FreeRangPost retweeted
Someone just said Davdo is a content creator and I’m still laughing 🤣 😂😂
Hope everyone had a lovely weekend 🥂💯
FreeRangPost retweeted
RUMORS ARE SWIRLING.
Zendaya was reportedly spotted at a concert appearing to share a kiss with her ex, Jacob Elordi, while reports claim Tom Holland has unfollowed her on Instagram.
Fans, do you think this is actually a breakup—or are people reading way too much into social media?
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Kennedy: “I don’t think any public official, including President Trump or Kristi Noem or John Kennedy, should spend public money on private ads for themselves… I may end up with a sombrero on my head, but I also think we ought to have a rule that no politician can have a building named after him when he’s alive.”
Should politicians be barred from using public money for self-promotion—and from having public buildings named after them while they’re still alive?
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We are grateful for His unfailing love and everlasting grace. Happy last Sunday of the month!
FreeRangPost retweeted
This Sunday, may GOD go before you, straighten every crooked path, open impossible doors, and fill your home with peace.
May your efforts be rewarded, and may you not labour in vain. Amen 🤍
FreeRangPost retweeted
The craziest part is that Jake Gyllenhaal’s voice is basically the emotional trigger for this entire song.
Sam Smith wanted a song about wanting someone so badly that being alone starts to feel unbearable — then brought in Jake to recreate his Donnie Darko dialogue about loneliness.
That is such a strange creative decision that it somehow makes perfect sense.
Jake isn’t even singing. He just has to say a few words about not wanting to be alone, and suddenly the song feels much heavier than a normal pop track.
That’s what I like about this collaboration: they didn’t force a big celebrity feature. They found a piece of Jake’s old character that already carried the exact feeling Sam was trying to express.