i'm a diamond on the land and i roll around in clover

Joined November 2010
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horses can't be stopped
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a face for radio | vanessa rossetto
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👁️
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New Vanessa Rossetto radio commission about to go live on @radiophrenia (12 noon BST). radiophrenia.scot/
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can anyone recommend me some terrible music so i can feel better about my own music
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It's cut-up musique concrete, granny
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当店人気の米コンポーザー/画家Vanessa Rossettoによる2026年ダブルCDタイトル。アマチュアの歌声や会話の断片、楽器演奏、現場の空気感が、半ば長編ラジオドラマの様な形(とは言っても非常に抽象的な進行)で組み上げられた、毎度の如く凄い完成度の作品。 art-into-life.com/product/16…
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LOTS OF TWEETS ABOUT CRITICAL THINKERS AND MOVIES ON MY TIMELINE. NOT A FAN OF ANY OF THAT STUFF. I LIKE MUSIC SONGS AND JOKES.
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vanessa rossetto builds and dismantles at once, drawing close to and yet transcending the most complex intensities of emotion—that very life from which people seek to escape but never quite manage to. here is my q2 new music list: mp.weixin.qq.com/s/QAeTrjI1v…
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🎶 This week's front page reviews on rateyourmusic.com/ BIG|BRAVE (@thrilljockey) @tujiko_noriko @Trooper_Salute @horsegiirL420 Matthew Revert / Vanessa Rossetto (@foundrabbit) @thesonicyouth @weeninfo Cleaners From Venus (@Cleaners_Venus1) @vincestaples
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hey team. we need to release as much terrible music as we possibly can for the next 5 years.
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Vanessa Rossetto's approach to sound collage is deeply idiosyncratic, influenced by her concrète forebearers but untethered from the rigidities of their conservatory training pitchfork.com/reviews/albums…
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SOUND ARTISTS SHOULD GET LAYED OUT
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Where are you mentally? Me:
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that’s me by Louie Zong
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Vanessa Rossetto's @foundrabbit newest on #ErstwhileRecords - The Professional - is a spry, playful series of pieces about the creative process itself. Lots of great, fast moving pastiches of musique concrete, but with the narrative and programmatic content that Vanessa is well-known for at this point. This time we're along for her European tour and worldly travels. We hear the pieces unfold and figure themselves out along her journey, with the music and speech captured via field recording often reflecting back in on itself and referencing the circumstances and techniques involved in its own creation. It's a wonderful kind of mirror universe. In the process we hear Vanessa giving a workshop, live sets, an interview, and more of her experiences through this seemingly living mass of sonorous storytelling. Highly recommended
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