🪖in Combat Operations 💣Proud Panamanian Ñangara ✊🏿#Socialist 🌹 “I am The Revolution!” 🟥#Bass Player 🎸 #NFL Maniac 🏈 - @Bengals. Speaks:🇬🇧🇫🇷🇮🇹🇪🇸
En el ideario Socialista
Joined May 2009
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Leo Barker was the first Panamanian 🇵🇦to play in the #NFL
and the first to play the Súper Bowl where he appeared with the Cincinnati Bengals (SBXXIII) he had one tackle in the Big Game
Commander Ariag retweeted
No matter how many times I listen to this, I cannot get over how incredible this sounds live!
Commander Ariag retweeted
En 1986, un bajista decidió tocar su instrumento como si fuera una batería de percusión. Sobre ese groove frenético y matemático, construyó una de las melodías más melancólicas y adictivas de la década. Lo que lograron con esa tensión es pura magia...
Commander Ariag retweeted
“Goin’ Blind” - KISS
Unplugged xitter.gq/JVPALT1/status/2104205…
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“Let The Music Do The Talking” - Aerosmith xitter.gq/JVPALT1/status/2101467…
Commander Ariag retweeted
"18 and Life" began with a personal story. Guitarist Dave "Snake" Sabo originally wrote about his brother Rick, who returned from the Vietnam War a changed man. The song’s realistic narrative and darker subject matter helped distinguish it from many of the glam metal hits dominating the late 80s.
Released in 1989 as the second single from Skid Row’s self-titled debut album, "18 and Life" became the band’s breakthrough hit, reaching No. 4 on the Billboard Hot 100 and No. 11 on the Mainstream Rock Tracks chart. Written by Rachel Bolan and Dave "Snake" Sabo, the power ballad combined a hard-hitting social message with Sebastian Bach’s powerful vocal performance, helping establish Skid Row as one of the leading hard rock bands of the era. Its memorable music video, which received heavy rotation on MTV, further expanded the song’s popularity and cemented its place as one of the defining rock songs of the late 80s.
Commander Ariag retweeted
Frehley’s Comet- “Into The Night”
Official Video (1987)
- Ace using the Washburn AF-40V !🎸
@ace_frehley #FrehleysComet #IntoTheNight #video #KissArmy
Commander Ariag retweeted
It’s Friday night, 1986… I wish we could turn back time and live it all over again. ✨🕺
Commander Ariag retweeted
“Pet Sematary” is from Ramones’s 1989 album Brain Drain. Written by Dee Dee Ramone, the song was inspired by Stephen King’s novel Pet Sematary and written for the 1989 film adaptation. It became one of the band's biggest commercial successes, reaching #4 on Billboard's Modern Rock Tracks chart and becoming one of the Ramones' best-known songs.
The song came about after Stephen King, a longtime Ramones fan, invited the band to his home in Maine while they were on tour. According to the story, Dee Dee Ramone read an advance copy of the novel overnight and wrote the song the following day. The film's success helped introduce the Ramones to a broader audience.
Commander Ariag retweeted
“Jailbreak” was written and recorded by AC/DC in 1976 for the Australian version of Dirty Deeds Done Dirt Cheap. With Bon Scott’s raw, narrative-driven vocal, the song tells the story of a prisoner who makes a desperate escape only to be shot in the back.
Because it was left off the international edition of the album, the track remained relatively unknown outside Australia for years. It finally reached a wider audience in 1984 with the release of the ’74 Jailbreak EP.
The song’s visual history is equally unique. In July 1976, while in London, the band filmed a promotional performance at the Wimbledon Theatre.
Combined with street footage from a Countdown interview in Covent Garden, this material stayed largely unseen for nearly five decades until AC/DC officially released a remastered HD version in 2024.
On stage the song continued to evolve. The most celebrated later version came in 1991 at Donington, where Brian Johnson turned it into a long, explosive live showcase.
From an Australia-only album track to a rediscovered 1976 clip and a live classic, “Jailbreak” has had one of the most unusual and rewarding trajectories in AC/DC’s catalog.
Commander Ariag retweeted
On This Day in Metal August 27, 1988
Anthrax tore through “Antisocial” at the legendary Monsters of Rock Festival in Schweinfurt, Germany!
A killer snapshot of Anthrax in the late ’80s, bringing their thrash energy to one of Europe’s biggest metal festivals.
#Anthrax #Antisocial #MonstersOfRock #Schweinfurt #HeavyMetal
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“Fools” - Van Halen
Piper Club - Rome, Italy 1980 xitter.gq/JVPALT1/status/2093079…
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“Self Control” was written by Italian singer Raf (Raffaele Riefoli), Giancarlo Bigazzi and Steve Piccolo. Laura Branigan recorded her version in 1984 for her third studio album, Self Control, transforming Raf's original Italo-disco track into a polished synth-pop hit. Branigan's version became one of her biggest successes, reaching No. 4 on the Billboard Hot 100 and No. 5 on the UK Singles Chart, while topping the charts in countries including Canada, Germany, Austria, and Switzerland.
The song found a new audience almost two decades later when Branigan's recording was featured on Grand Theft Auto: Vice City (2002), playing on the fictional radio station Flash FM alongside other major 1980s pop hits. The track was also used in promotional material for the game, further associating it with Vice City's neon-soaked 1980s atmosphere. “Self Control” had already appeared in the TV series Miami Vice, another major influence on the game's aesthetic.
