//sound :-: visual #generativeart ::

Caribbean Glitch •‿•
Joined October 2020
Thank you @Kanbas_ — Seeing “No Me Olvides” parallel to Soto’s work and knowing how his practice reshaped how we experience perception and presence makes this connection feel even more meaningful. It’s special to see how those ideas can continue through code in a different form. Grateful you saw that thread and highlighted it so beautifully.
1/ Reflecting on @ArtBasel Miami last week, two of our favorite works at the fair were interactive pieces: Jesús Rafael Soto’s “Penetrable”, presented by @RGRART, and @ix_shells “No Me Olvides”, presented by @artxcode_io and @fellowshiptrust
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[a notification that feels like a warning] Imagine living your whole life afraid of what someone might say about you, knowing you had every opportunity to do the right thing and chose not to.
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[a notification that feels like a warning] Imagine living your whole life afraid of what someone might say about you, knowing you had every opportunity to do the right thing and chose not to.
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[facade pattern]
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The Grid Remembers
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A Sunday reset for your feed ☺️ IX Shells' (Itzel Yard) interactive video installation is titled 'No Me Olvides', which translates to 'Don't Forget Me' in Spanish. The work transforms archival fragments from across Europe, the Caribbean, and Latin America into living, algorithmic compositions exploring memory, gender, and cultural inheritance. It was shown as part of the first edition of Zero 10, at Art Basel Miami Beach 2025.
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“an understanding of the total system emerges from the subtle relations between the simple input and the resulting fluid visual output.”
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To wander, to shut the world out, to find stillness, and to return changed. We all carry that need. [Interlinked_stills] Against All Odds 2024 Statens Museum for Kunst
Working with @fellowshiptrust brings back the sense of dedication I felt during my two year residency and exhibition at @smkmuseum Copenhagen. I miss that time, the city, and the people i worked with. Thank you for the space to experiment @halecar2 @Toni_Marinara <3
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Miami memories 😍
"Interlinked," a 1/1 interactive Nordic piece by @ix_shells from the No Me Olvides collection → collected by Caroline Fitzgibbons and @tadtweets Presented at @ArtBasel Miami Beach in collaboration with @artxcode_io.
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Special thanks for this fun moment to the magical artist @ix_shells along with talented interviewers @jan_collects and @collectorsgd 🔥🙏👇
CEO @tadtweets highlights the potential of hybrid art experiences and the growing importance of digital. -Beyond the Drop
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[Anomalía y Preludio] donde el patrón se rompe.
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#!
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Patrones del Río Bec y Akalki Bacalar
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Tengo muchas fotos y anécdotas que compartir de este retiro tan especial. Gracias por la oportunidad de conectar con esta iniciativa @mayaspiritsnft
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24 Hours of Art in progress… with @ix_shells and @JNSilva_
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Available → En Base a Ciclos (Abigail de Andrade) by @ix_shells from the "No Me Olvides" collection
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Plein Air Painting
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I've been cooking something on the simmer for like 9 years lol, time to talk about it. I started my aerospace company in my early 20s. Noob as hell. My dad just retired from managing a big 4 accounting firm and became my CFO. Together we carved out a niche: power generation for commercial aviation. FAA accredited. Built something real from nothing. In 2017, I was playing around with mining and started uploading our parts paperwork onto Bitcoin. Not trying to make money, just trying to prove the documents existed. If someone downstream edited my traceability docs, at least the chain would show it wasn't me. COVID hit in 2020 and aviation ground to a halt. That July, my father and partner died of the virus. I walked out of the company we built and didn't come back for a long time. I had a crypto balance sheet I was mostly passive about and nothing but time to spend on twitter, monitoring the situation. DeFi summer and NFT season felt like everything my 2017 Bitcoin anchoring tried to solve. I'd also been collecting generative art since before tokens were a thing, so the onchain certificates were actually better than the paper ones I’ve once lost (sorry Tyler). I learned more about provenance from 6529 and partners than from a decade in aviation. That's not a knock on aviation, NFTs are simply the Michael Jordan of asset tracking. For 5 years I witnessed, purchased, and admired some of the best NFTs and artworks ever conceived. Each token had perfect custody, while $10 million aircraft engines ship with paper certificates and records that can be easy to forge. I love NFTs and yet it killed me that machines of wonder like aeroplanes had worse provenance than a cryptodickbutt. Months ago I told @bonafidehan I hate watching an industry I love sit decades in the past. Han called me back in 2 minutes with a plan. That plan became Athena, and the team at Shape went all in. We've since shipped Athena on aircraft parts and are running a pilot with some of the largest operators in the industry. I’d love to share more but I know we have much work ahead and much to fill you in on as we scale. Follow us along for the ride @AthenaResearch.
The truth layer for aerospace parts
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