writer,curator,critic/ contemporary performance, gender, critical theory/ AkademiederBildendenKünsteWien/@fwf project leader The Performance of Critique: AI,...
London-Vienna
Joined February 2010
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First digital proof of my book forthcoming with @routledgebooks "Dressaged Animality: Human and Animal Actors in Contemporary Performance" (August 2024). routledge.com/Dressaged-Anim…
Apparently my book has, finally, after months of more waiting due to financial support, been published -- the open access ebook is now available here. taylorfrancis.com/books/oa-m…
change of date and location: Tuesday, 26 Nov
gold.ac.uk/calendar/?id=1522…
Correct information:
- **Room:** RHBD 2104 Chesterman Meeting Room
- **Date:** Tuesday, 26/11/2024
- **Time:** 16:30 - 18:30
Very excited about this upcoming event where I will present my book "Dressaged Animality: Human and Animal Actors in Contemporary Performance" @GoldsmithsUoL gold.ac.uk/calendar/?id=1522…
The last performance which I co-curated around the Rose English exhibition @MdMSalzburg takes place on 7 November. After Esben Weile Kjær, Nina Beier/Bob Kil, and Raphaela Vogel/Daniel Roth, Philipp Gehmacher shows "The Things of the World (For Rose)". museumdermoderne.at/en/event…
Tune in the 'expert talk' podcasts or join the symposium at the Academy of Fine Arts Vienna, focused on artists' archives and estates (curated for Vienna's international gallery festival, Curated by). curatedby.at/focus
Our exhibition catalogue on Rose English's performance work is out @distanzverlag, featuring essays by Connie Butler, Nicole Haitzinger, myself, Marijana Schneider, and Amy Tobin.
Dr. Lisa Moravec retweeted
Happy Birthday to Karl Marx’s Capital Volume I, published on 14 September 1867.
davidharvey.org/reading-capi…
What a pleasure to present my paper “Women’s Politics and Art: ‘Feminist Animalities’ in Kunst mit Eigen-Sinn (1985)" at the conference “Re-Evaluation in Feminism and Contemporary Art” @MiddlesexUni. A rich day of grappling with persisting issues of feminist practices& criticism.
Looking forward to speaking at the conference, "Re-Evaluation in Feminism and Contemporary Art" at Middlesex University in September nparadoxa.wordpress.com/?fbc…
New text is online @spike_art. Some thoughts on the William Forsythe show, "Choreographic Objects", @MAK, Vienna, via #impulstanz 2024. spikeartmagazine.com/article…
I am more than excited that my long-term research and critical engagement with Rose English's interdisciplinary, horse-focused performance practice is now partly public in the form of this exhibition museumdermoderne.at/en/exhib…
Dr. Lisa Moravec retweeted
What would it mean to treat the body like a DIY robot?
Ahead of her #ImpulsTanz performances at @mumok_vienna, @geumhyung_jeong undresses her interest in control with Lisa Moravec.
spikeartmagazine.com/article…
Happy Labour Day! In the late 18-century the 8-hour working day was considered an ideal. In 1936, women demanded a 30-hour week in NY. And where are we at now, with increasing automatisation? The four-day workweek is still largely considered unrealistic.
Marlene Bart and I had the pleasure to talk about animals, nature and digital production in art, and overlaps between artistic and academic research. It happened on the occassion of her first solo exhibition @petergaugy in Vienna . Video is online now: youtu.be/GgQIq4gJK1U?si=RzJw…
Next Saturday (6pm) I will be in conversation with the emerging performance artists Sarah Sternat, Olivia Hild, and Iris Dittler, on the occasion of the exhibition "Common Ground". Come by: Im Spitzer, Taborstraße 10
1020 Wien (Im Hinterhof) odeon-theater.at/common-grou…
Vienna-based people: A warm invitation to the artist talk with Marlene Bart and myself at Peter Gaugy's gallery in Vienna, Saturday 16 March, 7pm. petergaugy.com/en/
More than excited to see my essay, 'Training Humans Not Machines: Artificial Intelligence & the Performance Culture of Its Critique', being published in TDR's timely edited special issue cambridge.org/core/journals/…