@IOperaAus

A not-for-profit performing society founded in 2007. Coming up! Dreyfus and Krenek: 22 and 23 July 2023.

 Melbourne, Australia
iopera.com.au
Joined May 2021
  • Tweets103
  • Following49
  • Followers34
14Media
Looking forward to this! @corpusmedicorum @StPaulsCathMelb
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Here's a media release about our next concert in Melbourne, a partnership with @corpusmedicorum and @StPaulsCathMelb. @abcmelbourne @774Melbourne @ABCClassic @melbcitycouncil @TimeOutMel @Soprano_OZ @tregear
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IOperaAus retweeted
IOperaAus@IOperaAus25 Sep 2024
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IOperaAus retweeted
OperaChaser@OperaChaserMar 20
Here’s a curious work from English composer Michael Nyman: The Man Who Mistook His Wife for a Hat, about a curious neurological case, that @IOperaAus is gladly presenting Melbourne audiences at The Athenaeum 2.
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John Adams’s ⁦@HellTweet⁩ The Death of Klinghoffer was premiered in Brussels ⁦@LaMonnaieDeMunt⁩⁩ #OTD in 1991.
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Honouring the wonderment of art, its tradition and adaptation, I couldn’t resist being back in its embrace @cityofmelbourne’s grand Royal Exhibition Building a second time to experience Wagner’s Die Meistersinger von Nürnberg. Thank you @MelbourneOpera!
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Our latest catalogue has been released – available on the website buff.ly/3X9kERJ #newbooks
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Magnificent, and critically acclaimed. Tomorrow and again on Saturday, do not miss this. @MelbourneOpera @warwickfyfe @lampard_bari @tregear limelight-arts.com.au/review…
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Looking forward to everything @OperaAustralia, @VictorianOpera, @MelbourneOpera, @BK_Opera, @A_C_O, @LyricOperaMelb and @IOperaAus. Sometimes it seems like there’s never enough but the city sure has a broad variety of options.
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Melbourne's UNESCO-listed Exhibition Building will host @MelbourneOpera's ambitious, all-Australian staging of Wagner's "miracle of complex engineering". limelight-arts.com.au/news/m…
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Out now! Peter @Tregear and Anne-Marie Forbes's study of the life and works of composer, conductor and teacher Fritz Hart, whose career took him from London to Melbourne and Hawaii. More: buff.ly/3ONXiMN #australianbooks #australianarts @royalmusical @MSAVicChapter
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Melbourne's @TheOrchProject and IOpera are set to premiere a World War II-era work that came close to being lost with its composer in the battle for Leningrad. limelight-arts.com.au/featur…
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A preview in @LimelightArtsAu by @tregear of our forthcoming concert performance (& Australian premiere!) of Fleischmann/Shostakovich's 'Rothschild's Violin' (after Chekhov). Sunday 29 September at UniMelb's Melba Hall. limelight-arts.com.au/featur…

Rothschild's Violin to play again

The Orchestra Project and IOpera are set to premiere a World War II-era work that came close to being lost with its composer in the battle for Leningrad.

limelight-arts.com.au
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Good to see @carawaters report in @theage on the future of Melbourne's #RegentTheatre. Here's a few thoughts for @ConversationEDU on why we should consider its Intangible Cultural Heritage value too. theconversation.com/the-futu…

The future of the Regent Theatre: why we must preserve not only architecture, but also public use...

The current Lord Mayor of Melbourne has said if re-elected he would sell the City of Melbourne’s majority stake in Regent Theatre. What could this mean for the community?

theconversation.com
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No better way to recover from the Grand Final in Melbourne than to attend this Australian premiere the following day, Sunday 29 Sept. Beautiful music, marvellous story, ravishing score. Tickets: trybooking.com/CVETA. @ABCClassic @LimelightArtsAu @OperaChaser @TimeOutMel
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Brilliant.
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🎼Beethoven initially composed the work for the enthronement of his friend as archbishop writes @tregear from @UniMelb. Two centuries on, it has endured the test of time. #MissaSolemnis theconversation.com/the-miss…

The ‘Missa Solemnis’ at 200: Beethoven was close to deaf when he wrote his self-proclaimed best work

Beethoven initially composed the work for the enthronement of his friend as archbishop. Two centuries on, it has endured the test of time.

theconversation.com
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Some thoughts on the ‘Missa Solemnis’ at 200 theconversation.com/the-miss… via @ConversationEDU

The ‘Missa Solemnis’ at 200: Beethoven was close to deaf when he wrote his self-proclaimed best work

Beethoven initially composed the work for the enthronement of his friend as archbishop. Two centuries on, it has endured the test of time.

theconversation.com
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