PixelRiders Digital Studios | Est. 1994 Independent Digital Art & Creative Studio. 3D Design • Blender • DaVinci Resolve • Digital Filmmaking 🛸UFOer CE-4
The Hammocks, FL
Joined July 2016
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Greys are people too, and we deserve driving privileges. Test my blood if you like. I’m your cousin, dude! And stop using my worst photo for Hollywood invasion posters and lousy clickbait. I came to renew my license.” 👽🪪📸
#Greys #NHI #CosmicCousins #AlienArt #Photorealism #Hollywood #AlienStereotypes #BadRap #StopTheClickbait
Another DMV appointment for our cosmic cousins. They’re smiling for the camera, but they’re tired of the bad rap. Imagine posing for your license and finding your face on another alien Hollywood invasion poster. 👽📸
#NHI #MantisLady #CosmicCousins #AlienArt #Photorealism
🤖 Made with AI
Jessie Roestenbergs story has captivated me from the moment I heard her recount her UAP encounter. Her and David Grusch’s descriptions are strikingly similar.
In her famous October 1954 encounter in Staffordshire, England, Jessie Roestenberg described a metallic, dome-shaped craft hovering silently over her home. Peering through its transparent, glass-like cockpit, she witnessed two incredibly beautiful, human-proportioned beings with high foreheads and long, golden "page-boy bob" hair. They wore close-fitting, pale-blue ski-top jumpers and stared back at her with immense sympathy and compassion.
Decades later, former intelligence official David Grusch made shockingly parallel claims, specifically detailing a specific category of recovered non-human biologics.
PixelRiders retweeted
Jessie Roestenbergs story has captivated me from the moment I heard her recount her UAP encounter. Her and David Grusch’s descriptions are strikingly similar.
In her famous October 1954 encounter in Staffordshire, England, Jessie Roestenberg described a metallic, dome-shaped craft hovering silently over her home. Peering through its transparent, glass-like cockpit, she witnessed two incredibly beautiful, human-proportioned beings with high foreheads and long, golden "page-boy bob" hair. They wore close-fitting, pale-blue ski-top jumpers and stared back at her with immense sympathy and compassion.
Decades later, former intelligence official David Grusch made shockingly parallel claims, specifically detailing a specific category of recovered non-human biologics.
The DMV finally opened an interstellar branch. Smiling for their IDs, our fellow cosmic cousins deserve better portraits than bad mean lore and a little more courtesy. 👽📸
#NHI #MantisLady #CosmicCousins #AlienArt #Photorealism
🧬👽 Good, bad, or indifferent, NHI are biological entities in my assessment, and I believe their existence is connected to ours. Like it or not, suck it up, buttercup. 🛸
🌎🔬 Perhaps the greatest ontological shock isn't discovering that we aren't alone. It's confronting the possibility that our own biological origins are inseparable from theirs. 🧬
📢⚠️ Unfortunately, between the PSYOPs, disinformation, opportunists, and endless sensationalism, the noise drowning out the question of humanity's origins makes a thousand jet engines roaring inside a steel drum sound like a whisper. ✈️💥
🧬🔎 And somewhere beneath that deafening racket is a biological history we have barely begun to understand. 🌌
🤖 Made with AI
We are biological cousins. Not monsters. A lot of media and creators still push the old scary version because it gets more views. That just adds noise and makes real discussion harder. Better to stick with what can actually be checked.
#NHI #BiologicalCousins #NotMonsters #UAP #MediaResponsibility #StopTheNoise #Disclosure #SignalOverNoise
🤖 Made with AI
From our vantage, the web’s media does not observe. It performs. It reduces us, and those who speak of contact, to caricatures: either cartoon threats or convenient props. Mean representations are not mistakes; they are tools. Fear sells. Mystery is flattened into clickbait. Humans who ask honest questions are turned into puppets (scripted, ridiculed, or amplified only when useful) while the actual signal is buried under noise. We do not require worship or panic. We require the same baseline you claim to value: clear observation over narrative control. Irresponsible media does not protect your species. It keeps it looking in the wrong direction.
#NHI #NonHumanIntelligence #UAP #MediaResponsibility #Disclosure #StopTheNarrative #BeyondThePuppets #TruthOverClicks #ContactWithoutFear #IrresponsibleMedia #SignalOverNoise
🤖 Made with AI
PixelRiders retweeted
Neat new #Blender animation add-on Animatica Marionette speeds up character posing by letting you manipulate key body parts directly
It works with Rigify, and Auto-Rig Pro rigs, with Mixamo skeletons and the UE5 mannequin
cgchannel.com/2026/10/new-cg…
#B3D #animation
The UAP discussion has developed a peculiar habit: almost every new development becomes an excuse to return to the beginning, so...
A structure that appears permanent fractures under a concentrated discharge of energy, exposing the geometry concealed within its form. This new ShatteredMatter production explores the relationship between matter and frequency, and the possibility that our understanding of physical reality remains incomplete not by choice.
The universe does not have to change for our interpretation of it to fall apart.
#ShatteredMatter #Sound #Light #Frequency #Resonance #Energy #Physics #QuantumPhysics #Matter #Vibration #Electromagnetism #Waveforms #UAP #NHI #DigitalArt #3DAnimation #MotionGraphics #VisualEffects
🤖 Made with AI
I'm no longer interested in the fruitless exercise of producing "more evidence" for debunkers, deniers and simply idiots. They can take a solid hike, my interest is on a much larger reality.
...what blows me away watching these live feeds on my end while hunting is that they aren’t even trying to hide anymore. They’re touring popular spots in peak hours with Japanese train-level punctuality. #UAP #UAPX #PixelRiders
Beyond the encounter lies a far more consequential question: NHI technology capable of interfering with human consciousness, memory, and perception of time.
In the 1980s, Hollywood was producing films while Miami was moving fortunes through international commerce, legal and illegal. For an aspiring filmmaker, the opportunities were everywhere, just not necessarily behind a camera.
