Blvckcrypt 🥷🏾 retweeted
For the Safety of My Family!
Good evening, everyone, and to anyone who reads this. Something happened today, and the reason I’m making this post is that it happened at my home, where my family lives. It’s our house, and my family’s safety is paramount to me!
Today, October 21, around 8pm, I had a back-and-forth with an @inDrive rider. Here’s what happened.
I was at the Island, where I went to see my very good friend, who had lost his dad. I tried to use Bolt to book a ride, but it was busy. I don’t use inDrive, so my friend booked a ride for me.
The inDrive fare was 25,100, and I accepted! MR. CHARLES ETIM BASSEY called me and asked where I was headed. I told him Ayobo. Then, in his words, MR. BASSEY said that if I was going with the AC on, I would pay 30,000, and if I was going without AC, we would stick with the 25,100.
I said okay. When he arrived, he wanted to turn on the AC. I told him I didn’t need it because I wasn’t feeling well and would throw up. Plus, since it was already evening, I’d rather just use the natural air.
THE AC WASN’T ON! My friend asked if I used the AC, and I said no, although there were the usual hold-ups, etc. I got home, and my friend, who had ordered the ride, sent 28,000 to account for the hold-up.
MR. CHARLES ETIM BASSEY created a scene at my family’s house, and other landlords came out. He went ahead and took pictures of our house, sent them to a group chat, and said, in his words, “This is the house.” I picked up my phone, too, and took pictures of him and his car.
He asked inDrive to provide the call recording, and I told him that if the recording contradicted my account, I would pay 32,000. He didn’t provide the recording and kept creating a scene. My friend called and explained the same thing to the other landlords.
Why am I putting this out here? This is my family’s house, and their safety is paramount to me!
IF ANYTHING HAPPENS TO MY HOUSEHOLD OR OUR HOUSE, MR. CHARLES ETIM BASSEY, AN INDRIVE RIDER, SHOULD BE HELD RESPONSIBLE!
This is his car and his picture.
Thank you.
Blvckcrypt 🥷🏾 retweeted
49-year-old Brazilian bricklayer sells all his belongings and travels over 1,200 miles to meet his "dream girl" from social media, only to discover the girl never exists, she is AI-generated
Lesson in there ??
Good morning on here, currently working on brand logo. What are you working on today?
Let’s make the most of the day 🍳
Blvckcrypt 🥷🏾 retweeted
5x CHAPRI GTD and 10x fcfs GIVEAWAY
Got 5 guaranteed spots and 10fcfs for @CHAPRINFT_ up for grabs.
Supply: 3,000
Mint: FREE
Mint date: TBA
To join:
→ Follow @CHAPRINFT_ + @heisarcadia
→ Like & repost this post
→ Drop your wallet below
That’s it.
⏳ 10 hours only
Good luck.
Update on the current mobile app design. Here’s the cart-delivery-order confirmation screen.
Will share more of my screens here as it goes
I’m exploring different interaction styles for a nav bar I’m currently working on.
Which one feels best to you A, B, C, or D? 👀
Icons from @huge_icons
So grateful for the day @derafusion scolded me for using rectangle while designing ui 😂🙏
Blvckcrypt 🥷🏾 retweeted
It's true.
Design reflects culture
Sf. Tokyo.
Design is location-specific (and we keep getting it wrong)
I've noticed something after working with clients across Asia, Africa, Europe, and North America.
The same design principle that gets praised in New York gets criticized in Tokyo, Seoul, or Shanghai.
Here's what I mean:
Western apps are obsessed with minimalism. Clean. Spacious. One action per screen. The philosophy is: "Less is more."
But look at any successful Asian app. They're packed with information. Features. Options. Users see density and think: "This company has everything I need."
It's not a bug. It's a feature.
Why the difference?
It's cultural.
In Asian markets, information density signals value and capability. Users want to see options, features, and possibilities upfront. A minimal interface can feel empty, unfinished, like the company is hiding functionality.
In Western markets, users are overwhelmed by choice. Minimalism feels premium. Thoughtful. It signals confidence and restraint.
The problem:
Too many designers export Western design principles to Asia without understanding local preferences. They see WeChat, Alipay, or Japanese banking apps and call them "cluttered."
But those designs are working. Users love them. Engagement is massive.
The real lesson:
Great design isn't universal. It's contextual.
I've designed minimal apps for Western clients and dense, feature-rich dashboards for Asian users. Both succeeded because they respected the market.
Stop copying San Francisco for Tokyo.
Design for where your users actually are.
Blvckcrypt 🥷🏾 retweeted
Hands.fun is a token launchpad designed to reward holders rather than quick exits. Its proposed mechanics combine a 25% buy fee with time-based sell fees that decrease the longer tokens are held. Tokens received without a recognized purchase carry a 25% sell-fee floor.
A portion of trading fees streams gradually to eligible holders, while another portion funds a recovery reserve for partial compensation after predefined adverse events, limited to available reserves.
The brand features a golden-yellow cartoon hand mascot, a yellow, black, and cream palette, and a playful yet polished startup aesthetic. The web app combines token discovery, launch tools, trading, and holder rewards in one interface; it is currently an interactive frontend prototype.
Core message: Good hands get rewarded.
Blvckcrypt 🥷🏾 retweeted
always wanted to play the game because i fuck with the game alot, from the user experience to the the game character i love it all
lack of funds didn’t allow me, winning this would make me happy while i enjoy the premium experience from this game and i share everything here on x for people to see
id: nakedwire
Blvckcrypt 🥷🏾 retweeted
A grocery app shouldn't give everyone the same grocery plan.
For Grovia, I'm using onboarding to understand what users want to achieve and how they eat before building their personalized grocery experience












































