Caroline 'TrebleMuse' Bennett retweeted
This is just MIDI. Musio Studio's score view reads it as notation, articulations, dynamics and slurs included, so it looks like music right away. Free DAW. #MusioStudio #notation #composer
Well put. I've been wrong about premieres before, and revising a verdict on the evidence is a genuine pleasure. The critics who never change their minds are the ones to worry about.
Intelligent people are not biased. That's what makes them so cool. They can change their mind. And they don't feel any shame in doing that. They learn something new. Like a concept, maybe some kind of reflection they did in their alone time, and that's enough for them to re-think and change their mind about something. It's like a software update. They don't give a fuck about being right. Finding the truth is their ultimate goal.
Caroline 'TrebleMuse' Bennett retweeted
Fascinating-New research reveals original colours of Ancient Egyptian shrine at Oxford museum. The Shrine of King Taharqa at the Ashmolean will be recoloured through a digital projection theartnewspaper.com/2026/11/…
Caroline 'TrebleMuse' Bennett retweeted
Calling out for volunteers for the upcoming Art Connects Women, 9th Edition under the patronage of @UNESCO an opportunity to serve the community and learn about the art and cultural industry welcoming 115 female artists from 115 nations from 12-15 Nov at @DIFC in collaboration with @DubaiCulture and @dctabudhabi
@maanabudhabi @CDA_Dubai @DubaiDET
Caroline 'TrebleMuse' Bennett retweeted
I'm listening to Andrés Orozco-Estrada being interviewed in the interval before Mahler 5.
He brings the same passion, freshness and enthusiasm to his conversation as he does to the podium.
I'm looking forward immensely to Mahler 5 and the journey from darkness into light.
Text Time-lapse is a tool I made for seeing how a text changes across its saved drafts.
It runs in your browser. Your files stay on your computer.
Try it: levmanovich.github.io/manovi…
Code: github.com/levmanovich/manov…
Caroline 'TrebleMuse' Bennett retweeted
Stream La Scala’s new production of Gounod’s Faust for free. Daniele Rustioni conducts Vittorio Grigolo, Marina Rebeka and Alex Esposito. Live November 8 at 19:15 CET, then on demand through November 15. Free registration required.
moto-perpetuo.com/la-scala-f…
@teatroallascala
Caroline 'TrebleMuse' Bennett retweeted
The breathtaking interior of Salamanca’s New Cathedral in Spain. Built between 1513 and 1733, this monumental cathedral features soaring stone columns that branch into intricate, star-shaped ribbed vaults overhead. Despite taking 220 years to complete, the building preserves a remarkable sense of Gothic unity, with Renaissance and Baroque influences woven into its architecture.
Latifa bint Mohammed inaugurates ISEA 2026 Dubai, spotlighting role of art and technology
#Dubai #Culture #UAE
emirates247.com/uae/latifa-b…
Caroline 'TrebleMuse' Bennett retweeted
How can the technology pupils already use become a musical instrument?
Join us on 11 Nov, as Si Tew of Digit Music takes us through how you can teach whole-class music using classroom tablets to perform, compose and explore music.
Sign up today ⬇️
ism.org/event/rethinking-mus…
Caroline 'TrebleMuse' Bennett retweeted
Replying to @fellowshiptrust @GrantYun2
i kinda love that i own the data center piece and now data center convos are all the rage
Caroline 'TrebleMuse' Bennett retweeted
Culture Summit Abu Dhabi brings together leading voices across the global cultural and creative landscape to exchange perspectives, challenge ideas and explore new opportunities for cultural dialogue and collaboration.
Waleed Akhtar (@Waleedakhtar) has won the Hermitage Major Theater Award and will receive a $35,000 commission to create an original work 👇
thestage.co.uk/news/waleed-a…
Caroline 'TrebleMuse' Bennett retweeted
Jasper Head of Leopard inscribed for Hatshepsut, c. 1473–1458 B.C.
This rather splendid little leopard (Met Museum. 26.7.1452), carved from rich red jasper nearly 3,500 years ago, offers a fascinating glimpse into the leisurely pursuits of Ancient Egyptian royalty.
Measuring just 3.2 cm in height, this exquisitely detailed leopard’s head bears the cartouche of Ma'at-Ka-Re, the throne name of the female pharaoh Hatshepsut. An inscription upon the back of its neck further identifies her as “Hatshepsut, linked with Amun”.
Two remarkably similar jasper pieces are known, suggesting that all three once belonged to an elaborate gaming set, possibly used for Senet or Twenty Squares, two board games enjoyed in Egypt during the New Kingdom.
Formerly in the Hilton Price Collection, the piece was purchased by Lord Carnarvon at Sotheby’s in 1911. It entered the Metropolitan Museum’s collection in 1926, following its acquisition from Lady Carnarvon.
He is Metakovan. He spent $69 million buying an NFT.
He grew up in Hosur, a small city in southern India. He never set foot in a museum as a kid. The movie theater was the only art he knew.
At 12 he taught himself to code, sometimes on borrowed computers.
In 2012 he was trying to move money between two trading accounts. That's how he found Bitcoin.
What followed: a crypto exchange, a Bitcoin ATM network, a lending platform. He was an early investor in Ethereum, Polkadot and Flow. He moved from India to Canada, then to Singapore.
He chose a name that mixes "metaverse" with "kovan," the Tamil word for king.
March 11, 2021. Nearly 4 a.m. in Singapore. Alone at his iMac in his favorite T-shirt, Starbucks cups on the desk, backup computers ready in case the site crashed.
22 million people were watching the same page.
When the clock hit zero, he owned Beeple's Everydays. $69,346,250. Paid in 42,329 ETH.
He couldn't even celebrate. Covid rules. So he stayed up till dawn planning which architect would build a home for it in the metaverse.
Then came the storm. B20 token accusations. A lawsuit with his own partner. A market that fell 97%.
He called it his "meaning crash."
One artist changed his path. Olafur Eliasson reached out right after the auction. He didn't even know who Eliasson was. Dozens of Zoom calls later: "He took that interest in me, which changed my life."
Today he runs Padimai, a free art studio in a Singapore warehouse.
The Beeple? He keeps it in a private VR space, 13 stories tall. Only friends get to see it.
Will he sell it? "It'd be the last thing I would consider selling."
From a boy with no museums to the owner of the most expensive NFT ever sold.
If you owned it, would you hide it for a generation, or show the world?
Caroline 'TrebleMuse' Bennett retweeted
Her Highness Sheikha Latifa bint Mohammed bin Rashid Al Maktoum (@hhshklatifa), Chairperson of Dubai Culture and Arts Authority, visited Downtown Design 2026 at Dubai Design District (d3), held under her patronage as part of Dubai Design Week. The event brings together regional and international designers, brands and creative studios, providing opportunities for collaboration, business development and the exchange of ideas. During the visit, Sheikha Latifa highlighted the fair’s role in connecting designers with manufacturers and industry professionals, helping strengthen Dubai’s growing design sector.
This year’s programme features the UAE Designer Exhibition, bringing together 30 independent designers and studios under the theme “Inherited Futures”. International showcases also highlight craftsmanship, material innovation and cross-cultural creativity. Sheikha Latifa emphasised the importance of supporting creative talent at every stage, from developing ideas to building successful businesses, noting that stronger partnerships and professional networks can help designers reach wider markets and contribute to innovation and sustainable economic growth.
Photo: WAM
#Dubai #DowntownDesign2026 #DubaiDesignWeek #CreativeIndustry #ArabTimesNews
Beautifully put. Jackson's 'history made visible' is exactly the right lens for this. The metrics layer is what interests me most: residents, embodied carbon, construction hours. A landscape that states its own values in numbers.
Why is it important to picture place?
For one of my favorite landscape theorists, J. B. Jackson, to picture America was to understand America. He believed that the landscape was not merely scenery but the physical expression of a society’s values, ambitions, contradictions, and everyday existence. The ordinary spaces of American life, highways, parking lots, suburbs, gas stations, empty fields, and roadside buildings, were as revealing of the national character as its monuments and celebrated natural wonders. To look closely at these places was to recognize that history is not only written in books or preserved in grand architecture, but continuously inscribed upon the land by the people who inhabit and transform it. Picturing America, therefore, was not simply an act of documentation or an aesthetic pursuit; it was a way of understanding how a nation constructs its identity, how its ideals become physical realities, and how those realities often contradict its ideals. For Jackson, the landscape was, above all, “history made visible.” To picture a place was to make visible the often-overlooked forces that shaped it, and in doing so, to understand not just what America looked like, but who Americans were becoming.
This is why I love @GrantYun2's new project. It taps into the legacy of imaging (not only imagining) place, especially the American place. This little on-chain generative code city represents:
Road distance
16.4 mi
13–18 mi
Annual energy
513 GWh/yr
200–700 GWh / yr
Annual water
866 M gal/yr
350–1,200 million gal / yr
Construction hours
30.2 M h
14–40 million h
Embodied carbon
1.3 Mt CO₂e
600,000–1.8 million t CO₂eTop
Operating carbon
150,745 t/yr
60,000–200,000 t CO₂e / yr
Residents
21,561
12,000–40,000 people
Food eaten
9,379 t/yr
6,000–16,000 t / yr
Wonderful to see Winds of Yawanawa reach Art Basel Miami Beach after the Scorpios unveiling. The new canvases with Nawashahu and Mukashahu should be remarkable.
30 days until @ArtBasel Miami Beach.
Where ancestral knowledge meets the possibilities of digital art.
This December, Winds of Yawanawa, the groundbreaking collaboration between the Yawanawá and Refik Anadol, arrives at Zero 10, Art Basel’s initiative dedicated to art of the digital era.
The presentation brings together the original drawings by Yawanawá artists Nawashahu and Mukashahu, all 1,000 works from the digital collection, and three newly commissioned canvases, revealing the evolving dialogue between Indigenous artistic traditions and contemporary technology.
Presented by Scorpios in collaboration with HOFA Gallery and Instituto Nixiwaka.
Discover the story behind Winds of Yawanawa in the feature by designboom.
Art Basel Miami Beach | Zero 10
VIP Preview | 2–3 December 2026
Public Days | 4–6 December 2026
Miami Beach Convention Center
designboom.com/art/refik-ana…
Strongly welcome this. London's cultural life depends on the smaller venues and companies as much as the flagship institutions, and a levy like this could genuinely help keep them all open.
Great news: the Government has introduced legislation that would give London the power to introduce an Overnight Visitor Levy.
I strongly welcome this step, which could help fund the places, culture and infrastructure that make our city one of the world's greatest destinations, and support our visitor economy.
Caroline 'TrebleMuse' Bennett retweeted
We are deeply honoured to welcome H.E. Lucie Berger, Ambassador of the European Union to the United Arab Emirates, as a distinguished Keynote Speaker at the Art Connects Women 9th Edition Conference, taking place on 13 November 2026 in Dubai.
A distinguished diplomat with extensive experience in international relations, climate action, and multilateral cooperation, H.E. @BergerLucie brings an exceptional perspective on the intersection of diplomacy, sustainability, and international collaboration.
Having served in various strategic roles within the European Commission, including the Directorate-General for Climate Action, she has contributed to shaping regional climate cooperation strategies and advancing international negotiations under the United Nations Framework Convention on Climate Change (UNFCCC).
Her commitment to strengthening international partnerships and advancing sustainable development resonates deeply with the vision of Art Connects Women and our belief in the transformative power of culture as a catalyst for positive change.
Under the theme “Educate to Empower”, this year's edition brings together 115 women artists from 115 countries, celebrating the power of education, cultural exchange, and women's leadership in shaping a more inclusive and sustainable future.
We look forward to an inspiring exchange of perspectives and insights from H.E. Lucie Berger as we explore how diplomacy, culture, and collective action can contribute to a better tomorrow.
Welcome to Art Connects Women 2026, Your Excellency!
#ArtConnectsWomen2026 #ZeeArts #EducateToEmpower #EuropeanUnion #WomenInDiplomacy @EUintheUAE @UNESCO_GCCYemen @UAEMissionToUN @UN_UAE

































