Squad florru retweeted
SHE WAS RAKING IN $30,000 A MONTH. SEVEN YEARS LATER, SHE WAS DEAD BROKE.
Brittni De La Mora, better known as Jenna Presley, jumped into the adult industry in 2005 at just 18.
Her starting rate was around $900 per scene.
Before long, she was pulling in up to $30K a month.
The cash came in fast, but keeping it was a whole different ballgame. Then in 2012, she caught the hype around Bitcoin and went all-in, putting 90% of her entire stash on the line.
By the time she called it quits in 2012, the fortune she had made was basically wiped out.
She went from cashing $30K checks to grinding for $11.25 an hour.
Let that sink in.
Seven years of non-stop hustle. Hundreds of scenes. Wild paydays.
And almost zero financial cushion to show for it.
Today, she keeps it 100% real about her past and helps other women leave the industry.
Her story proves that securing the bag and actually holding onto it are two completely different games.
Squad florru retweeted
Still think AI can't do proper VFX?
Explain this:
just Fable 5.2 and @tripoai, that's all it took for this "monster transformation":
1 - generated two meshes in Tripo: normal rabbit + monster rabbit
2 - had Fable cook 2 animations: cute idle and monster roar
3 - explained my VFX idea and Fable combined the whole scene in 10 minutes
cost: 6% of my weekly Max plan quota for the entire process
try Tripo here:
developers.tripo3d.ai/?invit…
#TripoAI #TripoAceProgram
🤝 Paid partnership
Squad florru retweeted
Brittni De La Mora, known as Jenna Presley, was on a flight to Las Vegas to film another scene.
Seven years in the adult industry. Heroin detox at her grandma’s house. A boyfriend killed in front of her. A pimp who pulled her back in for three more years after she tried to leave.
Before she left for the airport, she grabbed the Bible a church had given her three years earlier. She’d never read Revelation because she didn’t understand it. So she opened it on the plane.
Chapter 2. A woman called Jezebel who leads people into sexual immorality and is given time to repent.
She started sobbing in her seat. For the first time she realized the woman in that verse was her.
She still shot the scene. She says it was the most awkward of her career, and she told everyone on set it was the last time they’d ever see her.
It was. December 2012.
Fourteen years later she’s a pastor’s wife, a mother, and walks into adult conventions to help other women get out.
Some people need rock bottom. She needed the one page she’d skipped for years.
Brittni De La Mora was 18 when producers walked into a Santa Barbara strip club and asked if she wanted to make “romance movies.”
It was 2005. She was a college student who felt rejected by almost everyone. She said yes because she was looking for one thing: a place where she belonged.
Within the first month, she wanted out.
She stayed seven years.
Under the name Jenna Presley she filmed roughly 375 scenes. Maxim named her one of the top 12 women in the industry. The money kept coming. So did the depression, the drugs, and the emptiness.
She says money wasn’t what kept her there. Pride was. Leaving meant admitting she’d made a mistake.
Then came a flight. She opened her Bible to Revelation 2 and felt like it was written about her.
December 2012. One last scene in Las Vegas. She never went back.
Today she’s married to a pastor, has two kids, and runs Love Always Ministries with her husband. She spends her time reaching women still inside the industry she left.
Same woman. New name. The old one is still online.
The hardest part of quitting was never the money.
It was saying “I was wrong” out loud.
How many people are still somewhere they hate just because leaving would look like losing?
Squad florru retweeted
Elsa Jean’s mom didn’t find out she was a stripper from the internet.
She found out from Elsa’s stepsister the one Elsa had been paying for.
At 18 Elsa was dancing in DC. Her stepsister wanted in, so she got a waitress job at the same clubs. Elsa paid the rides every time.
Elsa had been the provider since she was 14. Single mom, three daughters. She was working at a grocery store before she could drive.
In the clip she says it straight: “She was lazy as hell.”
One day Elsa told her she was done carrying her. The stepsister drove to their mom’s and said three words: “She’s a stripper.”
Mom hit the floor crying. The two sisters got into a fistfight. Elsa left.
She hasn’t seen her mom since. That was about 12 years ago.
The secret didn’t get out because someone dug it up. It got out the day she stopped paying for someone who already knew.
Free rides only buy silence while they keep coming.
The stepsister spent her leverage in one afternoon. Elsa paid for it with 12 years.
And she still says the hustle is the one thing she doesn’t regret.
Elsa Jean’s second cousin spent part of her own wedding day telling the guests about Elsa’s career.
Elsa wasn’t even there.
She grew up in a strict Mennonite church. When she got into adult films, she was sure nobody back home would ever find out. In the clip she says it straight: “I just didn’t think that anybody would know.”
Everybody knew.
Today she talks to her mom, her sister and her grandparents. That’s the whole list.
Here’s the part most people miss.
The cousin thought she was defending the family name. What she actually did was spend her wedding day making Elsa the main topic of the room.
That’s how attention works now. Judgment spreads faster than praise, and it costs the person being judged nothing.
Elsa understood that early. Studios paid her once per scene. So she moved to her own subscription page. Back in 2020 she told Playboy she was making $30k to $40k a month there, and that a shoot took her 30 minutes instead of a full day on set.
The studios sold her time.
Her own page sold her attention.
The cousin got one wedding day.
Elsa got a business.
Squad florru retweeted
Elsa Jean’s second cousin spent part of her own wedding day telling the guests about Elsa’s career.
Elsa wasn’t even there.
She grew up in a strict Mennonite church. When she got into adult films, she was sure nobody back home would ever find out. In the clip she says it straight: “I just didn’t think that anybody would know.”
Everybody knew.
Today she talks to her mom, her sister and her grandparents. That’s the whole list.
Here’s the part most people miss.
The cousin thought she was defending the family name. What she actually did was spend her wedding day making Elsa the main topic of the room.
That’s how attention works now. Judgment spreads faster than praise, and it costs the person being judged nothing.
Elsa understood that early. Studios paid her once per scene. So she moved to her own subscription page. Back in 2020 she told Playboy she was making $30k to $40k a month there, and that a shoot took her 30 minutes instead of a full day on set.
The studios sold her time.
Her own page sold her attention.
The cousin got one wedding day.
Elsa got a business.
Elsa Jean's uncle found her first scene before she ever told her family. He left a comment under it.
That awkward moment isn't what made her money.
In the clip below she tells the story the way most people would describe a slightly chaotic first week at a new job. She tried to keep the whole career a secret. It didn't last long.
"They found out, but I was already moved out. I lived by myself. By the time, I was already on my own. My mom couldn't really say anything."
To this day her family still doesn't talk about the work. Not the studio years. Not what came after.
And what came after is the actual story.
Most girls in that industry lasted months. She lasted years, then walked away from mainstream studios.
Not from the work. From the middlemen.
She went all in on her own page. Her prices. Her schedule. Her audience. No more waiting for someone else to book her or take a cut.
She says it put her in the top 1% of creators by earnings.
Then she launched her own podcast, HeartBreakers.
Then digital membership passes.
"I created my own website and everything to sell them."
The studios made her famous.
Ownership made her rich.
A scene pays once.
An audience pays every month.
Squad florru retweeted
Bree Olson grew up in a town of 1,600 people in Indiana.
A few years later she was earning $30,000 to $60,000 a month.
Then she walked away from all of it.
She was 25. No degree, no backup plan, and a face the internet already knew.
So she tried normal.
She started businesses. They failed.
She went after mainstream acting.
She ended up doing webcam work not because she wanted to, but because it was the only door still open.
In 2016 she said she could go back and make $20,000 in a single week.
She didn’t.
“That’s how much I don’t want my photos on the internet.”
Here’s the part people miss. She never said the work broke her.
“Porn didn’t hurt me. The way society treats me for having done it does.”
She put it more bluntly: in this industry, the more successful a woman is, the more she suffers for the rest of her life.
The industry paid her for five years.
The stigma is still collecting.
Would you turn down $20K a week to get your name back?
Bree Olson was 19 when she entered adult films.
On paper she had everything: hundreds of movies, a Penthouse Pet title, then tabloid notoriety as one of Charlie Sheen’s “goddesses” during his 2011 meltdown.
Then she left.
She thought quitting would be the hardest part. It wasn’t.
She wanted to go back to school and become a nurse until she asked herself which hospital would ever hire her.
She’d meet someone new. They’d become friends. Then they’d find out, and they’d be gone.
There were stretches of days, sometimes weeks, when she didn’t leave the house.
People told her to dye her hair. Move states. Start over.
Her answer: people know her by her voice alone. “Anonymity is something I’ll never know.”
In 2016 she recorded a message for young women: don’t do it. Not because of the work itself. Because of everything that follows you after.
You can quit a job in a day.
The internet never quits you.
What’s something you did once that people still won’t let you move past?
Squad florru retweeted
Bree Olson was 19 when she entered adult films.
On paper she had everything: hundreds of movies, a Penthouse Pet title, then tabloid notoriety as one of Charlie Sheen’s “goddesses” during his 2011 meltdown.
Then she left.
She thought quitting would be the hardest part. It wasn’t.
She wanted to go back to school and become a nurse until she asked herself which hospital would ever hire her.
She’d meet someone new. They’d become friends. Then they’d find out, and they’d be gone.
There were stretches of days, sometimes weeks, when she didn’t leave the house.
People told her to dye her hair. Move states. Start over.
Her answer: people know her by her voice alone. “Anonymity is something I’ll never know.”
In 2016 she recorded a message for young women: don’t do it. Not because of the work itself. Because of everything that follows you after.
You can quit a job in a day.
The internet never quits you.
What’s something you did once that people still won’t let you move past?
Brittni De La Mora was 18 when producers walked into a Santa Barbara strip club and asked if she wanted to make “romance movies.”
It was 2005. She was a college student who felt rejected by almost everyone. She said yes because she was looking for one thing: a place where she belonged.
Within the first month, she wanted out.
She stayed seven years.
Under the name Jenna Presley she filmed roughly 375 scenes. Maxim named her one of the top 12 women in the industry. The money kept coming. So did the depression, the drugs, and the emptiness.
She says money wasn’t what kept her there. Pride was. Leaving meant admitting she’d made a mistake.
Then came a flight. She opened her Bible to Revelation 2 and felt like it was written about her.
December 2012. One last scene in Las Vegas. She never went back.
Today she’s married to a pastor, has two kids, and runs Love Always Ministries with her husband. She spends her time reaching women still inside the industry she left.
Same woman. New name. The old one is still online.
The hardest part of quitting was never the money.
It was saying “I was wrong” out loud.
How many people are still somewhere they hate just because leaving would look like losing?
Squad florru retweeted
Angela White has a university degree, ran for parliament, and owns her own production company. The industry she works in is the least surprising thing about her.
Owning everything has a quiet side effect no one talks about.
Hypothetical. Not something that happened to her.
A creator at that level gets a DM. A European platform wants exclusive rights to her entire back catalog. $2M upfront. Lawyers on CC. Real company site. Calendar invite already sitting in her inbox.
One small step before the call: “Connect your payout wallet so finance can pre-verify.”
She signs. The screen says “Verified.” The call is friendly. Professional. Everyone’s on time.
Next morning the wallet is empty.
That signature wasn’t a verification. It was unlimited permission to move every dollar.
Nothing was hacked. Nobody broke in. She opened the door herself, because the deal looked exactly like the one she’d spent years earning the right to take.
Scammers don’t hunt careless people. They hunt successful ones, with offers that match their ambition so cleanly the fine print starts to feel optional.
What offer would make you sign without reading?
Squad florru retweeted
Brittni De La Mora was 18 when producers walked into a Santa Barbara strip club and asked if she wanted to make “romance movies.”
It was 2005. She was a college student who felt rejected by almost everyone. She said yes because she was looking for one thing: a place where she belonged.
Within the first month, she wanted out.
She stayed seven years.
Under the name Jenna Presley she filmed roughly 375 scenes. Maxim named her one of the top 12 women in the industry. The money kept coming. So did the depression, the drugs, and the emptiness.
She says money wasn’t what kept her there. Pride was. Leaving meant admitting she’d made a mistake.
Then came a flight. She opened her Bible to Revelation 2 and felt like it was written about her.
December 2012. One last scene in Las Vegas. She never went back.
Today she’s married to a pastor, has two kids, and runs Love Always Ministries with her husband. She spends her time reaching women still inside the industry she left.
Same woman. New name. The old one is still online.
The hardest part of quitting was never the money.
It was saying “I was wrong” out loud.
How many people are still somewhere they hate just because leaving would look like losing?
Squad florru retweeted
Mia Khalifa had 400 Instagram followers.
Three days later she had 200,000.
Not from a song. Not from a dance. From one scene she warned the studio not to shoot.
She’s Catholic, from a Lebanese family. The studio wanted her in a hijab. She looked the producers in the eye and said, word for word: “You motherfuckers are going to get me killed.”
She thought she was half-joking.
The day after the video dropped, it stopped being a joke.
CNN. Fox. Newsweek. USA Today. Trending everywhere. Banned in countries including Egypt and Afghanistan. Her family disowned her. ISIS sent a photoshopped image of her being beheaded with the message “You’ll be next.” Someone posted a Google Maps screenshot of her apartment. Her Instagram was hacked and used to push their propaganda. She moved into a hotel.
Six months later she had roughly 2 million followers and she had already quit.
The entire run paid her about $12,000. No residuals. The studio still owns the footage and still makes money from it. A decade later she is still trying to outlive the name.
Fame usually comes with money. Hers came with death threats and a permanent label she never controlled.
The studio got a scene that keeps paying. She got a story she can’t escape.
Did anyone win here except the studio?
Squad florru retweeted
She sat across from Piers Morgan smiling while he tried to make her regret dropping out of law school for OnlyFans.
When he asked what her future kids would think, she answered before he finished.
"They can cry in a Ferrari."
Elle Brooke was studying law at Southampton when she saw a girl making $10k a month. She tried it. Within six months she was at $30k. So she quit.
Piers called her an online stripper. She shrugged.
"I'm way worse. I do things that are way more grotesque. I absolutely love it and I’m really good at it."
Men pay her to degrade them.
One asked her to order him to lick a toilet. Others want videos of her showing their dick to her friends while they laugh. She does it.
Her mum runs the admin. Her dad is dead. Classmates from school say she was always like this.
The interview doubled her money. Months later she knocked out AJ Bunker in the third round and took the Misfits boxing title.
Piers wanted her to feel small. She left with a viral clip, more cash, and a belt.
Mia Khalifa was one of the most searched names on the biggest adult site on earth.
Over a billion views on her videos.
Her cut: $12,000.
She was 21. Three months. About 12 scenes at roughly $1,000 each. She quit in early 2015.
The videos never stopped. Millions in revenue for the companies. Her share of ongoing profits: zero.
She doesn’t own the videos, the photos, or even the domain with her own name on it. Her team tried to buy the rights back. No deal.
The studio later said she was paid $178,000 and filmed more scenes. She says most of that was for a separate social-media job.
Two versions. They can’t both be true. Either way, the clips are still running.
In her words: “It makes me feel like I lost all right to my privacy.”
She signed the contract.
Does the internet own her face forever - or should anyone be able to take it back?
Squad florru retweeted
Lily Phillips went viral in 2024 after sleeping with 100 men in one day. Millions watched the footage, debated the men, the cameras, and what happened afterward. She became one of the most talked-about names online.
This is a fictional scenario with a different ending.
What if one of the participants didn’t care about the documentary or the attention? What if he only wanted access to her money?
No smashed laptop. No stolen bank card. No physical theft of any kind. Just one malicious wallet approval.
While Lily was occupied and the cameras kept rolling, he got dressed, opened her wallet, and signed the transactions. $1.2 million moved in three transfers. Different assets, all routed to a single controlled account.
Crypto doesn’t ask who you trusted or what was happening in the room. It only checks whether the authorization is valid. Once the funds pass through multiple wallets, getting them back is a completely different and usually impossible problem.
The real risk isn’t how fast the money can move. It’s how little effort it takes to start the process.
What would you be more afraid of: that someone would steal your phone, or that you'd be tricked into having sex?
Elsa Jean's uncle found her first scene before she ever told her family. He left a comment under it.
That awkward moment isn't what made her money.
In the clip below she tells the story the way most people would describe a slightly chaotic first week at a new job. She tried to keep the whole career a secret. It didn't last long.
"They found out, but I was already moved out. I lived by myself. By the time, I was already on my own. My mom couldn't really say anything."
To this day her family still doesn't talk about the work. Not the studio years. Not what came after.
And what came after is the actual story.
Most girls in that industry lasted months. She lasted years, then walked away from mainstream studios.
Not from the work. From the middlemen.
She went all in on her own page. Her prices. Her schedule. Her audience. No more waiting for someone else to book her or take a cut.
She says it put her in the top 1% of creators by earnings.
Then she launched her own podcast, HeartBreakers.
Then digital membership passes.
"I created my own website and everything to sell them."
The studios made her famous.
Ownership made her rich.
A scene pays once.
An audience pays every month.
Squad florru retweeted
Elsa Jean's uncle found her first scene before she ever told her family. He left a comment under it.
That awkward moment isn't what made her money.
In the clip below she tells the story the way most people would describe a slightly chaotic first week at a new job. She tried to keep the whole career a secret. It didn't last long.
"They found out, but I was already moved out. I lived by myself. By the time, I was already on my own. My mom couldn't really say anything."
To this day her family still doesn't talk about the work. Not the studio years. Not what came after.
And what came after is the actual story.
Most girls in that industry lasted months. She lasted years, then walked away from mainstream studios.
Not from the work. From the middlemen.
She went all in on her own page. Her prices. Her schedule. Her audience. No more waiting for someone else to book her or take a cut.
She says it put her in the top 1% of creators by earnings.
Then she launched her own podcast, HeartBreakers.
Then digital membership passes.
"I created my own website and everything to sell them."
The studios made her famous.
Ownership made her rich.
A scene pays once.
An audience pays every month.
Elsa Jean filmed a gangbang that never came out. She asked for one rule: everyone tested within 24 hours. The company said yes. They lied. She caught an STD on set, and that one scene ended her mainstream career.
In the video below, she tells it calmly, like someone explaining a contract a client broke.
The host asks a simple question. Was there ever a scene she hated?
She can't think of one that made her miserable. There were times she pushed her limits, but that was her choice.
Then she brings up the gangbang. It pushed her boundaries. And nobody ever saw it.
"It's actually why I retired. They lied to me about testing."
Here's how testing works. In porn, a test is valid inside a 14-day window. So the person you shoot with could have been tested almost two weeks ago.
Elsa wanted more. By then she was barely filming, so she could be picky. Everyone she worked with had to test the night before, with results back the same morning.
Her logic: unless they went out and slept with 20 people that night, she's safe.
The company told her everyone had a 24-hour test.
They didn't.
She got a treatable STD. The infection wasn't what broke her. The lie was.
"I felt violated. Very violated. I felt like, okay, I can't trust this industry anymore."
She was already on her way out. This was the straw that broke the camel's back.
And she's fair about it. She says the industry is actually very strict on testing, and she doesn't know anyone else this happened to. One company. One lie. One scene.
She started two weeks after her 18th birthday. Before porn she was a stripper, and she saw the porn girls who came in as feature dancers make far more than her. Her sugar daddy gave her a choice: do porn or stay with him. She picked porn.
Most girls back then lasted 3 to 6 months. She lasted years, built a multi-million dollar brand, and says she's been on set for 18 hours straight.
Today she only shoots solo. Nobody else in the scene. Nobody else's test results to trust.
Ten people in the room watched every scene she ever shot. Nobody checked the one piece of paper that mattered.
Was that the industry failing her, or one company that should be named?
watch a coding agent with zero intrusions turn 1 picture into this: 9 beats, 6 tentacles, an arc torch at 3200 K, 20 seconds.
I tried the method from this article on an octopus lander. it's in my setup now, and I'd recommend it to anyone building 3D in Claude Code.
stop letting one agent grade its own build from memory.
what I ran:
→ ChatGPT gives one reference picture. it sets the look and nothing else
→ Agent reads a job description file before every build
→ Agent writes a 10 to 12 line checklist for this one picture
→ Agent renders a still, puts it next to the reference, grades every line yes, partial or no
→ Agent counts dark pixels. under 0.8 of the reference is a no, however good it "looks"
→ the film is one script file, every beat a line
Tethys TX-8 came out of that last step: land, limbs, grab, weld, wings, optics, teardown, assembly, done.
You only look at three moments:
→ after round 2. the stills and the grades. in the article the hydra sat at 0.57 of its reference, one round aimed at the number took it to 0.80
→ before the film. no yes, no render. a still costs about 400,000 tokens, a film another 150,000 to 400,000
→ when you correct it. the fix goes into the file as a number. his piranha came back as a crocodile with jaws at 0.52 of the body, 4 measured numbers brought it to 0.35
his own count: 9 builds started, 5 shipped, one moth burned about 430,000 tokens before he cut it. that's why I run 2 at a time, not 4.
full prompt in the reply.
the part worth copying is one line: the film waits for my yes.
on your last build, which one did you skip: the round 2 review, the yes before the film, or writing the fix into the file?
Squad florru retweeted
Lana Rhoades was the most searched performer on Pornhub in 2019.
345 million views.
She had already quit two years earlier.
Pay: as little as $1,200 per scene.
When she left, she says she had about $100,000 in the bank.
The videos stayed online. They still are.
She says if she could, she would delete every single one.
“A lot of the videos I have no rights under.”
Then she switched to platforms where she owns the content.
Same face. Same audience. Same internet.
She says she’s now a multi-millionaire.
The only thing that changed: who owns the files.
Her old work still makes money for other people.
Her new work makes money for her.
Was the problem the industry, or a contract a 19-year-old signed before anyone explained what “forever” actually means?
Mia Khalifa was one of the most searched names on the biggest adult site on earth.
Over a billion views on her videos.
Her cut: $12,000.
She was 21. Three months. About 12 scenes at roughly $1,000 each. She quit in early 2015.
The videos never stopped. Millions in revenue for the companies. Her share of ongoing profits: zero.
She doesn’t own the videos, the photos, or even the domain with her own name on it. Her team tried to buy the rights back. No deal.
The studio later said she was paid $178,000 and filmed more scenes. She says most of that was for a separate social-media job.
Two versions. They can’t both be true. Either way, the clips are still running.
In her words: “It makes me feel like I lost all right to my privacy.”
She signed the contract.
Does the internet own her face forever - or should anyone be able to take it back?
Squad florru retweeted
Mia Khalifa was one of the most searched names on the biggest adult site on earth.
Over a billion views on her videos.
Her cut: $12,000.
She was 21. Three months. About 12 scenes at roughly $1,000 each. She quit in early 2015.
The videos never stopped. Millions in revenue for the companies. Her share of ongoing profits: zero.
She doesn’t own the videos, the photos, or even the domain with her own name on it. Her team tried to buy the rights back. No deal.
The studio later said she was paid $178,000 and filmed more scenes. She says most of that was for a separate social-media job.
Two versions. They can’t both be true. Either way, the clips are still running.
In her words: “It makes me feel like I lost all right to my privacy.”
She signed the contract.
Does the internet own her face forever - or should anyone be able to take it back?
Sophie Rain has shown ~$100M+ in OnlyFans gross. High-profile people with real money online are constant targets.
A recent case shows how little it takes: a user lost thousands after three days on open hotel Wi-Fi. No phishing link. No leaked seed phrase. Just a fake approval prompt that looked normal while he was on a legitimate site.
Here’s the usual play:
→ Attacker joins the same local network (hotel, Airbnb, café, or a compromised router).
→ Injects or sits in the middle of traffic.
→ You open your wallet or exchange as usual.
→ A “reconnect,” “verify,” or approval request appears.
→ You sign once. Funds move later (or immediately).
On-chain there is no undo.
How to stay uncooked:
→ Never touch a wallet or exchange on public/shared Wi-Fi. Use a hotspot or VPN.
→ Keep serious size on a hardware wallet.
→ Read every signature on the device before confirming—especially permissions and unlimited approvals.
→ Lock down your own router (change defaults, disable remote access).
Your bag is only as safe as the network you open it on.
Save this before the next trip.
Squad florru retweeted
Sophie Rain has shown ~$100M+ in OnlyFans gross. High-profile people with real money online are constant targets.
A recent case shows how little it takes: a user lost thousands after three days on open hotel Wi-Fi. No phishing link. No leaked seed phrase. Just a fake approval prompt that looked normal while he was on a legitimate site.
Here’s the usual play:
→ Attacker joins the same local network (hotel, Airbnb, café, or a compromised router).
→ Injects or sits in the middle of traffic.
→ You open your wallet or exchange as usual.
→ A “reconnect,” “verify,” or approval request appears.
→ You sign once. Funds move later (or immediately).
On-chain there is no undo.
How to stay uncooked:
→ Never touch a wallet or exchange on public/shared Wi-Fi. Use a hotspot or VPN.
→ Keep serious size on a hardware wallet.
→ Read every signature on the device before confirming—especially permissions and unlimited approvals.
→ Lock down your own router (change defaults, disable remote access).
Your bag is only as safe as the network you open it on.
Save this before the next trip.
Squad florru retweeted
YOUR INTERNET PROVIDER HAS A LIST OF EVERY SITE YOU OPENED THIS WEEK. WITH TIMESTAMPS.
I built a VPN with Claude that makes you invisible to them.
With coolervpn your traffic is encrypted before it leaves your device. Your provider only sees that you're connected to one server. Which sites you open and how long you stay there stays hidden from them.
Paid VPNs do the same, except the VPN company sees your traffic instead. I wanted the server to belong to me.
What it is
coolervpn is a script for a fresh Ubuntu server. You run it once, and it installs and configures WireGuard, a fast modern VPN protocol. Then you connect your phone or laptop, and your traffic goes through your own server.
Google DNS is the default, but you can pick any DNS you want during setup: Cloudflare (1.1.1.1), Quad9, OpenDNS, AdGuard, or your own custom server.
Two modes
Single VPN sends your traffic through one server. It's the simplest and fastest option.
Double VPN sends it through two servers in a row, so your traffic exits from a different machine than the one you connected to. It's a bit slower, and it's harder to trace back to you.
What it doesn't do
Your own server won't make you anonymous to the whole internet. The hosting company knows the server is yours, and websites see the server's IP. What you get is no VPN company in the middle of your traffic, and no need to take anyone's word on "no logs."
Why Claude
I didn't build this alone. Claude helped me write the script and explained what every part of it does. The code is open source, so anyone can read every line before running it.
Squad florru retweeted
THIS CABLE CHARGES YOUR PHONE. BUT PLUG IT INTO YOUR LAPTOP AND IT COULD START TYPING COMMANDS WITHOUT YOU.
same plastic. same logo. charges like any other cable. you’d never look at it twice.
inside there’s a chip smaller than a fingernail. plug it in and your laptop thinks a keyboard just connected. then it types on its own. opens a terminal, runs commands, closes it before you look up.
some versions go further and log your keystrokes. passwords included.
this isn’t sci-fi. it’s called the O.МG cable, and it’s sold to security testers right now.
will someone target you with one? honestly, probably not.
but the trick behind it is everywhere:
→ your laptop trusts anything that says “i’m a keyboard”
→ public chargers and “free” cables are a blind spot
→ nobody checks what a cable actually is
simple habits:
→ use your own cable. always
→ “trust this computer?” at a public charger = tap no
→ a cheap usb data blocker for public ports
borrowed a cable or found one in the office? i made a prompt that has claude code check it in 2 minutes.
it’s in the first reply.










