Katya Robin (@KatyaRobin) header
Katya Robin (@KatyaRobin) profile picture

Artist - Draws Paints Writes @DrawnTogetherCo | Curatorial Team @prosaic97 | Instagram katya.robin

Sheffield, England
Joined October 2009
Photo by Katya Robin (@KatyaRobin)Photo by Katya Robin (@KatyaRobin)Photo by Katya Robin (@KatyaRobin)Photo by Katya Robin (@KatyaRobin)Photo by Katya Robin (@KatyaRobin)Photo by Katya Robin (@KatyaRobin)Photo by Katya Robin (@KatyaRobin)Photo by Katya Robin (@KatyaRobin)Photo by Katya Robin (@KatyaRobin)Photo by Katya Robin (@KatyaRobin)
Gonna be on radio 3 at 10pm next Thursday, talking about cleaning, and CLEAN.
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Today we thought we'd bring you some material from our Artists' Books Collection. These two works by @KatyaRobin are some of our favourites! (Reproduced with the artist's permission.)
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IG @florencepklein] ‘Oh My Goddess!’ Revisiting the tale of The Three Graces 🌿
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IG @artyjaneh | All 2 and 3 minute poses of the wonderful @maga_artivista _artivista being a pretty convincing #gargoyle with @therenaissanceworkshop
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Replying to @mklfreeman
@mklfreeman | Developing my story contribution for the Rewilding themed publication with @DrawnTogetherCo It's all very witchy, taking inspiration from delightfully dark Welsh myths and legends such as Blodeuwedd and Ceridwen.
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Replying to @KatyaRobin
@KatyaRobin | Drawing the Cow sheds from the car. Thanks to @florencepklein for sharing oil pastel transfer method. Very handy for portable colour on cold days. @DrawnTogetherCo
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New graphic short: The Glass Mountain for an inaugural rewilding themed anthology with @DrawnTogetherCo #zines #Zine #poetry #poetrycommunity #feminist #fairytale #printmaking #screenprinting
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[✨Work and caption from member @RHCdraws on IG ] It sort of looks like a window above a bed…Experimenting with gold ink…it’s very hard to photograph 🤦‍♀️ but it’s all for the most wonderful project that I have the privilege of working on with the awesome @drawntogether_co
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Replying to @mklfreeman
@mklfreeman “The Glass Mountain." Revisiting themes and images that emerged almost exactly a year ago, on the cusp of and amidst mental collapse. Creating a short story for a collaborative graphic book made with kick-ass feminist international creative collective: Drawn Together
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100 cleaners at @sheffielduni have signed pledges to take collective action over pay, terms, and conditions. They are demanding £10 an hour, @LivingWageUK accreditation, and opportunities for pay progression. Sign here to support the campaign: megaphone.org.uk/petitions/d…
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Delighted that my @ace_national #dycp application was successful. Excited to begin ! Big thanks to @_TheUncultured_ for fantastic access support. the-uncultured.com/our-work.…
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We live in a text heavy society, for a dyslexic person navigating this, it can be challenging. Benedict Phillips explore the day-to-day experiences of being dyslexic. Today he looks at I which stands for Institution: 🏛️ vimeo.com/562815380 #dyslexia #film #alphabet #words
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Katya Robin retweeted
Wonderful typography on concrete at the multi-storey car park Truro, Cornwall. #ConcreteArtWeekend @GrimArtGroup
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thanks @Tspaceinbetween for sharing your enthusiams & expertise with the info-packed guide to PR for visual artists - will put it into practice when working with @prosaic97
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Great intro to Reviewing Museums, Exhibitions & Gallleries mini course w @DrEmmaPark @CityLitWriting @citylit
Study for 'The Parquet Planers', 1875 #impressionism #gustavecaillebotte
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Migration, Memory, and the Visual Arts symposium: Panel 1, Rachel Dickson @BenUriGallery fascinating talk on the art of mother Helga Michie and daughter Ruth Rix @Arts_UoL @FrLouwagie @imogenwiltshire @Arts_UoL @UoLSBC @FrLouwagie @imogenwiltshire
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Migration, Memory and the Visual Arts symposium: Panel 1, fascinating presentation by Eliad Moreh-Rosenberg @yadvashem exploring the presence of the Holocaust and second-generation experience in the work of artist Sigalit Landau. @FrLouwagie @imogenwiltshire @Arts_UoL @UoLSBC
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@JudithTuckerArt facilitates a wonderful discussion on using objects and places of memory forensically in visual art. Judy Goldhill shares her experience entering an iron lung as a practice of embodied memory connecting herself to her father.
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