Take 2 Films

We have now rebranded as @ProcamTake2 - follow our new Twitter page for all future updates 💚

Our @SonyCine VENICE + HAWK Anamorphic V-Lites on the GFM Multi + @DJIGlobal Ronin 2 in muddy Wales with 1st AC Shane de Almeida (@ShanedeAlmeida) #behindthescenes #cinematography

SNS presents Nike Air Max Tailwind IV ✨ Shot on 35mm 4 perf by cinematographer Michael Kinsella-Perks using our @ARRIChannel 235. Directed by Chris Read. #fashion #commercial #shootfilm #35mm #cinematography

Twist is out now on #SkyCinema. This Sky original #featurefilm was captured by #cinematographer Håvard Helle (@haavardhelle) on @ARRIChannel #AlexaMiniLF with @WeAreTLS Vega primes and Morpheus 80-200 zoom. Camera and grip supplied by #Take2Films.

TWIST begins tomorrow on @SkyCinemaUK. Captured on our @ARRIChannel Alexa Mini LF with @WeAreTLS Vega Primes and Morpheus 80-200mm Zoom by cinematographer Håvard Helle. Watch the trailer below: youtube.com/watch?v=zKhDF-55…

#CameraPrep - @ARRIChannel Alexa Mini + HAWK Anamorphic V-Lite 28mm 💥 #camerarental #anamorphic #cinematography

The @RED_Cinema RANGER MONSTRO 8K VV, paired with our TLS Morpheus 80-200 T2.8 Zoom 🔥 #Take2FilmsUK #RedDigitalCinema #CameraRental

#BehindTheScenes - Getting top down shots for DOP Olan Collardy with the @ARRIChannel Alexa Mini + HAWK Anamorphic V-Lites 💥

Beautiful stills from McKenna x @VogueUkraine. Captured on @ARRIChannel 416 with @ZEISSLenses Ultra 16 primes. Dir: Maya Skelton DP: Max Witting FP: James Abbott Prod: Beyan Taher Post Prod: Film Tank Grade: Vlad Barin #shoton16mm #16mmfilm #arri416 #cinematography #fashion

Great shot of our @SonyCineAltaEU Venice + @ZEISSLenses 28-80 zoom + rain deflector by DOP David Procter

We remain open as usual with strict safety measures in place to support all of your safe filming needs. If you need a quote, or advice about an upcoming production, get in touch 👇 📞: 020 8992 2224 📧: [email protected]

Behind the scenes from The Lost Scot, a #shortfilm shot on @PanasonicProEU Varicam LT with our @Cooke_Optics S5/i lenses. Watch the full film here: youtube.com/watch?v=1EGzSA71… Director: Julien Cornwall Producer / Stills: Ash Teague DOP: Paul Maziere 1st AC: ET NG

Wishing all of our wonderful clients, friends and followers a very Merry Christmas and a Happy New Year 🎄🎉 If you need assistance with any ongoing or emergency rental enquiries over the festive period, get in touch on 020 8992 2224 or by emailing [email protected]

The legendary ARRIFLEX 416 Plus with a Canon 6.6-66mm S16 T2.7 Zoom, a beautiful combination for shooting on 16mm 🎞🎥

Large format, small camera. Our @ARRIChannel Alexa Mini LF cameras have been very popular this year. Get in touch with our lovely client contacts for a quote 💚 📧 - [email protected]

Congratulations to the Sudden Light team on their @BIFA_film nomination for Best Short Film 👏 This fantastic short from @WellingtonFilms was captured on 16mm by @nickmorrisdop using the @ARRIChannel 416 with @ZEISSLenses Ultra 16 primes. Read more - bifa.film/film/sudden-light/

#KitPrep - the @AngenieuxLenses 24-290mm, forever making the @arr Alexa SXT look smaller than it is.

It's beginning to look a lot like Christmas in the #Take2Films office 🎄🎅

New posters for the Take 2 test rooms to promote the @CameraBranch #FilmForFuture initiative. Visit camerabranch.org.uk/sustaina… to find out more 🌍🎥 Big thanks to @JasonHenwood for driving this forward and cycling 179km all over London to deliver the posters 💚👏

New #musicvideo for @NatSlaterUK - Toxic. Captured on Kodak #16mm 500T using an @ARRIChannel SR3 + @CanonUKandIE 10.6-180mm S16 zoom from #Take2Films by DOP Jean Dakar. Directed by FORLUCK + produced by Jack Cullis. Watch here 👇 youtube.com/watch?v=9gVctFPS…