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Cuando dicen que el cine clásico es aburrido, sin vida, viejo, malo, obsoleto, cutre, feo ...
Javi 🎬😊 retweeted
French women with their heads shaved—known as les tondues (the shorn women)—being publicly humiliated during the Liberation of France in 1944....
"Les tondues" (the shorn women) refers to the estimated 20,000 to 40,000 French women who had their heads publicly shaved immediately after the liberation of France during World War II. They were targeted for suspected collaboration horizontale (horizontal collaboration)—having sexual or romantic relationships with Nazi occupiers, or otherwise assisting the German regime.
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When France was liberated in 1944, the celebrations didn’t just bring relief—they also unleashed a wave of anger looking for somewhere to land. In towns and villages across the country, thousands of women were hauled into public spaces and accused of “horizontal collaboration” for having relationships—real, rumored, coerced, or transactional with German soldiers. They became known as *Les tondues*: the shorn women. And what happened to them was less about justice than public display.
Their heads were shaved in town squares as crowds watched. Some were beaten or stripped. Some were marked with swastikas or marched through the streets while people jeered and cheered. Many were young. Many were poor. Some had been trying to survive in an occupied country with limited choices. Others were simply accused and swept up in the chaos. There were rarely trials or meaningful investigations—just humiliation, punishment, and a blunt need to make someone pay.
What makes it even harder to sit with is the imbalance. While these women were punished publicly and immediately, many men who collaborated in more powerful ways—politically, economically, or strategically—often avoided this kind of instant, visceral reckoning. A nation bruised by occupation found a simpler target. And it chose women.
The photographs still exist: shaved heads, blank stares, crowds turning punishment into performance. They’re a reminder that liberation isn’t always clean—and that in the aftermath of collective trauma, “justice” can slide into something else.
Ya lo estoy oliendo ...
CABALLERO SIN ESPADA (1939).
El destino lleva de nuevo a la ciudad a un joven de pueblo; ingenuo e idealista, su arrojo y valentía lo empujan a luchar contra los poderosos. Capra tiene ese maravilloso don de hacernos soñar con un mundo mejor y sentirnos a salvo durante dos horas.
Javi 🎬😊 retweeted
Buenos días, cinenautas.
Arrancamos el 28 de octubre de 1994 viajando a EE. UU. para el estreno de STARGATE. Roland Emmerich, Kurt Russell y James Spader abrieron la puerta a las estrellas e iniciaron una saga épica. 🌌🛸🏛️
¿Es para ti un clásico imprescindible del cine Sci-Fi? 👇
#STARGATE #CienciaFiccion #Cine #2en1reloj
Y recordad que hay un programón sobre la película en #Másquecinedelos80
open.spotify.com/episode/1dc…
Dj Javix Remember Vol 72 Tributo a Chocolate 1996.
¡Escúchalo en @ivoox!
go.ivoox.com/rf/182852820
@_ilavad @Karma_xan @nmcp_cine
@JosMaraMolano1 @Mike___Scofield
@julyapepry @eritah_ @Sonido90s
@AkeDj_ @frandejota @seb_harker
@Dimen_Misterio
Javi 🎬😊 retweeted
This is what AI is made for. Murtaugh is too old for this 💩 and Riggs has to find a new partner. I absolutely love how they brought in every character from that era and even combined two different characters for one actor in a couple different scenes. 🤣🤣🤣💥🔫
Javi 🎬😊 retweeted
'LADRONES DE TRENES' es un western eminentemente hawksiano, en una década que tiraba hacia otras vertientes más violentas y crepusculares. Quizás de una trama demasiado plana, su cadencia a la aventura, su humor y un giro final muy cachondo, nos dan un resultado magnífico.
La joyita olvidada de Katharine Hepburn en los años 30.
El estupendo comienzo de “Olivia” (“Quality Street”, 1937), de George Stevens, con todas las vecinas cotilleando desde sus ventanas cuanto acontece en la calle. Con actrices de carácter tan fabulosas como Estelle Winwood y Fay Bainter.
#olivia #qualitystreet #georgestevens
Javi 🎬😊 retweeted
Hoy, por Don Siegel, INFIERNO 36 (1951) De categoría teniendo a Ida Lupino como protagonista y guionista. Un policíaco bien filmado y con una trama alrededor de una inexperta y desigual corrupción policial, que conforme avanza transmite fatalidad, hasta un gran final. Muy buena.
Javi 🎬😊 retweeted
#DomingoDeWestern UN HOMBRE (Martin Ritt, 1967). Duro y árido western basado en una novela de Elmore Leonard. Una diligencia improvisada, una galería interesante de personajes y una serie de problemas que parten de la violencia y el dinero. Los diálogos son brutales. ¡Peliculón!
Javi 🎬😊 retweeted
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«Gaslight» (1940), de Thorold Dickinson, es una lección de estilo, atmósfera y perversidad psicológica. Lejos de la vacua grandilocuencia de la versión americana de George Cukor (1944), Dickinson opta por una puesta en escena austera, claustrofóbica, donde cada sombra y...⬇️
Javi 🎬😊 retweeted
Esta es la portada de nuestro próximo libro “Metrópolis. El libro del centenario”, con el que celebramos los 100 años de la película. Tres autores abordan su rico universo con el acostumbrado despliegue gráfico.
A la venta a finales de noviembre.
@joaquinvallet78 @AJNavarro9




























