Fighting game and Anime digital artist (+18) who loves hard work done by real people. 🚫🤖 Spicy Alt Account. @BadLumpia
Seattle, WA
Joined September 2020
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固体STRO retweeted
Whenever Kojima talks about a movie he didn't like, he goes "saw this in theaters."
Whenever he sees a movie he DID like, he gives it a full review.
I'm sure this isn't the first time, but I've never seen him talk about a second viewing. Just goes to show how good it is!
Saw “Godzilla Minus One” for a second time at Shinagawa, which was recently upgraded with “IMAX® with Laser.” The sound was excellent. Picked up the special edition pamphlet as well, along with the Movie Monster Series King Ghidorah Theatrical Release Commemorative Original Color Ver.
A “Godzilla film” is different from an ordinary “kaiju movie.” For more than 60 years, it has transcended generations, cultivating a fanbase that continues to multiply like Godzilla cells themselves. There have been the Showa era films, the Heisei era films, the Millennium series, the MonsterVerse, director Anno’s Shin Godzilla, the animated Godzilla films. Each comes with its own distinct look and interpretation of Godzilla. Naturally, everyone has their own thoughts about this latest one. But as a longtime Godzilla fan, what makes me happiest is seeing so many people talking about it, debating it, planning merchandise and events around it, and audiences around the world embracing a Japanese-language Godzilla film. This Godzilla is neither “Minus” nor “Zero.” For humanity, it can only be a “plus.” And that goes for Minami Hamabe’s return to the world stage as well.
固体STRO retweeted
Godzilla Minus Zero has achieved the largest opening in history for a non-English live-action international film with $31.6 million domestically and is also the number one film at the North American box office. #GodzillaMinusZero
固体STRO retweeted
Scaring is caring! HAPPY HALLOWEEN from me and the homies @RE_Games @AlienIsolation
It was a tremendous honor combining yet another set of my all time favorite franchises. THANK YOU!
Check out their store steam sales just in time for the season!
store.steampowered.com/categ…
Millennium is a mixed back for me.
Showa and Heisei have a few lows but overall solid stuff, Millennium throws a lot of ideas at the wall to see what sticks.
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固体STRO retweeted
"THE LEOPARD"
BloodyRoar is one of amazing Fighting Game for me!
Shina Artwork commission I did
BloodyRoar fans,
Enjoy~
固体STRO retweeted
I think one thing the AA situation shows us about EVO is how they’ve kinda fractured themselves from the pulse of the FGC.
In a non fgc AA it’s unlikely that everything an artist draws they love, but in the FGC we’re passionate and we live for these games and it drives our work.
固体STRO retweeted
There’s not much more I can add to what @AngryangryD and @ReiqArt have said but it’s all fact. The @Evo_France artist alley 2nd floor situation feels terrible.
We’re not just artists, we’re members of the community. Traveling internationally just to be divorced from everyone.
Yup. I’m so glad to be in France with my AA homies and colleagues but this is true.
It is so disconnected from the event and we can’t even hear or see anything from our tables. Having us on the second floor = removes ALL FOOT TRAFFIC.
Why so? People will walk up there and see you if they know it’s there?
People will not go up there unless they have intention to visit and buy from AA. You no longer have the impulse purchase of people passing by seeing your branding or table advertisements/marketing.
All of our table signs and set up mean nothing if no one can see it. All the money we spent on our table set up as investment for visibility are completely useless now. If you don’t go upstairs you won’t see @reiq ‘s giant wall of posters or my 8 foot Space Maria banners.
Literally the only reason to go upstairs is to participate in BYOC or see the AA. No bathroom, no smoking area, no coffee, no vendors, no publishers or any other kind of exclusive incentive. NOTHING. If you don’t need to meet anyone at the BYOC or intend to specifically see the AA, you don’t need to go upstairs. AT ALL.
I fully invested in the EU market and printed unique print sizes only available to the EU audience and this is the first time I’ve actually felt scared that I won’t get a return on my investments.
