@brofromanother

let's count the rings around my eyes

 Toronto, Ontario
Joined January 2010
  • Tweets58.5K
  • Following1.1K
  • Followers42.5K
5.3KMedia
Happy to say that David Fincher: Mind Games will be out in October, with design and graphics by the same team that did the Coen and PTA books. There'll be a very cool announcement soon about the foreword; other information and a pre-order link are below. abramsbooks.com/product/davi…
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Right now Armond is Googling “Nathan Fielder”
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Adam Nayman retweeted
Adam Nayman@brofromanotherOct 22
Wrote about Norm (and NORM) for @FilmmakerMag. filmmaker.substack.com/p/nor…
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On Pawel Pawlikowski's FATHERLAND, for @newrepublic newrepublic.com/article/2163…

On the Road With Thomas Mann

Paweł Pawlikowski’s “Fatherland,” starring Hanns Zischler and Sandra Hüller, maps postwar Germany’s fault lines through a family drama.

newrepublic.com
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On WHALEFALL for @SightSoundmag bfi.org.uk/sight-and-sound/r…

Whalefall review: Call me fishmeal!

Brian Duffield’s CGI-filled blockbuster production has moments spectral of sci-fi beauty behind the blubber, but can’t quite capture the evocative prose of Daniel Krauss’s source novel.

bfi.org.uk
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Wrote about Norm (and NORM) for @FilmmakerMag. filmmaker.substack.com/p/nor…
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Surreal to see Kawhi on the floor for Toronto casually drilling a three
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Going great over here (from a student’s LB review of THE VANISHING, stumbled upon as I’m working on a book chapter about THE VANISHING)
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Spent the morning talking about movies with high school students outside Toronto. Filmmakers who came up in conversation without prompting from me: Tarkovsky, Kubrick, Jordan Peele.
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Meanwhile five students (and counting) in my satire class have gone to see DIGGER (and provided receipts). Like i've always always said: I'll do everything I can to help the commercial prospects of movies by Inarritu
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Calling an audible this morning in the satire course for our week on picaresque/Voltaire/Candide by swapping out Marquand's CANDY for THE SWEET EAST, which I had been planning to show only in excerpt. Would like to see how we all bounce off of something more contemporary...
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The Samurai and the Prisoner (Kurosawa):
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PULSE (Kurosawa)
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TOKYO SONATA (Kurosawa)
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