Type Design + Font Engineering @daltonmaag 🌐 ∙ Teaching at IED @_KUNSTHAL ∙ TypeMedia 17 ∙ Sick of capitalism ✊ Find me at https://xitter.gq/t.co/qDoOUTetD9
London
Joined November 2009
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🚗 Driver Small 🚗 is a four axis variable font that adapts to a responsive interface, enabling the designer to link visual parameters of the typeface to conditions like luminosity, size and background color. - 2/7
Da mucha alegría ver nuestra Chulapa usada aquí ✊🙂 @sr_casasin @nchpdll
Este 4 de mayo está en tu mano hacer que Madrid florezca de nuevo 🌼
¡La #PrimaveraMadrileña está cerca!
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Esto 👇
Today I’m launching a personal project that collects typefaces by Latin American Designers that honor and preserve Latin American culture. It’s called Typefaces as Cultural Objects.
⚡️ bit.ly/typeLATAM (link in bio)
Se acabó usar nombres pedantes e ignorar a la mayoría de los sistemas de escritura del planeta. Buenas noticias 🌍🌏🌎✊
The #ATypI board has voted to de-adopt the #Vox-ATypI typeface classification and has withdrawn endorsement of the system. News item with link to full text of press release is here: atypi.org/atypi-de-adopts-vo…
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Hay mucho escrito sobre cómo esta clasificación ha contribuido al elitismo y el imperialismo en la tipografía. Si queréis leer en castellano sobre ello, @heterotype daba buenas claves en el @congresotipo 2016 researchgate.net/publication…
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No podemos permitirnos perder un medio como @lamarea_com, que ha destapado historias como el extremismo de derechas en el ejército entre otras muchas. Dadle apoyo si podéis! ✊
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Caraque is out! 🍫🍫🍫
A variable typeface I've been developing in
@DaltonMaag with a MELTING axis. Read the case study and try it for free! 😋 daltonmaag.com/library/caraq…
Meet Caraque, our newest and most delicious library typeface. Originally inspired by chocolate, Caraque is ideal for advertising and packaging. It’s an adaptable design that can transform to embody different words and emotions. Try it for free at daltonmaag.com/caraque
Yesterday I got this beauties in the mail by talented @tillepalle 🤟 The very same day I visited Highgate. So I had to take the 2nd picture ✊🔻
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Very much looking forward to this talk 🔥 Tomorrow!
🔥 New BIPOC Design History talk free to all: 🔥 A Wounded Fire: Queerness in Black Publications from the Harlem Renaissance 🔥 hosted by HBO interactive design team 🔥 Monday, August 24, 6 pm EST / 3 pm PST 🔥 FREE us02web.zoom.us/webinar/regi…
ALT FIRE!! Devoted to the Younger Negro Artists, Cover Design by Aaron Douglas, 1926. A Bright red san serif type with the word "Fire!!" over a subheading in the same font saying "Devoted to Younger Negro artists." Below is a graphic form that first looks like an Egyptian Sphix drawn as a flat bright red graphic on a dark red background. Upon further view, the graphic flips and shows a young african youth with an earing.
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👏 Hilo básico para cualquiera que pretenda enseñar a hacer tipografía en España:
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Este San Isidro me pilla bastante lejos de mi Madrid. Pero @nchpdll me trae buenos recuerdos de cuando @sr_casasin y yo diseñamos estas letras 🥳 Feliz día, verbeneros y verbeneras!
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Tesseract type design was fun! 🤘🔥 Thanks @underware @sr_casasin and all the attendants for the good time 🤓
Nice bonus: the workshop didn’t finish on Friday when it stopped. The challenge to combine at least 4 completely different, unrelated designspaces into a single Tesseract designspace was accomplished during the weekend (!) by @walkingfearless & @Pabloblicuo. Respect!
Gerrit Noordzij 🔥 Endless wisdom. Una referencia fundamental para la tipografía. En serio, dejad lo que estéis leyendo y leed este artículo 😉
Extensive article about the many sides of Gerrit Noordzij. Originally published in Dutch in 2007 as booklet, now available online in English.
dutchgraphicroots.nl/?p=1495
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🔠 Jueves 23 - 19:30
Presentamos la nueva tipografía de @iunida 😊
Mesa redonda sobre Diseño y Política con «Un Mundo Feliz»
Y hablaremos del proceso de creación y detalles del proyecto.
Venirse! Que habrá 🍺 y 🎁
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¡Este San Isidro ha sido muy especial 🎉
Gracias al ayuntamiento de @MADRID y al empeño de @nchpdll, podéis descargar la tipografía CHULAPA. Un proyecto en el que hemos trabajado @sr_casasin y yo con mucha ilusión 😀😄
La referencia evidente han sido las placas de Alfredo Ruiz de Luna, autor del callejero madrileño que se puede encontrar por todo el centro de Madrid. También el proyecto de clase Ferpal Sans de @silviaferpal, que las versionó el año pasado para los carteles.
Thanks so much for this livestream @ANRT_type 👏🎉
This is great news 👏I don't care about new cars's sound or having an anthem ceremony. But equal opportunities for women in motorsport is a MUST. Congrats @TataCalde 🎉
The dream goes on, very excited to continue with my @F1 journey with @alfaromeoracing as a Test Driver in 2019! Thanks for the opportunity and trust 🙌🏻👊🏼Bring it on!
And @F1 shout take note, that an increasing number of fans really value this kind of moves. Don't give us pitbabes until we have female drivers, engineers and race directors 😘
OMG sometimes @drawbotapp saves the day 😍 It just saved me like... 20 hours of manual work and calculations? Can't thank enough @justvanrossum @typemytype and @letterror for this big toy
Anyone hesitating about learning Python, please just do it. Now it's even easier thanks to @rob_arista 's pythonfordesigners.com/ (and beautiful too)
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📢 Taller de tipografía e impresión 3D
▶️ En @MedialabPrado!
📅 Los días 6, 7 y 8 de Febrero,
🎉 Inscripción Gratuita
Info e inscripciones en medialab-prado.es/actividade…
