
Animation / Experimental Films / Ephemera. Handmade film studio. π½οΈππ€ Latest work: https://xitter.cf/t.co/u0GGeO4ujg #SupportIndieFilm #NonFilms
New York, NY
Joined October 2013
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Someone just sent me this prime example of an entirely vibe coded movie website that is fishing for press access. I hope people understand that just because something "looks legit" at a glance doesn't mean it is.
"@MovingImageNYC is pleased to present a selection of films set in New York personally chosen by James Gray, from monolithic classics to lesser-known titles, that express the complicated, multifaceted character of the city itself." movingimage.org/series/jamesβ¦
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James Gray's New York Β· November 7-22
The acclaimed Queens-born filmmaker selects five titles that express the multifaceted character of the city, alongside THE IMMIGRANT and a special preview of PAPER TIGER.
Tickets on sale now: movingimage.org/series/jamesβ¦
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I had a very βLeo points at screenβ moment while watching You Can See Everything, recalling the last question I posed to Lance Oppenheim in an interview over 5 years ago:
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RIP Eric Bauza, one of the greatest of all time. Did almost every single one of those voices in Coyote vs Acme. Someone who clearly loved these characters so much that he wasn't just doing Mel Blanc, he made them his own.
xitter.cf/TunesClips/status/1484β¦
Tues, Oct. 27: πππ«π€ππ¨π¨π¦ returns to Freddyβs Brooklyn with an EXTRA SPECIAL SHOW! FREE + donations for visiting filmmakers. As always, artists should be paid. Q&As, free zines, and surprises await you at this October show. Witness an all-new secret showcase of films. β¨
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As someone who saw The Devils far too young on the BBC in the 1990s, the hype around this re-release is genuinely blowing my mind. Selling out cinemas everywhere. Huge lobby standees. Itβs utterly crazy in the best way
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i know itβs prob weird rights and licensing issues, but itβs criminal that there isnβt a US blu-ray or 4K of this
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This was how he was when I first met him (to talk about Lisztomania) and I'd never seen anything or anyone like that.
Not even a photo of him. And he didn't do drugs; just five steps ahead of anyone else with that holographic brain
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Calling all critics, voters, and list-makers! My annual feature tracking the films getting awards-qualifying runs is up.
This will be updated through December. If you are a distributor and your run is not listed here, get in touch.
Here's all the 2026 films having one-week, awards-qualifying theatrical runs this year: thefilmstage.com/all-2026-fiβ¦
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The Devils is playing to sold out crowds all over right now btw
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Monday, NIGHT OF THE LIVING DEAD screens with a Live Sound Cinema score by @morriconeyouth
Almost sold out!
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Todd Haynes' 'The Maids' will be "a very specific" take on Jean Genet's play, with the director saying "Iβve never seen this approach anywhere else."
Read first details on his planned 'Carol' reunion with Cate Blanchett: thefilmstage.com/todd-haynesβ¦
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hope you dig it ~ castrationmovie.com
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it still feels surreal that Ryu Murakami passed away. very few writers have this insatiable appetite for life and write in a way that feels like this is the only thing in the world that matters. truly a huge loss for the literary world.
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After just five days, You Can See Everything is now the most-watched Q&A of all-time on @FilmLinc's YouTube channel, surpassing The Irishman Q&A from 2019.
$100 million box office incoming.
Nathan Fielder and Lance Oppenheim in conversation with Dennis Lim at @TheNYFF is now available to watch. youtube.com/watch?v=6gn0QeqYβ¦
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I've always wondered about the white subway tile that's used so extensively in Jarman's set design; I interviewed Mark Kermode about the 'Devils' re-release, and this is what he told me:
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My friend and colleague @JustinCChang and I teamed up on a newsletter roundup of new releases; I have special enthusiasm for one film in the batch, Eleanor Coppola's absorbing and moving documentary Making Marie Antoinette:
links.newyorker.com/e/evib?_β¦




































