HR Fan

Jacob Tierney on conceptualizing episode four's club scene and drawing inspiration from noir filmmakers who "traffic in memory as a narrative": "Jackson [Parrell, the director of photography,] and I talked a lot about— We both love noir. We both want everything to kind of look like a film noir, just 'cause they're the prettiest." "You know, it feels like real cinema language, noir, because it wants shadow. It doesn’t want explicit information, it wants more feeling and mood than anything else." ... "[The club scene] is a really crystallized version of the whole thing in this show, which is memory taking us through these moments." "The song changes, the light changes, the speed changes, everything changes because it’s like the world slows down for Shane and becomes both too bright and too kind of spotlighty in a sense of, like, his brain can only see Ilya so he can only see Ilya." Read full article 🔗: theglobeandmail.com/culture/…