Henry Líu retweeted
From the Caine Prize to the Goncourt, AI accusations are shaking literary prizes. Who should decide what’s human? @topefolarin and @TuhinChakr join @kliwewe on the podcast. newlinesmag.com/podcast/the-…
Henry Líu retweeted
Why did it take decades for global readers to catch up to Eileen Chang’s complex urban modernity?
David Frazier examines how politics, publishing barriers, and translation secured her canonical status: tinyurl.com/524zs7ce
Henry Líu retweeted
If AI "plays out as its proponents hope, it promises levels of prosperity and possibility conventional political systems never imagined. But it does so at the cost of betraying the human drive for recognition and struggle" AI - the end of meritocracy
nytimes.com/2026/10/18/opini…
Henry Líu retweeted
"System prompts can provide insight into what developers intend a model to do; they do not establish what the model will do in practice. The relationship between prompt wording and model behavior is contingent and unstable"
great piece! ht @mmitchell_ai
techpolicy.press/making-ai-s…
Henry Líu retweeted
IMO, the best answer to this question starts with another question: "How do you want to dress?" The idea of "quality" can be very contingent the aesthetic you want to create.
Let me give you an example.
Henry Líu retweeted
𝐍𝐄𝐖@asiancha𝐄𝐒𝐒𝐀𝐘 Grillo on the relationship between translation, love & death.Bringing Fernando’s reflections into conversation with Sara Chong’s paintings & his translation experiences,Grillo reflects on what it means to care for another’s words.
chajournal.com/2026/10/20/tr…
Henry Líu retweeted
🔗 To subscribe and read Anne Else's full review, follow the link below.
nz-listener.visitlink.me/xz6…
Feature not a bug nor modifiable
Henry Líu retweeted
The more you are enjoying an in-person talk by a public speaker, the more tempting it is to take out your phone and try to capture the moment, but here are a few reasons not to.
carissaveliz.substack.com/p/…
New Book: Literary Translation and the Nobel Prize Cultural Prestige, International Consecration and Translational Practice
By: Paul Tenngart & Karl Ågerup (eds.)
buff.ly/kCfwCol
Henry Líu retweeted
This is an excellent debunker of AI consciousness by some of the biggest names in consciousness science (@anilkseth @De_dicto and Giulio Tononi)
Don't listen to the techbros. They have no idea what they're talking about where consciousness is concerned.
nature.com/articles/d41586-0…
Henry Líu retweeted
Literature bears witness to oppression; poetry becomes an act of resistance.
Revisit our 2014 interview with Greek translator Persa Koumoutsi on Palestinian literature, its growing readership, and the power of translation to carry voices across borders: tinyurl.com/45kestkm
Don’t blame the interpreters or translators if this makes absolutely no sense whatsoever.
Echo to @katie_martin_fx #technobabble
NVIDIA $NVDA CEO Jensen Huang just said every company will eventually have two factories, one physical and one digital, with digital twins becoming so realistic they will closely replicate the real world.
Huang believes much of Germany’s industrial workforce will operate inside digital twins, designing AI-powered cars and simulating robotic factories before robots manufacture the vehicles in the physical world.
Henry Líu retweeted
Pushing through moments of friction can "more than compensate for the hardship that the friction brings. In fact, they require the friction. Eliminate the friction, and you eliminate the thrill of overcoming it". on the moral injury of AI generated music
ft.com/content/2c21c250-d186…
Henry Líu retweeted
“To love literature is to be in love with the dead.”
Jeremy Fernando’s translating love meditates on translation as hospitality across absence, being an "eternal guest," printed with paintings by Sara Chong.
buff.ly/mwZZxYZ
Henry Líu retweeted
The winner of this year’s International Booker Prize joins our “Drum Tower” podcast to discuss what a work of historical fiction reveals about Taiwan today economist.com/podcasts/2026/…
Not just menswear
Thanks to @dieworkwear for his insights
A lot of menswear today is boring because a lot of companies run by people with no technical skills. 175 years ago, menswear was made by bespoke tailors. The rise of industrial manufacturing and ready-to-wear split that role into designer, pattern maker, and sewer. Today, we have a lot of micro brands are run by people who are not tailors, designers, pattern makers, or sewers. They simply send a pair of chinos or an Oxford shirt to a factory and ask for modest changes (e.g., "make this fuller/ slimmer"). Thus, endless copies of essentially the same thing, differing only in branding and marketing.
Henry Líu retweeted
A lot of menswear today is boring because a lot of companies run by people with no technical skills. 175 years ago, menswear was made by bespoke tailors. The rise of industrial manufacturing and ready-to-wear split that role into designer, pattern maker, and sewer. Today, we have a lot of micro brands are run by people who are not tailors, designers, pattern makers, or sewers. They simply send a pair of chinos or an Oxford shirt to a factory and ask for modest changes (e.g., "make this fuller/ slimmer"). Thus, endless copies of essentially the same thing, differing only in branding and marketing.
Henry Líu retweeted
THREE STORIES OF FORGETTING (Djaimilia Pereira de Almeida, tr. Alison Entrekin, Macmillan Publishers 2025) is our next book in line: us.macmillan.com/books/97803…























