Sylvain Despretz (@The_Metaprogram) header
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Making films, finally! https://xitter.gq/t.co/653ina7Zqz

Gorilla Productions, London UK
Joined June 2014
Photo by Sylvain Despretz (@The_Metaprogram)Photo by Sylvain Despretz (@The_Metaprogram)Photo by Sylvain Despretz (@The_Metaprogram)Photo by Sylvain Despretz (@The_Metaprogram)Photo by Sylvain Despretz (@The_Metaprogram)Photo by Sylvain Despretz (@The_Metaprogram)Photo by Sylvain Despretz (@The_Metaprogram)Photo by Sylvain Despretz (@The_Metaprogram)Photo by Sylvain Despretz (@The_Metaprogram)Photo by Sylvain Despretz (@The_Metaprogram)
#2 in your post isn't my drawing. I don't know did that view of the design... The other 3 are. Here's 2 more from my website.
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Replying to @RidleyScottArch
The reproduction quality on these images is so piss poor that anyone can be forgiven for not having any idea who drew them. Even I don't recognize them.
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Replying to @RidleyScottArch
Yes, the 4 storyboard frames were drawn by me but the concept was still Ridley's. He just recycles his own ideas. Just like the rhinoceros in Gladiator 2. I'm just a guy who was paid to draw the stuff. I didn't make any decisions.
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The car design rings a bell but not that rendering of it. It's not unusual on a film for several illustrators to try a pass at someone else's drawing.
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It doesn't ring a bell. Then again, I don't remember much.
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Cognitive dissonance may be at the origin of your question. In fact, who is killing the other into oblivion? Actions speak louder than rhetoric. It's the old biblical tale of the mote and the beam.
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Replying to @DesigningFilm
It's called "being bored, waiting for a meeting with the director & over-noodling to pass the time..." This level of cross hatching might give budding illustrators the illusion that overdrawing is necessary. It's only a good idea when thinking about seeing your work published.
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We need to remember to preface : "the US has permitted for"...
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Replying to @CalltoActivism
Speeches are just speeches; written by teams of writers to push buttons and address nonbinding talking points. My thoughts are that I am tired: the more I learn and understand the cancer that is the lobbies & interests groups, the more I know we're headed for societal disaster.
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Little Big Man Punishment Park Vanishing Point A Clockwork Orange Don't Look Now The Sugarland Express The Conversation The French Connection Marathon Man Sorcerer Being There
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Replying to @briebriejoy
I wasn't sure what's more despairing: her cynicism - that cold, calculated unapologetic demagoguery, preaching empty slogans from the pulpit to a sea of mesmerized plebs - or the fact that so many fanatics have no idea that they're being hypnotized by a stale old magic show...
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Tu veux quoi comme histoire courte? J'en ai peut être une... Et c'est sur Mœbius en plus. Mais le problème chez Métal c'est qu'ils veulent toujours faire signer des contrats US pour esquiver les règles du droit d'auteur Français... Sinon je l'aurais fait il y longtemps.
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Honnêtement, ça n'est pas pour moi tout ça. C'est une période révolue de ma vie. Je travaille sur mes projets. Mais le monde ne manque pas de jeunes talents pour reptendre les séries classiques.
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I understand. I first saw Steve's band in 1980. When you join the lineup, your voice, guitar playing (doubling-up), but most of all your energy transforms the band, very much for the better. Energy accounts for so much. I should see the band in the UK more often. 🙂
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I know additional members cost money, but seriously, you bring essential chemistry to the band. I wish they'd include you permanently.
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