Sean (@deathchrist2000) header
Sean (@deathchrist2000) profile picture

Writer/Editor Bylines include @panelxpanel @ComicBookHerald @ComicsXF @arcbeatlepress Author of The Tower Through the Trees He/They Bi

Joined September 2009
Photo by Sean (@deathchrist2000)Photo by Sean (@deathchrist2000)Photo by Sean (@deathchrist2000)Photo by Sean (@deathchrist2000)Photo by Sean (@deathchrist2000)Photo by Sean (@deathchrist2000)Photo by Sean (@deathchrist2000)Photo by Sean (@deathchrist2000)Photo by Sean (@deathchrist2000)Photo by Sean (@deathchrist2000)
“Let us assume that we are fucked.”
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This is the problem with nostalgia. Instead of grappling with the past as it was, we instead construct an imaginary past - what Sara accurately describes as “decorated rooms for the audience to walk around inside.”
any historical fiction worth its salt reckons with this. it can’t all be providing decorated rooms for the audience to walk around inside
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Sean retweeted
No one breaking is kind of crazy. Especially considering everyone broke in Granada that night.
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GOOD MORNING I FINALLY FINISHED THE HD VERSION OF MY BRYAN X WELCOME TO THE BLACK PARADE EDIT AND I FIXED THE LYRICS AT THE END!!!
I think today’s the day…where I redo this in HD….
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Here’s a girl Ranma version too!
What if Ranma needed glasses like Genma?
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David Mazzuchelli's first take on the 'year one' version of Batman. It was later used as a house ad.
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Replying to @stelzner_n1150
Obama bombed a hell of a lot more than that. Are you going to put him in prison?
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There was a misclick, so Dreams was listed twice. This is the more accurate accounting.
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This Criterion voiceover “lecture” by a white woman about Iranian filmmaker Abbas Kiarostami is crazy. Un-self-aware, war-on-terror brained, imperialist orientalism. Embarrassing!
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Movie chase scenes traditionally need fast cuts to heighten the energy and excitement. Peter Hyams took the opposite approach while directing the gritty Los Angeles vice cop thriller BUSTING (1974). Elliott Gould and Robert Blake pursued the bad guys for 105 seconds with only FIVE CUTS. Two years before the Steadicam was invented, the crew had to use a doorway dolly, a camera car and a studio dolly to execute these kinetic long takes. A bold filmmaking choice that demanded precise choreography and 100% effort between the actors and camera crew.
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I think a lot about how James Cameron started as a matte painter
"But can't AI just be used to complete unimportant backgrounds or clean up animation?" No. Those are entry level positions that turn into long careers. Bg painters become art directors. Clean up artists become animation leads. Stop trying to cheat.
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It is so funny and bleakly depressing that there are things AI absolutely could do to help people - my siblings are doctors who talk about its utility sorting manually-verified data - but but tech bros pushing it just hated artists and loved themselves so much they fumbled it.
The entire AI industry doing the “oh we just want to help people” schtick is hilarious. Before the threat of regulations the execs were trying to start AI religious cults, telling graduates smugly that their jobs will be gone,& openly saying they want to monopolise thinking.
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As somebody who has both editted videos myself and had the good fortune to work with some of the best video editors in the business, video editing is absolutely an artform, and a mode of expression. When I work with a video editor, I consider them a co-author.
i'm worried about ai video editing because of the amount of you who've said something along the lines of "i want to be a youtuber but i hate editing" the reality is that a vast majority of people view editing as more of manual labor than art. most of you think that the (1/10)
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saddest face i ever saw
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I manually sentence mixed The Beatles into Japanese to make them sing A Cruel Angel's Thesis
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Sean retweeted
Why thank you, it is indeed my birthday.
The birth of V. Happy 5th of november
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벌써 덥다 #ranma #란마 #らんま
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