
founder & producer https://xitter.gq/t.co/r7whWCxNPa documentary film student @NYUTischSchool telling stories at the intersection of technology and culture 🌎✌️
Miami Beach
Joined November 2009
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Ethereum for All: The Linea Origin Story is now live on YouTube!
This documentary short film is about the power of the collective human spirit and I'm so incredibly proud of it.
Watch here: linea.build/documentary
@ethereum @LineaBuild @Consensys $LINEA
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The purpose of poetry is to restore to mankind the possibility to wonder.
— Octavio Paz
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“If you are not the free person you want to be, you must find a place to tell the truth about that. To tell how things go for you. Candor is like a skein being produced inside the belly day after day, it has to get itself woven out somewhere. You could whisper down a well. You could write a letter and keep it in a drawer. You could inscribe a curse on a ribbon of lead and bury it in the ground to lie unread for thousands of years. The point is not to find a reader, the point is the telling itself.”
— Anne Carson
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Nathan Fielder shares the process behind making ‘You Can See Everything’ at SCAD Savannah Film Festival 2026 Docs to Watch Director’s Roundtable, hosted by THR’s Scott Feinberg:
“The only reason we started including these other things was because it felt dishonest not to. We’d actually be hiding things from the viewer if we didn’t let them in on what we knew or what we observed.”
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Experience LA BOLA NEGRA projected in glorious 35mm at select theaters across the US and Canada. Get tickets at LaBolaNegraFilm.com.
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The internet made distribution free. AI makes creation free.
Old networks grew by adding creators. Generative networks grow by adding creations — every output becomes raw material for the next one.
@robbiepetersen_ on why the next platforms may look more like multiplayer games than feeds.
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The final trailer for ‘DUNE: PART 3’ has been released.
In theaters on December 18.
Dune: Part Three | Official Final Trailer
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Bill Gates predicts a massive number of people will reject AI and choose to "live like the Amish."
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Here’s why “You Can See Everything” could be up for best picture and even best supporting actress but not best documentary. nyti.ms/4ii4HCu
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Nathan Fielder says he and Lance Oppenheim kept disagreeing on what was happening with Elizabeth Holmes so they decided the confusion itself was the story
"when I met her, um I remember having this weird experience that I sort of like talk about in there where I’m like she seems so like genuine at times, but then I’m like, ‘No, I’m clocking like tracking my thoughts and being like, “Okay, I know she’s a liar.”’ So, I I couldn’t really It was a weird like mental thing"
"it wasn’t until we started shooting that moments would happen, some of them that are in the film, and then after Lance and I would talk about what we thought happened there, and we’d be completely disagree on what something meant to us or what we thought was happening. And then we were like, ‘Oh, this is a really interesting if we can’t agree on what’s happening, there’s something here’"
"every person that worked on this movie was going through a similar like feeling of cognitive dissonance where we would we would unpack the day’s events, and no one could agree on like the seemingly mundane moments that have that were that would transpire. Everyone had a different point of view"
"we said to A24, like, ‘We cannot promise we’ll deliver anything on this. We don’t know what the story is, but we wanted to just see what will happen if we go with cameras.’ And they were like, ‘Okay, that’s fine. And if you want to pull the plug anytime, you can do it’"
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Verano de 1935.
Federico García Lorca y Rafael Rodríguez Rapún, juntos en Algeciras.
Un año después, los fascistas asesinaron a Federico. En agosto de 1937, Rafael murió combatiendo por la República.
España tiene demasiadas historias de amor enterradas en los campos. Hay que arañar la tierra para que salgan…
Lorca, todavía.
Fascinating discussion on the role of AI in filmmaking at todays @opendoclab working group.
Special thanks to @AshKoosha, director of Dream of Violets, the first AI-generated docudrama to screen at @Tribeca, for sharing his insights on the evolving intersection of AI + cinema 🙏



































