ℜyan ℰpps retweeted
Exclusive first look at ‘MACCA & FRIENDS’.
The series follows the adventures of Macca the Gator and his wetland friends across the state of Leonida.
Coming November 19 on WEAZEL.
ℜyan ℰpps retweeted
Fans are noting that a particular shot in Godzilla Minus Zero seem to be paying tribute to this epic illustration by the late Noriyoshi Ohrai.
Ohrai's Godzilla illustrations are absolutely GOATed btw; more can be found in his art book The Last Odyssey; link in comments below 👇
ℜyan ℰpps retweeted
On this day 15 years ago The Elder Scrolls V: Skyrim was released. Since that day the community has continued to grow into something truly special. Thank you for being a part of it.
This beautiful artwork was created by legendary artist Karl Fitzgerald to mark the occasion. #Skyrim15
ℜyan ℰpps retweeted
I'm not a businessperson so I can't pretend to know the financial side of things, but I hope this has all served as a huge wake up call for Playstation leadership - it would seem so given all the cancelations and realignment. It's just unfortunate it came at the cost of closing down studios and wasting years. I'm glad people at Haven at least kept their jobs at least.
I think it's OK to want to try your hand at a multiplayer game every now and then if you think you've got something actually special (Helldivers 2 🤘), but not with over half of your teams.
Focus on what made so many players love your stuff in the first place - strong single player experiences, iconic characters, memorable adventures. Let the third parties make big MP games and just get your cuts there. You're sitting on tons of awesome IP. Try to figure out how to go about it smartly, modest budgets, and no more chasing the live service golden goose.
ℜyan ℰpps retweeted
Take-Two CEO Strauss Zelnick says The Legend of Zelda Ocarina of Time is terrific and Nintendo should be very proud of it!
“It’s terrific, and they should be very proud of the title. In the entertainment business, you compete against everything and against nothing.
Everything because there’s so many ways consumers can spend their time, and nothing because if there’s nothing good out there, people don’t need to consume any of it. It’s like food; like food could be bad, but you still are going to be hungry. But in the case of entertainment, it’s not a must-have; it’s a want to have. So it’s our job to make the best entertainment on earth. When we do that, people will show up for it.”
gamesbeat.com/gta-vi-awarene…
ℜyan ℰpps retweeted
Check out our Returning Player Resources to help you get set up and ready to play Grand Theft Auto VI. support.rockstargames.com/ar…
ℜyan ℰpps retweeted
⊹⋆─────────────⋆₊˚
映画『ghost/夜の果て』
本予告
⊹⋆─────────────˖✶₊˚
狂っているのは、
私か、世界か——
労働の必要がなくなった近未来。
少女ニケの“成長の旅”と“決断”の物語
羊文学 主題歌「life」
2027.2.11 公開
ℜyan ℰpps retweeted
"Sonny Boy" director Shingo Natsume Anime Film "ghost/Yoru no Hate" NEW VISUAL REVEAL
Date: Feb 11, 2027
Animation Studio: Madhouse
Director: Shingo Natsume
(Sonny Boy, Space Dandy)
Image © ghost Production Committee
ℜyan ℰpps retweeted
Takashi Yamazaki’s 2024 feature “Godzilla Minus One” shows how a brutalized metropolis can still serve as a compelling backdrop. The film, set between the years 1945 and 1947, depicts a society struggling to recover from war, only to be reduced, once again, by the arrival of a kaiju (as giant monsters are known in Japanese). The movie, lauded for its deft balance of human drama, convincing historical detail, and special effects, won an Academy Award for Best Visual Effects—becoming the first in the franchise’s history to do so. Now Yamazaki is returning to the world of kaijus once again with the much-anticipated sequel, “Godzilla Minus Zero.” Set two years after the first movie, it pits the titular monster against Ghidorah, a three-headed, dragonlike creature. Read about how Yamazaki, one of Japan’s most celebrated directors, worked to make his latest monster movie live up to the hype of its predecessor: newyorkermag.visitlink.me/ek…
ℜyan ℰpps retweeted
I interviewed the team behind GODZILLA MINUS ZERO and learned some cool stuff:
- In the NYC scene, Godzilla is twice as tall as he is in the rest of the movie for spoilery reasons
- They recorded a dam's alarm system for King Ghidorah's voice
- The director oversaw every VFX shot
ℜyan ℰpps retweeted
┏━━━━━━━━━━━━━━━━━━┓
「 #フールナイト 」
キービジュアル公開
┗━━━━━━━━━━━━━━━━━━┛
混沌を感じさせるような黒い雲に覆われた空の下、
それぞれの想いを抱えて立つ彼らの足元に忍び寄るのは──
#サンライズxシャフト 初タッグ作品
2026年11月26日(木)Netflix世界独占配信
▶ foolnight.com/
#foolnight
#SUNRISExSHAFT





















































