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As a bookend to 2022's "Instrumental Health", here are 24 more pieces of music created while on indefinite vacation in Outer Pandemia.
AMAZON:
amazon.com/music/player/albu…
iTUNES/APPLEMUSIC:
music.apple.com/us/album/int…
YOUTUBE:
youtube.com/playlist?list=OL…
SPOTIFY:
open.spotify.com/album/17oyt…
The Land Of Milk And Honor.
boxd.it/h0UErJ
Going out on a very short limb here and thinking maybe the Brewers chose wrong reliever for the 12th.
TYPE 4 retweeted
The Hip Hop Museum extends its deepest condolences to the family, friends, & loved ones of legendary Bronx graffiti pioneer RIFF 170. 🕊️🌹
Born and raised in the South Bronx, RIFF 170 began his artistic journey in 1971 at just 11 years old while living in the Mitchell Houses.
"Bill & Ted's Bogus Payola".
Replying to @TYPE4Boston
Yeah, unfortunately Kid Cudi put up some of the money for it, so we got him instead.
Replying to @TYPE4Boston
Are you unaware that Bill & Ted’s Excellent Adventure is a fictional, whitewashed retelling of what happened to Ice Cube and Ren?
A bit of chronology regarding the myth that Straight Outta Compton dropped 8/8/88. 48 Hours On Gang Street was broadcast 6/30/88 and was sampled for Quiet On Tha Set. It's possible but unlikely that song was recorded 39 days before the album was released.
youtu.be/vnU-GSeaQgc?t=768&i…
In today's #BerniesTimeMachine, I travel back to 1988 for a '48 Hours' report I did from South Central L.A. Much to my surprise, my coverage of youth street gangs in this segment ended up on N.W.A's iconic rap album, “Straight Outta Compton.” bernardgoldberg.com/p/bernie…
TYPE 4 retweeted
Dr. Dre and members of N.W.A, circa 1988, at Audio Achievements in Torrance while they were recording Straight Outta Compton. Ice Cube is notably absent. He was studying architectural drafting in Phoenix around this period, though I can't remember whether that was the reason he wasn’t there that day.
The group had just returned from a gun shop and began unboxing their purchases in the studio. They asked me to photograph them with the weapons. I was the only photographer there along with doc filmmaker Matty McDaniel.
One photograph from the session appeared in The LA Informer, a 3-4 issue 'zine I published with my friend Paul Stewart. The rest remained largely unseen. Years later, the USPS destroyed the negatives while they were being shipped from storage in Miami to New York. Only a few prints and one proof sheet survived. A single copy of the 'zine, replete with typos, is in my personal archives.
I’ve been looking at these again this week. What stays with me is how close the whole record of this shoot came to disappearing.
I liked #Lupin a lot when it first started, but it's outlived its own formula. Now it's become super-heroes vs super-villains, where nothing is ever what it seems, so the viewer believes nothing and just waits for the inevitable flashback scenes showing us what really happened.
You just knew it was going to come down to a final boss battle between Shatner and Takei.
R.I.P. Walter Koenig.



























