Head of Founder Experience @boardyai 📩 Resident @hf0 🌐 Hosting https://xitter.cf/t.co/gA7LZ6ZiIy đŸŽ™ïž Story Director https://xitter.cf/t.co/bQsIetatDh đŸŽ”

San Francisco, CA
Joined September 2013
Jacob Kelly retweeted
Trying to copy what’s working for someone else is a race to the bottom. Doing what only you can do, and seeking mastery in it, is a race to the top.
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Jacob Kelly retweeted
The most selective startup program in the world is @hf0 ... this is written on the whiteboard in their gym: "Obsession is the righteous path." đŸ§”
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Jacob Kelly retweeted
Follow Jacob if you want to know the truth of how we’re building @boardyai while we’re at @hf0
The most selective startup program in the world is @hf0 ... this is written on the whiteboard in their gym: "Obsession is the righteous path." đŸ§”
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Jacob Kelly retweeted
🏀 Hoopbase Open 2026 is officially in the books! Last week we joined forces with Maple Leaf Venture Club to bring Toronto's tech community onto the court. 10 companies showed up with their best squads: @Uber , @lyft , @chexymoney , @chatbase , @boardyai , @stanforcreators , @avec_alan , @venncanada , @Achievers , and @Google . Congrats to Team Achievers for taking home the Hoopbase Open Championship 🏆 Let's run it back soon!
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Jacob Kelly retweeted
đŸȘ“After listening to an amazing interview from @TheJacobKelly & @youtheremehere as a super God of War fan finding out some details that motivated the creation of Kratos ACCEPTANCE Story was incredible. We Discuss - youtu.be/P-2OC0iuvI8 #GodOfWarRagnarok
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Any opportunity to listen to Mihir talk is exciting to me. He has such a deep understanding of all things in general, and so this will be a real treat. Check it out if you have some time!
I am so excited to finally be releasing my interview with God of War Ragnarok: Valhalla co-director @youtheremehere. Of course, we get into the making of Valhalla but we cover so much more than that. This interview completely changed how I think about first drafts, iteration, fan service, success, and more. If you're a God of War fan, you'll love this. If you're interested in game development, you'll love this. If you're a creative person of any kind, you'll love this. Listen now wherever you get your podcasts đŸŽ™ïž
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119 lessons learned after studying the making of God of War by @SonySantaMonica for the last 8 months: 1. Make things for an audience, but don’t make things because of an audience. 2.Create out of passion, not fear. 3. To think like a fan you must be a fan. 4. You create the macro vision, your team creates the micro vision. 5. Simplicity on the surface, complexity underneath. 6. Protect your vision at all costs. 7. Let the best ideas win. 8. Research fills in the details, it does not tell the story. 9. Don’t reinvent the wheel, make it better. 10. Good intros get attention, great intros make people want to consume the rest. 11. “Cut the ideas you really like to make the ideas you love shine even brighter” — @davidscottjaffe 12. Every great piece of art sucked at one point. 13. There’s a difference between struggling to make something, and hating the process. 14. Do not reflect your life in your art, refract it. 15. Quality does not guarantee success. 16. Hard work does not guarantee success, but it makes you better, which increases your chances of success. 17. If you plan for success you lower your odds of achieving it. 18. The whole goal is to inspire the next generation. 19. The idea isn’t to have no influences, it’s to hide your influences well enough no one even knows they’re there. 20. The sequel should continue the story, not retell it. 21. If it does not service the story it does not belong. 22. Make your first draft long so you have lots to cut. 23. Untested art is unfinished art. 24. If you don’t beat the shit out of your art while making, the audience will when you release it. 25. Lean into the strengths of your medium. 26. Die hard fans are made in your back catalogue. 27. Use your constraints to tell a unique story. 28. Don’t make cuts before reality forces you to. 29. The difference between good and great is made at the end. 30. A good story can be ruined by a bad ending. 31. Those who seek out pressure are the ones who rise to the occasion. 32. Use technology to tell a story, don’t tell a story to use technology. 33. Great art is achieved when every piece of your art is great. 34. The little details combine to make the biggest impact. 35. Fear is the signal of what you should do next. 36. The harder something is, the less competition there will be. 37. When you focus on one improvement, everything around tends to gets better as a result. 38. Evolution for the sake of evolution is pointless. 39. Disagree and commit. 40. Those who can articulate their vision well, see it brought to life. 41. The details do not matter if they are not consistent. 42. A few great things is better than a lot of good ones. 43. Deadlines force you to decide what is truly necessary. This is a good thing. 44. Sprint through the finish line. 45. You art can impact someone’s life, take that responsibility seriously. 46. It’s better to be delightfully rediscovered as opposed to having an uninterested audience. 47. Your brand is an extension of your art. 48. Do not copy great art, be inspired by it. 49. Respect your competitors, but don’t try to be them. 50. A little healthy insecurity never hurt anyone, but it has led to great art. 51. “Creative ideas don't necessarily make good business ideas.” — @Ru_Weerasuriya 52. You’ll never outdo past success by trying to recreate it. 53. our life supports your art, not the other way around. 54. You can’t be all in on more than one thing. 55. Pre-production sets the tone. 56. Don’t give away too much too soon. 57. Getting people through the door is one thing, but making sure they leave feeling good is another. 58. Reinvent when you have nowhere else you want to take your art in its current form. 59. Success does not guarantee future success. Keep learning. 60. If you’re not putting what you learn to use you aren’t learning, you’re information gathering. 61. Care gives stamina. 62. To most effective way reinvent your art is to “reinterpret” it — take the information you have and look at it in a new way. 63. “If you’re going to reinvent, commit fully, nothing is sacred.” — Eric Williams 64. Evolve your art alongside yourself. 65. Chasing will never lead to innovation. 66. The small details most people don’t notice are the most impactful details to the ones who do. 67. The mess is where the magic happens. 68. You can’t plan for creative inspiration. 69. You Don’t Always Need THE Answer, You Need AN answer. 70. Trust your gut. 71. The creative process is figuring it out. It’s not creative if it’s formulaic. 72. Get clear on the experience you’re seeking to create. 73. Everything must justify its existence. 74. Story gives your spectacle meaning. 75. Scale does not impact how personal a story is. 76. Simple story, complex characters. 77. Interesting characters have clear weaknesses. 78. Drama comes from character change. 79. Don’t settle with your art, you have to live with it forever. 80. Storytelling is balance of gut and analytical. 81. If your audience doesn’t believe in your story you’re dead. 82. “Hating on something doesn't take you down the path to creating something great.” — @corybarlog 83. What art has been impactful who’s bar was “good enough”? 84. Make the art you want to make and then do everything you can to get it out there. 85. The greats share your problems. 86. If you love what you do, you’ll never work a day in your life the hard work will be worth it. 87. Indifference is the worst response you could have. 88. Art changes people, and people change the world. 89. Art brings us together because it creates a shared language. 90. The beautiful thing with art is it’s open to interpretation. The challenging thing with art is it’s open to interpretation. 91. The sacrifice to make great is not just felt by those who make it, it is felt by those around them. 92. Get bored, it’s where imagination thrives. 93. Enjoy your time off. 94. Every opportunity is an opportunity to prove yourself. 95. “Start with science, and finish with feel.” — Eric Williams 96. Leave room for magic on the day. 97. No matter the tale you tell, it’s a human stories. 98. Sometimes you just need to take a few steps, not a huge leap. 99. More is not better. Better is better. 100. “All eights make a ten.” — Eric Williams 101. 8s rise, 6s sink. 102. The best situations to put your characters in, are ones with no right answer. 103. It’s when you feel like you have no place to go that you can come up with the best solutions. 104. “What the story needs and what people want are not necessarily the same thing.” — @mattsophos 105. Everyone’s a hero of their story. Especially your villains. 106. Don’t manipulate people into feeling emotions, make them care so much they feel genuine emotions. 107. Consistency is achieved when all decisions pass through the same filters. 108. Creativity is best expressed within constraints. Give people a box to play within. 109. There’s advantages to be found by getting inspiration from where no one else is looking. 110. Nothing you consume is a waste of time if you learn something. 111. Art is consumed by a large group of individuals. 112. There’s no competitive advantage playing the quantity game. 113. Hard work is the short cut. 114. Effortlessness is the byproduct of extreme amounts of effort. 115. Get the best people and do everything you can to keep them around. 116. Innovation is not made by experts, it is made by pioneers. 117. You have to earn your success every time. 118. Celebrate greatness, don’t tear it down. 119. Your process is valid. There is no “right way” to go about the creative process.
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Worth noting @TheJacobKelly was a great host. Asked fantastic questions and was well researched!
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Hey fam, I recently did a podcast with @TheJacobKelly talking shop about my time on God of War. Check it out! "God of War Valhalla Co-Director Mihir Sheth on Fan Service vs. Celebration, How to Iterate Properly, The Value of a Good First Pass, and More" podcasters.spotify.com/pod/s

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How it started âžĄïž How it turned out Written by @TheJacobKelly Music by @spellspellspell
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Another banger from @TheJacobKelly Spend time reinventing vs milking the past
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Jacob Kelly retweeted
people say “bet on yourself” but they leave out the important part “once there’s evidence that you should”
It’s painful to see people quit their job/drop out of school to make content full time before they’re ready. For every person like me that makes it, thousands don’t. Keep that in mind and be smart plz
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Jacob Kelly retweeted
What's the weirdest media you've seen recently?? never been a fan of "demented" or "creepy" shit, but this past year I've been asking people to put me on to the weirdest media they've seen in recent years.. realizing there's so much untapped inspiration i've been missing out on
Sometimes, the best place to get ideas from is bad art. In a "bad" movie, video, show, etc. there's always going to be a nugget of gold. Everyone's getting inspiration from the great work, but no one is looking at the bad stuff.
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Jacob Kelly retweeted
Replying to @TheJacobKelly
copying other youtubers gives you the illusion of giving you the right answers but finding your inspiration elsewhere gives you the right questions, which is where the real answers lie
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Jacob Kelly retweeted
“People don’t buy what you do, they buy why you do it” - @simonsinek
People respond to art made by people who care about the art their making.
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Replying to @davidscottjaffe
@davidscottjaffe I would love to have you on my podcast for our upcoming season dedicated to God of War đŸŽ™ïž
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Here's Agressively Reading 50 Quotes from @TheJacobKelly about Art and Creation. Enjoy! 🧃💯 youtu.be/VTd3RrNGZW0?si=R3NT

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'Dali In New York' now available on Amazon Prime Video. Jack Bond's 1965 film with the great surrealist Salvador Dali amazon.co.uk/placeholder_tit
 @TheJacobKelly #SalvadorDali #Surrealism
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Visited his home 6 months ago. Without a doubt, Dali had exceptional skills and a unique vision. But his persona was what brought him into History. We like to think Tiktok brought this change (people following artists for their persona over their craft) It just amplified it.
I spent a month reading three different books on Salvador Dali. Here are my 12 favourite quotes 👇 1. Salvador DalĂ­ is not a trustworthy source of information about himself. From his adolescence he set out consciously to become a myth, and he continued to work at being DalĂ­ even after he had achieved his goal. — The Shameful Life of Salvador Dali 2. Endowed with an impressive natural talent and a remarkable capacity for hard work, it seemed clear that artistic success could not elude him. AIl he had to do was to keep on painting. — The Shameful Life of Salvador Dali 3. DalĂ­ knew from experience that, when he put his extravagance publicly in the service of his convictions of the moment, there was never any shortage of either potential converts or media coverage. — The Shameful Life of Salvador Dali 4. The reviews of the DalĂ­-MirĂł joint retrospective reveal that, whatever the individual preferences of the critics, DalĂ­ stole the show. No one could deny his ability to disturb and fascinate the public. If Americans like to rebel they also like to be shocked,' commented Henry McBride, 'and Señor Dali has shocked them more deeply and more often than any other artist of modern times.’ — The Shameful Life of Salvador Dali 5. A fortnight later DalĂ­ was in New York. There The Last Supper was in the news because it had been bought by the millionaire Chester Dale, perhaps the leading collector of French Impressionists in America. For Dale, Salvador DalĂ­ meant a major departure. In 1954 he had been so 'bowled over' by Corpus Hypercubus that he had acquired it for the Metropolitan Museum of Art.' Now he donated The Last Supper to the National Gallery of Art in Washington. There, in November 1956, the huge canvas was scrutinized by Paul Tillich. The distinguished theologian thought the work sentimental and trite, and was quoted as saying that Jesus looked like a 'very good athlete on an American baseball team'. The painting was to cause embarrassment to a series of curators at the museum, and eventually was moved to an inconspicuous position in the collection. According to Sherman Lee, one-time head of the Cleveland Museum of Art, it was the most overrated individual work' in an American museum.’ As for Dali's view of the painting, he told Alain Bosquet in 1965 that more postcards of it were sold than of all the works by Leonardo Da Vinci and Raphael put together. This proved that his Ê»strategy' had triumphed, since his purpose in works such as this was to demonstrate that he was capable of painting the most popular pictures in the world.’ — The Shameful Life of Salvador Dali 6. There was no doubt — DalĂ­ the painter was no match for DalĂ­ the showman. — In Quest of Dali 7. ‘Dalí’s imagination reminds me of an outboard motor continually running’ — Pablo Picasso, from backflap of The Secret Life of Salvador Dali 8. In sum, the experiences of Dalí’s youth almost certainly inculcated a number of complex psychopathological symptoms, which ZoltĂĄn KovĂĄry described as a mixture of “affective disorders, sexual problems, narcissistic symptoms, and . . . prodromal psychotic signs.” Taken together, these symptoms would form a fertile basis for the work of a Surrealist artist. — The Dali Legacy 9. Even more remarkable is the fact that DalĂ­ executed this work in the midst of a frenzy of experimentation with other forms of French avant-garde ideas, including Fauvism and Cubism. This shows that the young DalĂ­ was able to clearly compartmentalize his survey of prevailing movements and investigate them with objectivity, ready to absorb whatever he deemed of use before moving on to the next endeavor. — The Dali Legacy 10. The use of benday dots to create large canvases would become the signature style of Roy Lichtenstein in the 1960s, but DalĂ­ beat him to it with The Sistine Madonna of 1958. Up close, the painting shows a highly rasterized version of Raphael’s Sistine Madonna but when seen from a distance, the work actually reveals a giant ear, which DalĂ­ called “the pope’s ear.”125 With this painting, DalĂ­ presaged the explosion of Pop Art in the decade to come—a fact that has forced many modern critics to take his work of the late 1950s more seriously. — The Dali Legacy 11. In 1929, it must have seemed possible that DalĂ­ would devote as much of his energy to film and photography as to painting. Not only had he published several articles on photography and the cinema between 1927 and 1929, but, with Buñuel, he had created one of the most extraordinary films ever made, Un Chien Andalou (1929, see Chapter 4). It was clear from both his writings and the film itself that in many ways this medium was better suited to the expression of his visual ideas of the period than painting. — Dali (World of Art) 12. My belief at the time was that the controversial, commercial, celebrity-loving, publicity-hungry DalĂ­ of the post-war period was blinding people to the earlier, brilliant artist, and his reputation needed to be rehabilitated. 'Controversial' hardly does justice to DalĂ­'s positions at the time. He seemed to have ruled himself out of the history of art by not conforming to the tenets of Modernism and burning his boats with Surrealism, and had offensively aligned himself with Franco and the Fascists. — Dali (World of Art)
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Replying to @TheJacobKelly
Absolutely loved your podcast on him. Was truly a masterpiece of knowledge and passion
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