KwadwoSarkCess retweeted
🚨 Sarkodie’s RAPPERHOLIC UK grossed an impressive $384,816 at London’s iconic Royal Albert Hall, selling all 5,272 available tickets, representing a strong 100% sell-through rate in just 8 days...
KwadwoSarkCess retweeted
If you marry a woman because she’s pregnant for you, and after birth the DNA test shows the child isn’t yours, you can petition the court to nullify the marriage. Which means the court will grant a decree making the marriage void. It did not exist. You were never married. Finito
KwadwoSarkCess retweeted
🚨 STONEBWOY BHIMFEST LONDON; THE MATHS
Hiring the main auditorium at OVO Arena Wembley for a night or live event typically costs between £35,000 and £60,000 plus VAT for a 12-hour hire window.
You know you are hosting only 6.5K people but you went ahead to hire a 12.5K.
Out of the 6.5K tickets, you could only sell 3.2K and make a revenue of £169,347.
Meaning, without logistic costs, team expenses, and other essential costs, you made a loss of £134,347 using the minimum venue hire cost.
All these to impress who? Damn!!.
KwadwoSarkCess retweeted
This is the honest truth that people around Efo can't tell him. They are deceiving him to make him feel like he can rub shoulders with Sark and Shatta, but the truth is he hasn’t reach that level. Now they are using curtains to cover empty spaces. Ɔnuayi soormi 😂😂@Listo_Mens
Where were you when that same artist was doing an interview saying someone show was like a pizza slice. Ofui
Just imagine being in an industry like Ghana’s, where artists have to work 10 times harder to break into certain markets and earn the opportunity to perform on some of the biggest stages in the world. Instead of encouraging that ambition and having meaningful conversations about their achievements, we now have pages publishing figures that people are using to ridicule artists, even when the methodology behind those figures hasn’t been made clear.
Let me ask @TuneStats a simple question: What exactly is the purpose of this statistic?
Is it to provide transparent, reliable industry data that helps us understand how our artists are performing, or is it simply going to become another tool for people to mock artists who are attempting something extraordinary?
Who asked for this particular statistic, and what context are you giving the public to interpret it correctly?
Imagine the work Sarkodie is putting into organising a show at the O2 Arena. Think about the investment, planning, risk and courage it takes for a Ghanaian artist to attempt a venue of that scale. Now imagine a page publishing figures without enough context, people immediately declaring the show a failure, and social media turning the whole thing into mockery instead of recognising the ambition behind the attempt.
That doesn’t mean we should hide poor performances or manufacture success stories for our artists. We need honest reporting, but honest reporting must also be transparent, properly sourced and presented with the right context.
@TuneStats, tagging @TouringData is not the end of the conversation. Explain how these figures were obtained. Tell us whether they represent verified final ticket sales or estimates, how the stated capacity was determined, and what evidence supports the revenue figure.
Because these numbers are now being used to draw conclusions about an artist’s performance, the public deserves to understand exactly what they mean.
Ghana’s music industry needs credible data, constructive criticism and accountability. It doesn’t need statistics that people can misinterpret and weaponise against artists who are trying to take Ghanaian music to the world.
@TuneStats, we’re challenging the figures, not asking you to protect any artist. If your data is accurate, substantiate it. Show us the evidence, explain the methodology and give us the full context. We’re not accepting numbers at face value simply because a verified page posted them.
Let’s have a proper conversation about the data and its implications for our industry. Make it make sense.
KwadwoSarkCess retweeted
🚨 Stonebwoy’s BhimFest London grossed $225,516 on August 15, 2026, selling 3,694 tickets at the 12,000-capacity OVO Arena Wembley, filling just 30.8% of the venue.
👀 Is this a respectable outing, or should an artist of Stonebwoy’s stature be drawing bigger crowds in London?
KwadwoSarkCess retweeted
Sarkodie has so many fans in the volta region,we love him and we stream his music, stfu!
KwadwoSarkCess retweeted
Stonebwoy earned his most-attended European concert of all time on August 15, 2026, with 3,694 tickets sold at OVO Wembley Arena in London.
KwadwoSarkCess retweeted
🚨 HELLO, STONEBWOY! NO ONE HAS GANGED UP AGAINST YOU. KARMA IS DEALING WITH YOU!
Nobody can convince me that Stonebwoy was unaware of the agenda some industry players allegedly had against Shatta Wale to promote him.
And no one—not even Stonebwoy himself—can convince me that he was unaware of Mark Okreku Mantey's intentions back then.
He knew what they had planned against Shatta Wale, but because it worked in his favour, he kept quiet and enjoyed the ride.
Now, you are crying because you believe people have ganged up against you.
I want to see you publicly acknowledge Shatta Wale's resilience and praise him for enduring what you and those industry players allegedly put him through.
He was blacklisted, put behind bars, subjected to negative publicity, denied stages and platforms, and allegedly had his show cancelled in favour of yours. He was also sidelined by award schemes, allowing you to fill your Hall of Fame with plaques that, in my opinion, you did not deserve.
But despite all the obstacles, he stood his ground and fought his way through.
Now, perhaps it is time to face the consequences of the alleged wrongs you and your cohorts committed against Shatta Wale.
It's better to stay quiet and face the situation. Nobody has ganged up against you. Karma is simply dealing with you!.
In this video is a Ghanaian entertainment host and pundit, Sally Mann, revealing how they went into a caucus meeting to bring Shatta Wale down and to promote Stonebwoy.
KwadwoSarkCess retweeted
This is a special tweet dedicated to all the media houses that opened their doors to my team and me, giving us the opportunity to use their platforms to promote #RapperholicKumasi26. I want to say a BIG thank you for your support. We did it together! ❤️🙌🏾
You guys have been amazing since last year, and I’m truly overwhelmed by the love and support you’ve shown me. These media houses dedicated their valuable airtime to promoting this event, and I want you to know that I do not take it for granted.
From those who welcomed me into their studios and gave me the opportunity to be there physically, to those who promoted the event without even seeing me in person, I appreciate every single one of you.
THANK YOU! We did this together, and I’m forever grateful! ❤️🙏🏾
