博士の助手 retweeted
和尚魚と「罪人たち」を観る会終了🎷
濃すぎるNPCと濃すぎるイベントの相乗効果で脳破壊を狙う!
音楽の力による「世界の変革」シーンやアイルランド民謡、ラストのライブとBGMが非常に効果的に使われてて良い…
最高に死者のストンプだしサミーはリロイだしワイの回したいタイプのシナリオだった🫶😂
博士の助手 retweeted
これをみんなに読ませる「前に」改憲してしまいたく、発議を2月に前倒しした高市早苗。
読んだら広げよう。
こんな憲法なんて嫌だよ…
リンクコピーしました
昨日のデモでも街行く人にお伝えしましたが、高市自民党政府の改憲草案、本当に本当に民主主義の終わりですから、全員よくよく読んでください!
改憲草案ドットコム!
特に高市は2012年の改憲草案を理想としています。
ほんっっっっとにヤバいから!
kaikensouan.com
#リンクをコピーで拡散
博士の助手 retweeted
こちらの素敵な作品に、表紙・裏表紙および挿絵3点を寄稿させていただきました!
大変光栄なことに、可哀想な場面からそうでない場面までさまざまな姿を描かせていただいております
是非お手に取っていただけましたら幸いです。どうぞよろしくお願いいたします
【2026/12/5〜6 篝火に火を灯せ6】新刊
#篝火6
新刊 モブ学/葬学小説
小説 / B6 p144/ R18
展示で書き途中の狼弦(🐺🏹)新作の冒頭も出す予定です。
新刊の表紙と挿絵はなぱさん(@_naapatbx)にお描き頂きました。
当日はよろしくお願い致します!🙇
オラオラオリマー追跡者に遭遇。我鉄が道すがら1日目下の坑道、二日目上の坑道イきたいピンするも別ピンで拒否られ続け、最終的に商人から買えと指示される。これが新手の追鉄ですか。前の鉄となんかあったんですか?
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VIVANTs2、二次創作IFやる必要がないくらいドリーム展開の連続すぎて個人的にはうーんな感じだったかも。Netflixだったら皆○んでたと思う。でも役者は良き。s2は李、周、沈の演技が特に好きでした。
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博士の助手 retweeted
Takashi Yamazaki's "Godzilla Minus Zero" is a downgrade from its 2023 prequel. It's disjointed, boring, & unsure what it wants to be.
***SPOILERS AHEAD***
First the monsters: this is a Ghidorah film, not a Godzilla film, who's in it for less than 4 minutes. The final battle is bloody, destructive, but very short. This might be the shortest fight in any Godzilla film. The one-headed Ghidorah is just a 'Game of Thrones' dragon. But the three-headed variant is phenomenal, & the scene where his head splits into three & he first uses gravity beams is incredible. Ghidorah is a threat throughout to Mankind. The potential of it's evolution is glossed over and wasted. The hand-held camera footage of its awakening is great. Godzilla just kind of shows up. No explanation.
The secondary villain, the United States gov't is always ever present and looming in the background.
The acting is generally alright, but the scripting is uneven, disjointed & full of weird nostalgia towards the first film. "Remember this, here is a version of that" but ad infinitum. There are some very dark elements of radiation scarring, suicide, abandonment, hopelessness, & nationalism that are very well done.
The ending is very weird, neither cathartic nor fulfilling. The film simply ends. Certain characters make very odd choices, especially concerning war orphans, & whoever allowed that weird scene at the very end at the 'orphanage' should not ever write again. What was that?
Min Tanaka's prof. Murakami is the best part of the film. A man who lost his whole family in Hiroshima doing anything he can to gain vengeance on the Americans who dropped the nuke. His invention rivals the Oxygen Destroyer from "Godzilla" '54. He's phenomenal in the film, and those Hiroshima & New York scenes are brilliant psychological spectrums of his mind in constant battle between hate and grief.
What they do with the Godzilla cells is akin to "Godzilla vs. Biollante" which is great. But a lot of the potential is wasted. It's unfortunate. Sigh.
Hideaki Anno cameo was great though.
In the end, it's an ok film, a quasi-remake of "Ghidorah, the Three-Headed Monster" but with a lot more soap opera drama. I'd put it as a medicare kaiju film and give it a 7.5 out of 10. Worth a single watch, but it won't be a movie people will return to. The monster/fighting scenes will fit into a 8 minute clip on YouTube, which will be more impressive then the whole from which they were pulled.













































