
I love mangas. #ThankYouKentaroMiura Editor 🎞️🎥 Metal Lover🎸🖤🔥 Priv @Syalfe5
Mountain
Joined December 2024
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Syalfe retweeted
Go Nagai (Devilman, Mazinger, Cutie Honey) comments on the passing of Tetsuya Chiba (Ashita no Joe) who was his friend and a senior figure he looked up to as a fellow manga artist. RIP 😔
Syalfe retweeted
When I was in all boys middle school most of the dudes thought I was depressed and one day away from ending myself even though I wasn't depressed
One of my friends once told me "hey man if you still want kill yourself might as well rape a girl before dying as a Virgin"
Syalfe retweeted
私は日本人です。
私はムスリムを望みません。
ハラールも不要です。
私はシャリーア法に従いません。
私は豚肉を食べます。🐷
私はお酒を飲みます。🍺
私は日本文化を守ります。
Syalfe retweeted
"Alt right pedophilic gender swapping fan fic"
You're just saying shit for the sake of saying shit aren't you?
Please take this phrase to heart and not be stupid.
It is better to remain silent at the risk of being thought a fool, than to talk and remove all doubt of it".
Syalfe retweeted
ちばてつや先生と石ノ森先生は一緒に温泉旅行に行く程親しい間柄でした。私にも様々なイベントでお会いする度、気さくにお話ししてくださいました。「火の鳥展」でお目にかかったのが最後でした。火の鳥の原稿を見ながら、手塚先生のテクニックについてお訊ねしました。ご冥福をお祈りします。
Syalfe retweeted
Replying to @Syalfe3
Sinceramente de las cosas que más me encantaron de Violence Jack fue ver cómo el dibujo de Nagai evolucionaba con los capítulos al punto de que ya todos los paneles eran obras de arte
Syalfe retweeted
To those who keep correcting me by saying that Tetsuya Chiba was merely the artist behind Ashita no Joe, and that Ikki Kajiwara was its true creator, I'd like to share a few thoughts on the matter.
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The reality is that both men are officially recognized as the co-creators of Ashita no Joe. The manga was born from a collaboration between Ikki Kajiwara, who wrote the story under the pen name Asao Takamori, and Tetsuya Chiba, who brought it to life through his artwork.
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However, in Japan and throughout the manga industry, there is a deeply rooted perception of Tetsuya Chiba as the true father of Joe Yabuki.
And this perception is far from baseless. There are compelling reasons behind it, rooted in the very creation and development of the manga.
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Ikki Kajiwara was widely known for writing raw, aggressive, and melodramatic stories filled with blood, sweat, and tears, such as Kyojin no Hoshi (Star of the Giants). In his original vision, Joe Yabuki was portrayed as a violent, unpleasant delinquent with little emotional depth or redeeming qualities. The overall tone of the story was intended to be considerably darker and more cynical.
Tetsuya Chiba, however, did far more than simply illustrate Kajiwara's words. He gave Joe his humanity.
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Chiba continually reshaped elements of the script because he wanted readers to connect emotionally with the protagonist and with the children growing up in Japan's impoverished neighborhoods.
If Joe ultimately became a tragic hero and a symbol of Japan's postwar working class, much of that transformation can be attributed to the emotional sensitivity and humanity that Chiba brought to the character.
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Some of the most legendary moments in Ashita no Joe were also born from Chiba's improvisation, creative decisions, or insistence on taking the story in a particular direction.
Take Tōru Rikiishi, for example.
Joe's legendary rival was originally intended to be a relatively minor character, roughly the same size and weight as Joe himself. However, Chiba accidentally drew Rikiishi considerably taller and more physically imposing.
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To make this visual difference work within the story, Kajiwara had to develop the brutal and now-iconic extreme weight-cutting storyline, which ultimately became one of the most unforgettable arcs in manga history.
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Then there is the ending.
The famous final image of Joe sitting in the corner of the boxing ring, completely white, was a visual interpretation conceived by Chiba himself. It brought the story to a poetic and deeply symbolic conclusion, moving beyond the purely tragic tone that Kajiwara often favored in his storytelling.
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Another important detail is that Ikki Kajiwara originally published the story under the pseudonym Asao Takamori, which somewhat diminished the direct association between his real name and this particular manga.
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Over the years, Kajiwara also became involved in personal scandals and legal troubles, eventually passing away at a relatively young age in 1987.
Tetsuya Chiba, on the other hand, remained active for decades as one of the most respected, admired, and beloved figures in the manga industry. Sadly, he passed away in October 2026 at the age of 87.
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Having served as the most recognizable public face of Ashita no Joe for more than half a century, Chiba became so closely associated with the work that, in Japan's collective cultural memory, the manga and his name became almost inseparable.
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And that brings me to my final point.
Recognizing Tetsuya Chiba's enormous contribution does not mean denying Ikki Kajiwara's authorship or diminishing his importance. Both men were essential to the creation of this masterpiece, and neither contribution should be overlooked.
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But their roles went far beyond the simple distinction between writer and illustrator.
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Kajiwara laid the structural foundations and established the boxing premise, but Tetsuya Chiba gave Ashita no Joe its soul, its heart, and the visual identity that transformed it from a boxing manga into the cultural legend it remains today.
#TetsuyaChiba #AshitaNoJoe #JoeYabuki #TomorrowJoe #LegendaryMangaka #MangaMasterpiece #AnimeShindeiru #あしたのジョー
Syalfe retweeted
『あしたのジョー2』劇場版
ホセ・メンドーサとの壮絶な15ラウンドを戦い抜いた矢吹丈。判定では敗れたものの、ジョーは血と汗にまみれたグローブを葉子に託し、静かに目を閉じる。
ジョーの顔に浮かぶ穏やかな微笑み。







































