Forms Archive retweeted
Imagine making a typewriter so beautiful it ends up in museums.
Olivetti Valentine
Sottsass & King, 1968.
Forms Archive retweeted
You’d think this was science fiction.
It’s an actual restroom in Zhejiang, China.
Forms Archive retweeted
Plastic fantastic,
especially in orange.
Europhon H 10
Designed by Adriano Rampoldi, 1968.
Forms Archive retweeted
Playtime is a masterpiece!
Severance production designer Jeremy Hindle has cited Jacques Tati's 1967 film as a key reference for the visual world of Lumon.
The symmetry, the simplicity, the absurdity.
The parallels here are loose but the atmosphere and satire remain similar.
Forms Archive retweeted
Four sculptural ceiling lamps by Verner Panton.
I've always found them mesmerizing.
Forms Archive retweeted
A legacy in covers, and a defining visual voice at The New Yorker.
Ilonka Karasz designed more than 180 covers for the magazine between 1925 and 1973.
Ilonka Karasz
Artist and multidisciplinary Designer
Forms Archive retweeted
Could you imagine walking into a store with green marble floors, Murano glass lamps and a 23-meter sculptural relief?
Olivetti did! This Fifth Avenue showroom in New York glamorously embodied the company's vision of design culture.
Olivetti NY
Costantino Nivola & BBPR, 1954.
Forms Archive retweeted
Slightly obsessed with German Brick Expressionism.
Hoechst Administration Building
Arch. Peter Behrens, 1924.
Forms Archive retweeted
This was the softer, more poetic side of the Space Age.
Murano glass lamps
Carlo Nason, 1960s.
Forms Archive retweeted
See this level of reverence?
Designed as part of a network of 29 Olivetti stores across Spain.
Each space refined a simple idea: make the typewriter the only thing competing for attention.
Olivetti Shop, Badalona
Federico Correa & Alfonso Milá, 1969.


















































































