the model isn't the problem. your setup is | ai skills, agents, prompts
Washington
Joined September 2026
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Vector retweeted
NOW THE SPEED SIDE
Same question, same document. Reader answers in 80 ms. Claude Opus 5.5 needs ~5 s and Haiku 5.5 ~7 s just to start writing.
Per 1M questions: $6.50 vs $172 vs $6,880.
Waitlist is open: platform.xerj.ai
Vector retweeted
SHE WAS RAKING IN $30,000 A MONTH. SEVEN YEARS LATER, SHE WAS DEAD BROKE.
Brittni De La Mora, better known as Jenna Presley, jumped into the adult industry in 2005 at just 18.
Her starting rate was around $900 per scene.
Before long, she was pulling in up to $30K a month.
The cash came in fast, but keeping it was a whole different ballgame. Then in 2012, she caught the hype around Bitcoin and went all-in, putting 90% of her entire stash on the line.
By the time she called it quits in 2012, the fortune she had made was basically wiped out.
She went from cashing $30K checks to grinding for $11.25 an hour.
Let that sink in.
Seven years of non-stop hustle. Hundreds of scenes. Wild paydays.
And almost zero financial cushion to show for it.
Today, she keeps it 100% real about her past and helps other women leave the industry.
Her story proves that securing the bag and actually holding onto it are two completely different games.
RT @Kaggii_: Anthropic's Fable 5.2 scored 38/100 on a real robot with no robot fine-tuning.
The model trained on that exact robot got 20.9…
This quoted post is unavailable.
Vector retweeted
this is f*cking wild. same invoice, same question: when is payment due?
Claude Opus 5.5 read the whole document, thought about it, and wrote the answer in ~5 seconds.
XERJ Reader did it differently. it pulled the exact line straight from the invoice, “within 14 days of the issue date,” and showed exactly where it sits in the file. 80 milliseconds. no generating, no guessing.
the kicker: Opus costs ~1,050x more to run. same answer, a thousandth of the price.
now multiply that by a million documents
I've built a new AI model that is not allowed to generate text. Instead, it produces a verifiable program that answers your prompt using the original reference.
XERJ Reader-1 is a neurosymbolic model for working with data. It points to the exact words in your document, writes a small program over them, and exact code computes the answer:
• 20-90x faster
• 10-1,000x cheaper (output tokens free)
• every answer is a program you can replay
The shortest path to automating data work.
Vector retweeted
this is f*cking wild - one of these cost $55 more to run, and it’s probably not the one you’d guess.
same prompt, two models: a live navigation run to the Eiffel Tower.
Claude Fable 5.2 · Claude Opus 5.5
both nailed it - the route, the turn-by-turn, the arrival. one leaned cinematic: sunset, live weather, the full landmark card. the other kept it clean.
the clock: Fable finished in 1h 50m, Opus took 2h 40m. the price gap between them: $55 - and I’m not telling you which way it runs.
I didn’t touch a thing and I’m not scoring them. so you call it - which one cost more, and was it actually worth it? Opus or Fable?
Vector retweeted
Brittni De La Mora, known as Jenna Presley, was on a flight to Las Vegas to film another scene.
Seven years in the adult industry. Heroin detox at her grandma’s house. A boyfriend killed in front of her. A pimp who pulled her back in for three more years after she tried to leave.
Before she left for the airport, she grabbed the Bible a church had given her three years earlier. She’d never read Revelation because she didn’t understand it. So she opened it on the plane.
Chapter 2. A woman called Jezebel who leads people into sexual immorality and is given time to repent.
She started sobbing in her seat. For the first time she realized the woman in that verse was her.
She still shot the scene. She says it was the most awkward of her career, and she told everyone on set it was the last time they’d ever see her.
It was. December 2012.
Fourteen years later she’s a pastor’s wife, a mother, and walks into adult conventions to help other women get out.
Some people need rock bottom. She needed the one page she’d skipped for years.
Brittni De La Mora was 18 when producers walked into a Santa Barbara strip club and asked if she wanted to make “romance movies.”
It was 2005. She was a college student who felt rejected by almost everyone. She said yes because she was looking for one thing: a place where she belonged.
Within the first month, she wanted out.
She stayed seven years.
Under the name Jenna Presley she filmed roughly 375 scenes. Maxim named her one of the top 12 women in the industry. The money kept coming. So did the depression, the drugs, and the emptiness.
She says money wasn’t what kept her there. Pride was. Leaving meant admitting she’d made a mistake.
Then came a flight. She opened her Bible to Revelation 2 and felt like it was written about her.
December 2012. One last scene in Las Vegas. She never went back.
Today she’s married to a pastor, has two kids, and runs Love Always Ministries with her husband. She spends her time reaching women still inside the industry she left.
Same woman. New name. The old one is still online.
The hardest part of quitting was never the money.
It was saying “I was wrong” out loud.
How many people are still somewhere they hate just because leaving would look like losing?
Vector retweeted
Elsa Jean’s mom didn’t find out she was a stripper from the internet.
She found out from Elsa’s stepsister the one Elsa had been paying for.
At 18 Elsa was dancing in DC. Her stepsister wanted in, so she got a waitress job at the same clubs. Elsa paid the rides every time.
Elsa had been the provider since she was 14. Single mom, three daughters. She was working at a grocery store before she could drive.
In the clip she says it straight: “She was lazy as hell.”
One day Elsa told her she was done carrying her. The stepsister drove to their mom’s and said three words: “She’s a stripper.”
Mom hit the floor crying. The two sisters got into a fistfight. Elsa left.
She hasn’t seen her mom since. That was about 12 years ago.
The secret didn’t get out because someone dug it up. It got out the day she stopped paying for someone who already knew.
Free rides only buy silence while they keep coming.
The stepsister spent her leverage in one afternoon. Elsa paid for it with 12 years.
And she still says the hustle is the one thing she doesn’t regret.
Elsa Jean’s second cousin spent part of her own wedding day telling the guests about Elsa’s career.
Elsa wasn’t even there.
She grew up in a strict Mennonite church. When she got into adult films, she was sure nobody back home would ever find out. In the clip she says it straight: “I just didn’t think that anybody would know.”
Everybody knew.
Today she talks to her mom, her sister and her grandparents. That’s the whole list.
Here’s the part most people miss.
The cousin thought she was defending the family name. What she actually did was spend her wedding day making Elsa the main topic of the room.
That’s how attention works now. Judgment spreads faster than praise, and it costs the person being judged nothing.
Elsa understood that early. Studios paid her once per scene. So she moved to her own subscription page. Back in 2020 she told Playboy she was making $30k to $40k a month there, and that a shoot took her 30 minutes instead of a full day on set.
The studios sold her time.
Her own page sold her attention.
The cousin got one wedding day.
Elsa got a business.
Vector retweeted
Elsa Jean’s second cousin spent part of her own wedding day telling the guests about Elsa’s career.
Elsa wasn’t even there.
She grew up in a strict Mennonite church. When she got into adult films, she was sure nobody back home would ever find out. In the clip she says it straight: “I just didn’t think that anybody would know.”
Everybody knew.
Today she talks to her mom, her sister and her grandparents. That’s the whole list.
Here’s the part most people miss.
The cousin thought she was defending the family name. What she actually did was spend her wedding day making Elsa the main topic of the room.
That’s how attention works now. Judgment spreads faster than praise, and it costs the person being judged nothing.
Elsa understood that early. Studios paid her once per scene. So she moved to her own subscription page. Back in 2020 she told Playboy she was making $30k to $40k a month there, and that a shoot took her 30 minutes instead of a full day on set.
The studios sold her time.
Her own page sold her attention.
The cousin got one wedding day.
Elsa got a business.
Elsa Jean's uncle found her first scene before she ever told her family. He left a comment under it.
That awkward moment isn't what made her money.
In the clip below she tells the story the way most people would describe a slightly chaotic first week at a new job. She tried to keep the whole career a secret. It didn't last long.
"They found out, but I was already moved out. I lived by myself. By the time, I was already on my own. My mom couldn't really say anything."
To this day her family still doesn't talk about the work. Not the studio years. Not what came after.
And what came after is the actual story.
Most girls in that industry lasted months. She lasted years, then walked away from mainstream studios.
Not from the work. From the middlemen.
She went all in on her own page. Her prices. Her schedule. Her audience. No more waiting for someone else to book her or take a cut.
She says it put her in the top 1% of creators by earnings.
Then she launched her own podcast, HeartBreakers.
Then digital membership passes.
"I created my own website and everything to sell them."
The studios made her famous.
Ownership made her rich.
A scene pays once.
An audience pays every month.
Vector retweeted
Fable 5.2 vs GPT-6 Astra, same prompt, and this is f*cking unreal
Fable had the scene in 40 seconds, Astra was still thinking about the same one 4 minutes later
top is claude: forest in god rays, dust in the air, a stone giant rising over the clouds at sunset
bottom is GPT: the same scene, except the character swings through on cables and the light drops through the canopy onto the water
not a single generated image, all of it drawn by code in real time
save it, the article below shows exactly how Fable did it in 40 seconds ↓
Vector retweeted
this is f*cking wild - one of these engines cost way more to build than the others. same prompt, four models.
Claude Fable 5.2 · GPT-6 Astra · Gemini 4 Carbon · Gemini 4 Argon
one job: a working inline-4 engine. pistons, rods, crank, oil in the pan. but the better model burns way more compute to get there.
I didn’t touch a thing, and I’m not telling you which cost what. you’ve got eyes: which engine looks like the expensive one - and is it actually worth it?
Fable, Astra, Carbon or Argon? drop your pick
Vector retweeted
THIS IS STUPIDLY F*CKING GOLD. 10 paid apps rebuilt in 18 days, 3h 12m per app, 27 agents, 0 lines typed by hand.
this board replays the run from the article as one pipeline. parity with the original climbs from 61% to 97% while 6 review flags go from open to fixed.
stop letting one agent read the target, write the code and grade its own copy.
how the run splits:
→ Agent maps the target first. twindesk, 939 files, read-only, nothing changes yet
→ Agent runs REA on every feature and saves each finding as evidence. unknowns go from 4 to 0 before the build starts
→ Agent writes the contract. 24 typed IPC methods, and a missing one throws an error
→ Craft Anything builds from MAP.md, then checks the build against the original
→ Agent packages it: installers, landing page, release. 10 of 10 shipped
You only look at three moments:
→ the unknowns ledger. one line in MAP.md without evidence and the build starts on a guess. 4 open, 0 left, then go
→ the design review. duodesk came back too bright. the note says "rethink, not repaint", and port 47800 stays
→ the safety pass before release. a DOCUME~1 path and a secrets scan sat in the review queue. the safety card ends at 11 issues fixed
full prompt in the reply.
the part worth copying is the unknowns ledger. the agent can't build on what it couldn't prove.
on your last rebuild, which one did you skip: the ledger, the design review or the safety pass?
Vector retweeted
It’s revolution, Johnny! I’m sitting in the front row at the Adobe MAX presentation right now, and what’s happening on stage just wiped out 15 years of manual design work…
I’m filming this live from my seat while 99% of creators have no idea this secret update is dropping right in front of our eyes.
They just baked ChatGPT, Claude, and native MCP servers directly into the Photoshop, Premiere, and After Effects workspaces.
No more clicking through complex menus for hours. They are prompting the built-in assistant live on screen, and the AI executes everything in seconds.
Here is the exact breakdown of what just ran live on stage:
→ Photoshop & Illustrator → a single prompt auto-separates complex tiger vector art into print layers
→ Premiere Pro → typing "string out underwater footage" instantly builds an edited timeline
→ InDesign → generates dozens of full-page layout variations from one file in 3 seconds
→ After Effects → scans project, detects broken expression code, and rewrites the script live
→ Native MCPs → hooks external Claude and ChatGPT APIs straight into desktop apps
A broken script in After Effects used to burn half a day. Now you don't operate the tools manually, you prompt the app as an executive creative director.
This isn’t just a tool update. They literally packed a team of 10 senior editors inside your laptop right in front of our eyes.
I just pulled some strings backstage and snagged a personal VIP invite code for you. 60 days of free early beta access on me: ADOBEMCP60.
Save this and claim your access!
Vector retweeted
this is f*cking wild - one of these lions cost way more to make than the other.
same prompt, two models, a lion clawing its way out of a carpet.
Claude Fable 5.2 · Gemini 4 Argon
one went full cinema - glowing lava veins, a roar you can feel in your chest. the other stripped it down, darker, leaner.
the catch: the fancier the model, the more it burns to run. so I didn’t touch a thing and I’m not telling you which is which - you call it: which lion looks like the one actually worth paying for?
Fable or Gemini? drop your pick
Vector retweeted
Holy sh*t. Claude Code just caught an illegal tap on my gas line here in Alaska. My heating bill hit $740 last month out of nowhere…
While we set our thermostat to 65°F to save money, someone was running heavy garage heaters 24/7 on our dime.
We moved to Alaska three months ago. When the first bills arrived, I was shocked, but everyone kept telling me that winter heating up here just costs a fortune.
Last night I plugged my phone straight into the diagnostic port by the gas meters in the basement and asked Claude Code to audit the flow logs.
Ten seconds later, the phone screen filled with red warnings:
→ baseline flow → 3.8 therms per hour non-stop
→ total loss → $1,180 stolen from our account in 90 days
→ tap location → hidden T-splitter right behind meter 101
→ night draw → 100% flow at 3:00 AM while we slept
→ target line → unauthorized branch leading into John's garage
A physical T-connector behind the meter box is hard to spot by eye, but a flat gas flow line at 3 AM is impossible for a regular house.
I shut off the valve on that extra line right away and called an HVAC repair service.
The exact prompt I used is in the first comment. Save this and check your utility lines tonight.
Vector retweeted
Bree Olson grew up in a town of 1,600 people in Indiana.
A few years later she was earning $30,000 to $60,000 a month.
Then she walked away from all of it.
She was 25. No degree, no backup plan, and a face the internet already knew.
So she tried normal.
She started businesses. They failed.
She went after mainstream acting.
She ended up doing webcam work not because she wanted to, but because it was the only door still open.
In 2016 she said she could go back and make $20,000 in a single week.
She didn’t.
“That’s how much I don’t want my photos on the internet.”
Here’s the part people miss. She never said the work broke her.
“Porn didn’t hurt me. The way society treats me for having done it does.”
She put it more bluntly: in this industry, the more successful a woman is, the more she suffers for the rest of her life.
The industry paid her for five years.
The stigma is still collecting.
Would you turn down $20K a week to get your name back?
Bree Olson was 19 when she entered adult films.
On paper she had everything: hundreds of movies, a Penthouse Pet title, then tabloid notoriety as one of Charlie Sheen’s “goddesses” during his 2011 meltdown.
Then she left.
She thought quitting would be the hardest part. It wasn’t.
She wanted to go back to school and become a nurse until she asked herself which hospital would ever hire her.
She’d meet someone new. They’d become friends. Then they’d find out, and they’d be gone.
There were stretches of days, sometimes weeks, when she didn’t leave the house.
People told her to dye her hair. Move states. Start over.
Her answer: people know her by her voice alone. “Anonymity is something I’ll never know.”
In 2016 she recorded a message for young women: don’t do it. Not because of the work itself. Because of everything that follows you after.
You can quit a job in a day.
The internet never quits you.
What’s something you did once that people still won’t let you move past?
Vector retweeted
Bree Olson was 19 when she entered adult films.
On paper she had everything: hundreds of movies, a Penthouse Pet title, then tabloid notoriety as one of Charlie Sheen’s “goddesses” during his 2011 meltdown.
Then she left.
She thought quitting would be the hardest part. It wasn’t.
She wanted to go back to school and become a nurse until she asked herself which hospital would ever hire her.
She’d meet someone new. They’d become friends. Then they’d find out, and they’d be gone.
There were stretches of days, sometimes weeks, when she didn’t leave the house.
People told her to dye her hair. Move states. Start over.
Her answer: people know her by her voice alone. “Anonymity is something I’ll never know.”
In 2016 she recorded a message for young women: don’t do it. Not because of the work itself. Because of everything that follows you after.
You can quit a job in a day.
The internet never quits you.
What’s something you did once that people still won’t let you move past?
Brittni De La Mora was 18 when producers walked into a Santa Barbara strip club and asked if she wanted to make “romance movies.”
It was 2005. She was a college student who felt rejected by almost everyone. She said yes because she was looking for one thing: a place where she belonged.
Within the first month, she wanted out.
She stayed seven years.
Under the name Jenna Presley she filmed roughly 375 scenes. Maxim named her one of the top 12 women in the industry. The money kept coming. So did the depression, the drugs, and the emptiness.
She says money wasn’t what kept her there. Pride was. Leaving meant admitting she’d made a mistake.
Then came a flight. She opened her Bible to Revelation 2 and felt like it was written about her.
December 2012. One last scene in Las Vegas. She never went back.
Today she’s married to a pastor, has two kids, and runs Love Always Ministries with her husband. She spends her time reaching women still inside the industry she left.
Same woman. New name. The old one is still online.
The hardest part of quitting was never the money.
It was saying “I was wrong” out loud.
How many people are still somewhere they hate just because leaving would look like losing?
Vector retweeted
Angela White has a university degree, ran for parliament, and owns her own production company. The industry she works in is the least surprising thing about her.
Owning everything has a quiet side effect no one talks about.
Hypothetical. Not something that happened to her.
A creator at that level gets a DM. A European platform wants exclusive rights to her entire back catalog. $2M upfront. Lawyers on CC. Real company site. Calendar invite already sitting in her inbox.
One small step before the call: “Connect your payout wallet so finance can pre-verify.”
She signs. The screen says “Verified.” The call is friendly. Professional. Everyone’s on time.
Next morning the wallet is empty.
That signature wasn’t a verification. It was unlimited permission to move every dollar.
Nothing was hacked. Nobody broke in. She opened the door herself, because the deal looked exactly like the one she’d spent years earning the right to take.
Scammers don’t hunt careless people. They hunt successful ones, with offers that match their ambition so cleanly the fine print starts to feel optional.
What offer would make you sign without reading?
Vector retweeted
Brittni De La Mora was 18 when producers walked into a Santa Barbara strip club and asked if she wanted to make “romance movies.”
It was 2005. She was a college student who felt rejected by almost everyone. She said yes because she was looking for one thing: a place where she belonged.
Within the first month, she wanted out.
She stayed seven years.
Under the name Jenna Presley she filmed roughly 375 scenes. Maxim named her one of the top 12 women in the industry. The money kept coming. So did the depression, the drugs, and the emptiness.
She says money wasn’t what kept her there. Pride was. Leaving meant admitting she’d made a mistake.
Then came a flight. She opened her Bible to Revelation 2 and felt like it was written about her.
December 2012. One last scene in Las Vegas. She never went back.
Today she’s married to a pastor, has two kids, and runs Love Always Ministries with her husband. She spends her time reaching women still inside the industry she left.
Same woman. New name. The old one is still online.
The hardest part of quitting was never the money.
It was saying “I was wrong” out loud.
How many people are still somewhere they hate just because leaving would look like losing?
Vector retweeted
Mia Khalifa had 400 Instagram followers.
Three days later she had 200,000.
Not from a song. Not from a dance. From one scene she warned the studio not to shoot.
She’s Catholic, from a Lebanese family. The studio wanted her in a hijab. She looked the producers in the eye and said, word for word: “You motherfuckers are going to get me killed.”
She thought she was half-joking.
The day after the video dropped, it stopped being a joke.
CNN. Fox. Newsweek. USA Today. Trending everywhere. Banned in countries including Egypt and Afghanistan. Her family disowned her. ISIS sent a photoshopped image of her being beheaded with the message “You’ll be next.” Someone posted a Google Maps screenshot of her apartment. Her Instagram was hacked and used to push their propaganda. She moved into a hotel.
Six months later she had roughly 2 million followers and she had already quit.
The entire run paid her about $12,000. No residuals. The studio still owns the footage and still makes money from it. A decade later she is still trying to outlive the name.
Fame usually comes with money. Hers came with death threats and a permanent label she never controlled.
The studio got a scene that keeps paying. She got a story she can’t escape.
Did anyone win here except the studio?
Vector retweeted
She sat across from Piers Morgan smiling while he tried to make her regret dropping out of law school for OnlyFans.
When he asked what her future kids would think, she answered before he finished.
"They can cry in a Ferrari."
Elle Brooke was studying law at Southampton when she saw a girl making $10k a month. She tried it. Within six months she was at $30k. So she quit.
Piers called her an online stripper. She shrugged.
"I'm way worse. I do things that are way more grotesque. I absolutely love it and I’m really good at it."
Men pay her to degrade them.
One asked her to order him to lick a toilet. Others want videos of her showing their dick to her friends while they laugh. She does it.
Her mum runs the admin. Her dad is dead. Classmates from school say she was always like this.
The interview doubled her money. Months later she knocked out AJ Bunker in the third round and took the Misfits boxing title.
Piers wanted her to feel small. She left with a viral clip, more cash, and a belt.
Mia Khalifa was one of the most searched names on the biggest adult site on earth.
Over a billion views on her videos.
Her cut: $12,000.
She was 21. Three months. About 12 scenes at roughly $1,000 each. She quit in early 2015.
The videos never stopped. Millions in revenue for the companies. Her share of ongoing profits: zero.
She doesn’t own the videos, the photos, or even the domain with her own name on it. Her team tried to buy the rights back. No deal.
The studio later said she was paid $178,000 and filmed more scenes. She says most of that was for a separate social-media job.
Two versions. They can’t both be true. Either way, the clips are still running.
In her words: “It makes me feel like I lost all right to my privacy.”
She signed the contract.
Does the internet own her face forever - or should anyone be able to take it back?