21/♂️ National revolutionaryπŸ΄β€β˜ οΈ/solipsist historian of the third position βš”οΈ πŸ–€ I like: art, books,poetry, music,anime, movies,videogamer and theology.

Santa cruz de la sierra πŸ‡§πŸ‡΄
Joined June 2025
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"Human freedom only deserves respect when it is considered the material envelope of the soul, capable of salvation or damnation. Only when one can view one’s destiny in this light can one be truly respectedβ€”all the more so if this freedom is integrated into a system of authority,
β€œThere isn’t even freedom of thought. I can only live according to my dead. They and my land dictate certain actions to me.” β€”Maurice BarrΓ¨s, Scenes and Doctrines of Nationalism
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"Human freedom only deserves respect when it is considered the material envelope of the soul, capable of salvation or damnation. Only when one can view one’s destiny in this light can one be truly respectedβ€”all the more so if this freedom is integrated into a system of authority,
β€œThere isn’t even freedom of thought. I can only live according to my dead. They and my land dictate certain actions to me.” β€”Maurice BarrΓ¨s, Scenes and Doctrines of Nationalism
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hierarchy, and order, such as the one we seek." β€”JosΓ© Antonio Primo de Rivera
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Female paratroopers from Rifaat al-Assad’s Defense Companies killing snakes with their teeth and skewering them during a military demonstration, 1980s. xitter.cf/Voiddottore/status/194…
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Female paratroopers from Rifaat al-Assad’s Defense Companies killing snakes with their teeth and skewering them during a military demonstration, 1980s. xitter.cf/Voiddottore/status/194…
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β€œAnd weren’t we fascists, in fact, anarchists?” Arturo Marpicati
"They (fake anarchists) speak of revolution, but live as parasites off the society they pretend to hate. These are not anarchists; they are bourgeois with a guilt complex." β€”Benito Mussolini, *Il Popolo d'Italia*, 1921
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β€œAnd weren’t we fascists, in fact, anarchists?” Arturo Marpicati
"They (fake anarchists) speak of revolution, but live as parasites off the society they pretend to hate. These are not anarchists; they are bourgeois with a guilt complex." β€”Benito Mussolini, *Il Popolo d'Italia*, 1921
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A scene from a musical revue titled "Heil Hitler," performed by the Nichigeki dance troupe at the Nichigeki Music Hall in Yūrakuchō, Tokyo, to welcome the Hitler Youth who visited Japan in September 1938.
Japanese Youth visiting Germany, 1938. There were two mutual visits between the Japanese Youth and the Hitler Youth. The first was in 1938, and the second was from 1940 to 1941. In 1938, 30 people from each side visited each other.
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A scene from a musical revue titled "Heil Hitler," performed by the Nichigeki dance troupe at the Nichigeki Music Hall in Yūrakuchō, Tokyo, to welcome the Hitler Youth who visited Japan in September 1938.
Japanese Youth visiting Germany, 1938. There were two mutual visits between the Japanese Youth and the Hitler Youth. The first was in 1938, and the second was from 1940 to 1941. In 1938, 30 people from each side visited each other.
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"Neither JΓΌnger, nor Mishima, nor Pound surrendered their personal conscience to a monolithic system of ideas, a messianic monism, or a bureaucratic structure.
If we are going to talk about politics that transcends politics itself, we must talk about metapolitics, a concept popularized by Alain de Benoist since neo-fascism.
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"Neither JΓΌnger, nor Mishima, nor Pound surrendered their personal conscience to a monolithic system of ideas, a messianic monism, or a bureaucratic structure.
If we are going to talk about politics that transcends politics itself, we must talk about metapolitics, a concept popularized by Alain de Benoist since neo-fascism.
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JΓΌnger remained distant from German National Socialism, and in his text *On the Marble Cliffs*, he was the first novelist to critique it for what it represented: a plebeian and indiscriminate revolution. Mishima opposed the Japanese liberal right,
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which championed 'perpetual peace' and 'capitalist growth.' Pound was always regarded as an eccentric by the fascist bureaucrats, and he never consented to become a partisan voice." β€”JosΓ© Luis Ontiveros, *Apology for Barbarism*
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There is no more beauty, except in the struggle. No work that does not have an aggressive character can be a masterpiece. Poetry must be conceived as a violent assault against unknown forces, to force them to prostrate themselves before man." β€” The Futurist Manifesto, Filippo Tommaso Marinetti.
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"Hemos expropiado a los hΓ©roes de ambos movimientos nacionales y rojos de a comienzos del siglo, exitosamente cruzado a Lenin con Hitler, Savinkov con Che Guevara, Mussolini con Makhno y Dzerzhinsky, y aΓ±adido el extremismo estΓ©tico de Pasolini, Mishima, Burroughs, Genet; cruzamos a Bob Denard con la RAF y las brigadas rojas. En resumen, reunimos en una exitosa unidad a todos los enemigos heroicos del sistema. Precisamente eso fue nuevo, impactante, interesante, y por sobre todo, correcto, porque todas estas personas heroicas fueron machacadas por un estΓΊpido, animalesco, triste, aburrido, y muerto capitalismo". – Eduard Limonov, "La otra Rusia", 2003
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β€œIf we really come to an understanding with Russia, then it's all over for America. Let me say this frankly: the government of Adenauer [the first postwar West German chancellor] retained the entire wartime staff of Goebbels, and put them in government positions in Bonn. And as a result, the wartime anti-Communist outlook of Dr. Goebbels, which was quite proper during the war, was continued right up to the present. They were all Goebbels' people ... Who still really believes in Communism these days? Are we really struggling against Communism?” β€” Otto Ernst Remer quoted in The Beast Reawakens by Martin A. Lee
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El Duce
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