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Hello, I'm a geek in general! ‘nuff said...

Anaheim
Joined April 2010
Photo by Jeff Aultman (@Rdheadedlantern)Photo by Jeff Aultman (@Rdheadedlantern)Photo by Jeff Aultman (@Rdheadedlantern)Photo by Jeff Aultman (@Rdheadedlantern)Photo by Jeff Aultman (@Rdheadedlantern)Photo by Jeff Aultman (@Rdheadedlantern)Photo by Jeff Aultman (@Rdheadedlantern)Photo by Jeff Aultman (@Rdheadedlantern)Photo by Jeff Aultman (@Rdheadedlantern)Photo by Jeff Aultman (@Rdheadedlantern)
Jeff Aultman retweeted
This was Japan before Chinese influence. And it was glorious
Replying to @Ma_WuKong
Japan before Chinese influence:
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Jeff Aultman retweeted
Ever notice that in Dune humans fly spaceships between planets but don't use a single computer? That's not a plot hole. It's completely on purpose. The movies barely explain why, but once you know, almost everything else in Dune starts to make sense. About 10,000 years before Paul Atreides, humans did exactly what we're doing right now. They built thinking machines to make life easier. They let the machines do their work and make their decisions, hoping it would set them free. Instead, the people who controlled those machines gained the power to enslave everyone else. Humanity eventually fought back in a holy war called the Butlerian Jihad, and won. The thinking machines were destroyed. To make sure it would never happen again, they made one rule sacred: "Thou shalt not make a machine in the likeness of a human mind." But getting rid of computers created a problem: who would do their work? The answer was humans. Mentats are trained from childhood to think like computers. Navigators use the spice to glimpse the future and steer ships safely through space. The Bene Gesserit spend generations pushing the human mind and body to their limits. Every superpower in Dune exists for one reason: there are no computers. That's my favorite thing about Dune. It's also the most terrifying. Dune isn't a future without AI. It's the future after AI. Frank Herbert wrote that in 1965.
🤝 Paid partnership
Warner Bros releases the final trailer for Denis Villeneuve's Dune: Part Three 8% chance the film wins Best Picture at the Oscars
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In the book of Exodus, after God rescues Israel from Egypt and gives the Ten Commandments at Sinai, something unexpected happens to the story. It slows down. For chapter after chapter, the text gives detailed instructions for building a tent: its curtains, its poles, its furniture, its colors, its measurements down to the cubit. Many readers skim these chapters. But God gives the reason for all of it in one sentence: “Let them make me a sanctuary, that I may dwell in their midst.” The God who had just shaken the mountain with fire and thunder wanted to live in a tent among His people. And the New Testament says that tent was a picture of something greater. The letter to the Hebrews calls the tabernacle “a copy and shadow of the heavenly things,” built according to a pattern Moses was shown on the mountain. The details mattered because they were pointing to Someone. The clearest link is in John’s Gospel. John 1:14 says, “The Word became flesh and dwelt among us.” The Greek word for “dwelt” is eskēnōsen, from skēnē, the word for tent or tabernacle. Literally, the Word became flesh and pitched His tent among us. And John continues, “We have seen his glory.” In the wilderness, God’s glory filled the tabernacle. In Jesus, God’s glory came and lived in a human body. Now walk through the tabernacle with that in mind. The camp and the courtyard. In Numbers 2, God tells the twelve tribes how to set up camp: three tribes on each side, all facing the tabernacle, which stood in the middle. God was at the center of the life of His people. Around the tabernacle was a courtyard enclosed by white linen curtains, and there was only one way in: a single gate on the east side, woven of blue, purple, and scarlet. Not two entrances. Not many. One. Jesus said, “I am the door. If anyone enters by me, he will be saved.” The bronze altar. The first thing you met inside the gate was the altar of sacrifice. Before anyone could go further toward God, blood had to be shed. Every day, animals were offered there, morning and evening. The way into God’s presence started at the place of death. Hebrews says the blood of bulls and goats could never take away sins, and those sacrifices were repeated because they could not finish the work. Jesus, it says, offered Himself once for all. The altar in the courtyard was a long rehearsal for the cross. The bronze basin. Next came the laver, a large bronze basin of water where the priests washed their hands and feet before entering the holy place. Exodus adds a remarkable detail: it was made from the bronze mirrors of the women who served at the entrance. The things people used to look at themselves were melted down to make the place where they were cleansed. Paul later writes that Christ cleanses His church “by the washing of water with the word,” and Jesus told Peter, “If I do not wash you, you have no share with me.” After the sacrifice comes the washing. The Holy Place. Inside the tent itself, in the first room, stood three pieces of furniture. On one side was the table of the bread of the Presence, with twelve loaves, one for each tribe, set before God continually. Jesus said, “I am the bread of life; whoever comes to me shall not hunger.” On the other side stood the golden lampstand, hammered from a single piece of gold, its branches shaped like almond blossoms. It was the only light in the Holy Place, because no daylight came in. Jesus said, “I am the light of the world.” And in front of the veil stood the golden altar of incense, where incense was burned every morning and evening, rising up before God. Scripture repeatedly links incense to prayer. Hebrews says Jesus “always lives to make intercession” for those who come to God through Him. The smoke of that altar never went out, and neither does His prayer for His people. The veil. Beyond the altar of incense hung the curtain with cherubim woven into it, blocking the way into the Most Holy Place. Only the high priest could pass through it, once a year, with blood. As we saw in the post on the torn veil, Hebrews says the way into God’s presence was opened “through the curtain, that is, through his flesh.” When His body was torn, the veil was torn. The Ark and the mercy seat. Behind the veil was one object: the Ark of the Covenant, a chest of acacia wood overlaid inside and out with gold. Hebrews tells us what was inside it: the stone tablets of the law, a golden jar of manna, and Aaron’s staff that had budded. The law that God’s people had broken. The bread from heaven that had fed them. And a dead stick that came back to life overnight, sprouting buds, blossoms, and almonds. Law, provision, and resurrection, all kept in the presence of God. On top of the Ark was the lid, called the mercy seat, with two golden cherubim facing each other, their wings stretched over it. On the Day of Atonement, the high priest sprinkled blood on the mercy seat, between the law below and the presence of God above. The blood covered the broken law. That is where God said He would meet with His people. In Romans 3:25, Paul says God put Jesus forward as a hilastērion by His blood. That is the same Greek word the Greek Old Testament uses for the mercy seat. Jesus is the place where God’s judgment against sin and God’s mercy toward sinners meet. And then there is one small detail in John’s account of the resurrection that’s easy to miss. When Mary Magdalene looked into the empty tomb, she saw two angels in white, “sitting where the body of Jesus had lain, one at the head and one at the feet.” Two angels, one at each end of the place where the blood-covered body had lain, looking at the space between them where the sacrifice had been. Anyone who knew the tabernacle would have recognized that picture. The outside. The tabernacle’s outermost covering was made of tough animal skins (the exact animal is debated). From the outside, the tent was plain and unremarkable. All the gold, the colors, the light, and the glory were hidden inside. Isaiah wrote of the Messiah, “He had no form or majesty that we should look at him.” People passing by saw a carpenter from Nazareth. The ones who came in saw the glory of God. The glory. When the tabernacle was finished, Exodus says, the cloud covered the tent and the glory of the LORD filled it, so that even Moses could not enter. By day, a cloud rested over it. By night, fire. When the cloud moved, Israel moved. When it stayed, they stayed. God was not distant. He was in the middle of the camp, visible every day. People say these chapters of Exodus are tedious instructions for an ancient religious tent. But read them with the New Testament in hand, and they are a map. One gate. A sacrifice. A washing. Bread, light, and prayer. A torn veil. Blood on the mercy seat between broken law and holy God. Every step points to the same Person. And the story does not end with a tent. The Bible closes in Revelation 21 with a loud voice from the throne saying, “Behold, the dwelling place of God is with man. He will dwell with them, and they will be his people.” The word for dwelling place is skēnē, tabernacle, again. From Eden to the wilderness, from Bethlehem to the new creation, God has been pursuing the same goal: to live with His people. In Jesus, He came close enough to touch. And through Jesus, the way into His presence is open. You don’t need a tent anymore. You need the One it was pointing to. Jesus is the true Tabernacle, God with us.
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PONTIUS PILATE’S SECRET LETTER FOUND – VATICAN IN PANIC MODE This is not just a discovery. It’s a detonation. Buried in ancient Roman archives, a hidden letter from Pontius Pilate has just been unearthed — and it shatters the foundation of everything the Vatican has taught for centuries. Pilate didn’t see Jesus as a criminal. He saw Him as something divine. In this letter, the man who gave the order to crucify Christ admits he was tormented. He speaks of miracles. He speaks of wisdom. He speaks of fear. Fear of divine judgment. Fear of eternal consequences. He calls Jesus a man of unmatched purity — and suggests he witnessed supernatural events firsthand. But here’s what really ignites the fire: Pilate blames Caiaphas and the corrupt religious elite for forcing his hand. He describes a coordinated plot, threats to his power, a mob manipulated by lies. He knew Jesus was innocent. He knew the crucifixion was a setup. And now, centuries later, the truth erupts from the shadows. Why now? Why was this letter buried? Because it directly threatens the Vatican’s controlled narrative. Pilate, once painted as a cold political tool, now looks like a man drowning in guilt and trying to warn the world. The Vatican’s reaction? Terror and silence. They’re scrambling for “verification,” but the words are right there — clear, bold, and damning. He speaks of nights haunted by guilt. Of a world manipulated by fear and power. Of a man named Jesus who was not of this world. Pilate’s final confessions don’t just rewrite the crucifixion — they expose the entire religious-political machine behind it. And the implications are nuclear. This isn’t just a letter. It’s a confession from inside the machine. A Roman official admitting the Son of God was condemned by corruption, not justice. This letter was NEVER meant to be seen. But now it is. Tick. Tock. The Vatican’s time is up. The truth has returned. And NOTHING will stop what is coming. WWG1WGA TRUST THE PLAN THE STORM IS HERE I risked everything so you could know the truth. Don’t turn away now! The deep state is collapsing
Readers added context they thought people might want to know
No recent discovery of a secret letter from Pontius Pilate has occurred or caused Vatican panic. Purported texts are ancient Christian apocrypha from centuries later, classified by scholars as forgeries with no basis in Roman records or archives. ehrmanblog.org/did-pontius-pi… catholicshare.com/do-hidden-lett… en.wikipedia.org/wiki/Pilate_cy…
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Jeff Aultman retweeted
おはコチです🐾 今年も極早生みかんがスーパーに並び始めましたね🍊 🎞️Created with CapCut AI @capcutapp_jp, #capcutcpp
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Jeff Aultman retweeted
One rifleman, up a tree, may have changed the course of the American Revolution with a single pull of the trigger. His name was Timothy Murphy, and whether he really fired that shot is one of the great arguments of Revolutionary War history. Murphy was exactly the kind of man the Continental Army desperately needed and the British had no answer for. He was a tough frontiersman, born in Pennsylvania to Irish immigrant parents, raised on the dangerous edge of the colonial world where a boy learned to shoot before he could do much else. He carried a long rifle, a weapon far more accurate at distance than the smoothbore muskets most soldiers used, and he could do things with it that seemed like witchcraft to men raised on volley fire. In 1777 he joined an elite unit of such men, Daniel Morgan's Riflemen, the deadliest sharpshooters in the army, and they were sent north to help stop Burgoyne's invasion at Saratoga. Here is the story that made Murphy a legend. On October 7, 1777, at the second battle of Saratoga, the British lines were wavering, and a British general named Simon Fraser rode back and forth on horseback, rallying his men, steadying them, holding the whole position together by sheer force of leadership. As long as Fraser was up on that horse, the British might hold. The Americans needed him gone. As the tradition goes, Daniel Morgan pointed Fraser out to his best marksman and told him to deal with it. Murphy climbed a tree for a clear line and a steady rest, took aim at a range so long most men could not have hit a barn, and fired. His first shots missed close. Then one found Fraser, who toppled from his horse, mortally wounded. With Fraser down, the story goes, the heart went out of the British attack. Their lines broke, and the day belonged to the Americans. Days later Burgoyne surrendered his entire army, the victory that brought France into the war. By this telling, an obscure frontier rifleman, perched in a tree, fired the shot that cascaded into American independence itself. Now, the honest part, because it matters. Modern historians are deeply skeptical that Murphy fired that shot, or that anyone can prove who did. The problem is that Murphy's name did not get attached to the famous shot until some sixty-eight years after the battle, in a county history published in 1845. No account from the time names him. Careful studies of the evidence and even the ballistics conclude there is simply no solid proof that Timothy Murphy was the man who hit Simon Fraser. It may have been him. It may have been another of Morgan's riflemen. We will likely never know for certain. But here is why Timothy Murphy is still worth remembering, legend or not. He was a real soldier and a genuinely formidable one. He really was one of Morgan's elite riflemen, he really fought at Saratoga, and he spent years afterward in some of the most brutal frontier fighting of the war, defending the Schoharie Valley in New York against raids, and famously refusing to surrender a fort when ordered, firing on the enemy until they gave up the siege. Fraser's shooting is disputed. Murphy's courage and skill are not. So remember Timothy Murphy as what he truly was: a crack frontier marksman who symbolizes the whole American rifleman, the backwoods shooter whose deadly accuracy terrified European armies used to fighting in neat, anonymous volleys. Maybe he fired the shot that doomed Burgoyne. Maybe he didn't. But men exactly like him, with exactly his skill, won the battle of Saratoga, and the legend grew up around Murphy for a reason: it captured a real and revolutionary truth about how a nation of sharpshooters fought a war.
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Per capita wealth in 1860 vs 1870. Tell me again what The War was really about …
🤖 Made with AI
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The Civil War was exactly the same New York funded revolution of wealth transfer as the Russian Revolution. It was looting via war. There was no actual care for the slave or worker in both instances.
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The historic, unauthorized photograph of President Abraham Lincoln lying in state in his open casket at New York City Hall on April 24, 1865, captured by photographer Jeremiah Gurney Jr. The only known photo of Abraham Lincoln in his coffin. It was lost at one point for over 90 years. In April 1865, Abraham Lincoln‘s funeral train left Washington, D.C., on a three-week journey on its way to Springfield, Illinois. Mary Lincoln had decreed that no photographs were to be taken of his body during the funeral procession. But there was one exception. A New York photographer had secretly been given permission to take photographs by Brig. Gen. E.D. Townsend, who was attending the viewing, and in charge of Lincoln’s funeral train. Just before the doors opened to the public, photographer Jeremiah Gurney Jr. was allowed to come in and set up his equipment to take a daguerreotype photo of the solemn moment as Lincolns body lay in the rotunda of New York’s City Hall, viewed by 120,000. Secretary of War Edwin Stanton found out and ordered all plates and prints destroyed immediately. But even he could not bring himself to do so to the last one. He buried the photo deep in his files and it was lost to history for almost 90 years. In 1952 a 14 year old boy was visiting the Lincoln Home historic site in Springfield, Illinois. He was looking through some old folders when he came across the faded brown photograph, which after careful research, was deemed to be authentic by experts. #archaeohistories
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Best bestie sister @MagicalJunie I’m a September baby…this isn’t fair because I love my sleep! 😭 🥹 😢
Your birth month = who tries to kill you! Can you survive? 😱
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Jeff Aultman retweeted
also its my birthday guys can i get a happy birthday 🙂
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“Again? Well, much as I would take credit for this, it’s not my doing. But I’ll be glad to help you out, dear!” 💝😘
#SinfulSunday Y/m unfortunately has walked in on Lucy tied up, panicking, because of the sheer fact she has magical sealing bonds on her wrists. She doesn't know how she got there. Maybe y/m put her there. "Aaah! Let me go!" (For anything potentially lewd. DM response)
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Happy Birthday to me! 🎁 🎊 🎂 🎉🥳🎈
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“Good morning, Lucy! Hope all is well with you!” Waves and waves
"Good morning/afternoon everyone!"
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“I-it’s been a while since I’ve done o-one of these…y-you already know the rules I’m sure~ ❤️+🖼️+♻️ EX+ and up get a special reward~
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“I might need snuggles as well, sweet and gorgeous Lucy!” 💗
"Awww. I'll have to give your hound a big snuggle--!"
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Jeff Aultman retweeted
WHY DID GOD CREATE MAN IF HE KNEW WE WOULD FALL? This is the question atheists love to hurl like a weapon, and quite a few Christians may not know how to properly answer this. “If God is all knowing and He knew mankind would sin, why create us at all?” They think it exposes a flaw in God. It does not. It exposes a misunderstanding of love. Every parent understands this instantly. You know your child will disobey. You know they will make mistakes, rebel, and sometimes break your heart. Yet you still choose to have them because love is worth the risk. God did not create robots. He created image bearers with the power to choose. Love that is programmed is not love. Obedience that is forced is not devotion. For love to be real, rejection had to be possible. God knew the cost of freedom and He chose to pay it. And He paid it in blood. Before Adam ever took a breath, the cross was already in God’s heart. The fall was not a surprise. Redemption was the plan. God allowed sin so He could reveal something greater than a sinless world ever could. Mercy. Grace. Sacrificial love. The Creator stepping into His own creation to rescue the very people who would reject Him. So when atheists ask why God made man knowing we would fall, the answer is devastatingly simple. He made us because love is worth the risk. And He proved it by sending Jesus. You were not created by accident. You were created for reconciliation. “And God demonstrates His own love for us in this: while we were still sinners, Christ died for us.” Romans 5:8
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There truly is no better joy in the world than sharing memes & nsfw stuff with a friend. Murasaki for attention
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Absolutely stunning swimsuit, best bestie sister @MagicalJunie! Ready to hit the beach together?? 😌❤️😌❤️
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