In both @meenakandasamy’s Fieldwork as a Sex Object and @caroclaireburke’s Yesteryear, we watch women map their thoughts and experiences onto the internet. Yet their algorithms deliver vastly different verdicts: one is celebrated with viral adoration, while the other is brutally dismantled in public. But who holds the gavel in the digital town square? And why do these verdicts so often seem to belong to “digital mobs”—self-appointed custodians of a rigid culture? In this piece of cultural critique for @harperbroadcast, @verma_anushka70 examines the collective gaze that turns Burke’s quintessential “trad-wife” Natalie into the internet’s cherished prize while casting Kandasamy’s vocal political critic as its exiled pariah. Read the full piece: harpercollins.co.in/editors-… #READWithHarperCollins #MeenaKandasamy #CaroClaireBurke #DigitalCulture