
writerer/filmmakererer ‼️ REFERENCE MOVEMENTS !ink below ‼️ SANDBAGGER on @nobudge
MI ➡️ LA
Joined July 2009
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REFERENCE MOVEMENTS
vimeo.com/776992936
mitch f. anderson retweeted
“When did gum get so soft, you sons of bitches?”
RIP Stacy Keach
Chew some Bazooka Joe in his honour.
Nithya’s LA, everyone!! (the FYC billboard for The Secret Agent that had been up on Highland since last awards season was gone this morning 😔)
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Obsession discourse got a little out of hand there, but at the end of the day Curry Barker’s pretty cool
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mitch f. anderson retweeted
Nathan: but you get why this is funny, right?
Elizabeth: yeah, he’s… it’s weird that he just got back from climbing Mount Everest, I guess. and that’s… it’s a lot of thimbles to have up on the wall like that…
Billy: great guy, Jay Johnston. hero.
Nathan: but you get why this is funny, right?
Elizabeth: yeah, he’s… it’s weird that he just got back from climbing Mount Everest, I guess. and that’s… it’s a lot of thimbles to have up on the wall like that…
Billy: great guy, Jay Johnston. hero.
mitch f. anderson retweeted
love this essay a lot. nobody deserves to be in prison. no, not even the person you’re thinking of.
for bkmag, wrote about you can see everything as a movie about prison bkmag.com/2026/10/21/you-can…
mitch f. anderson retweeted
It was a great honor and pleasure to work with Tom on @LuckyFilm2017 When he walked on set #harrydeanstanton said “Hey Tom, remember that time we changed Science Fiction forever?” RIP
Tom Skerritt, 'Picket Fences' and 'Alien' Star, Dies at 93 variety.com/2026/film/news/t…
mitch f. anderson retweeted
NAZA, the new film from Yuval Abraham and Rachel Szor. "One of the most important films of our time." Bilge Ebiri, NY Magazine. Now playing in theaters nationwide. A NEON release.
mitch f. anderson retweeted
Jon Benjamin Has a Van episode where Nathan Fielder, the sound man, is kidnapped and the episode continues without sound, but keeps being filmed in places where a lot of sound is being made >>>>>>>>>
mitch f. anderson retweeted
WIN NIGHT OF THE DEMON ANNIVERSARY EDITION 666/2000
It has been unavailable for eight years. But now, our legendary Limited Edition Blu-ray release of NIGHT OF THE DEMON has been resurrected!
RT this post for a chance to WIN copy number 666/2000.
powerhousefilms.co.uk/produc…
mitch f. anderson retweeted
I work at a DARPA cloning facility where we make these ladies. Aint much but it’s honest work. big boss keeps sayin you gotta make em more angular. Make the eyes dead. They dont need to read good. I ask the lord for forgiveness whenever one comes out and asks if shes really alive
mitch f. anderson retweeted
These kind of broad critiques always grind to a halt the second people start throwing around “left” because they never define it. Context clues are there so it of course means being “woke” and in this case too afraid to be edgy or push buttons or be transgressive.
Further on down there are allusions to someone having to do this because of their lack of job security, but instead of that being framed as of an issue with a politically Left answer, it’s framed with the Gen X ideology of “selling out.”
I am not anti film critic. I love film criticism. It is essential to have smart brains giving real analysis on the most dominant art form of our lifetime. However, the field is muddled with groupthink and ideological dogma, not to mention a mass infestation of Dunning-Krugerism. Politically the line starts left of center, and only grows more acceptable as the graph goes left. It's bad for movies but, more importantly, it's disconnected from half of the country, if not the world.
I doubt all of these credentialed critics are as party line as their collective would make them out to be. They are under the same pressures of being cancelled as any other job, if not more due to the need for readership. But there's no excuse. You chose to to be a public voice, and if you calibrate one word of it to placate employers, audiences, and your paycheck out of repercussions, you are the sellout you accuse many filmmakers of being.
Film criticism is very important work. It frames the mass hallucination of our time - moving images - and the basic rule is to keep it honest. The most honest person in the room is often the least popular. They exist, they are few, and yes, they are unpopular. Anyway if your thinking is groupthink, either you don't have the skill to realize it, surpass it, or you're faking it.





























