marketing: @filmlinc / @thenyff / @ndnf | founder & editor: @thefilmstage
New York, NY
Joined October 2012
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Jordan Raup retweeted
Spoke with writer-director Noah Segan back at Sundance about his sterling debut The Only Living Pickpocket in New York. We talked about his favorite NYC movies, the importance of B&H Dairy, and Turturro's dancing for @TheFilmStage
"I don’t want to lose the city that we have. I don’t want to lose the objects that we have. Whether it’s the watches or the phones that don’t have the screens on them or the clothing that lasts forever. I don’t think that there are mutual exclusivities, but I do want to protect the things that are real. That’s a big part of what’s happening with film and television right now and with storytelling. How do we protect these things we love?"
'The Only Living Pickpocket in New York' director @kidblue talks with @the_kentman about crafting his emotional crime drama: thefilmstage.com/i-dont-want…
Jordan Raup retweeted
I have not seen a single person on here mention ONE IN A MILLION. I didn't realize it came out this weekend myself. Anyway, it's among the best docs of 2026, and it deserves more attention.
It's an incredible weekend to see a movie. Here's the best films now playing in theaters:
Possible Love
You Can See Everything
NAZA
Fatherland
Once Upon a Time in Harlem
Wildwood
The Only Living Pickpocket in New York
Your Mother Your Mother Your Mother
Wicker
One in a Million
La Bola Negra
See more and read our reviews: thefilmstage.com/the-best-mo…
Jordan Raup retweeted
Director Gu You talks Buddhism, Shanshui paintings, and long takes for The First Taste of Loneliness at this year's BIFF @busanfilmfest thefilmstage.com/gu-you-on-t…
Jordan Raup retweeted
It's an incredible weekend to see a movie. Here's the best films now playing in theaters:
Possible Love
You Can See Everything
NAZA
Fatherland
Once Upon a Time in Harlem
Wildwood
The Only Living Pickpocket in New York
Your Mother Your Mother Your Mother
Wicker
One in a Million
La Bola Negra
See more and read our reviews: thefilmstage.com/the-best-mo…
Jordan Raup retweeted
A great interview about the production of Criterion's The Complete Kubrick set, by @Nick_Newman thefilmstage.com/he-wanted-t…
Jordan Raup retweeted
LAIKA's #Wildwood, now in theaters, is a reminder of the magic and terror of the classic fantasy stories you may have grown up with, recaptured on a breathtaking scale. It’s among the best animated films in recent memory.
Read @YesitsAlistair's Critic's Pick review: thefilmstage.com/bfi-london-…
Jordan Raup retweeted
#Fatherland finds Paweł Pawlikowski in immaculate form, a film all but guaranteed to age like a fine wine.
Read @lou_kicks' Critic's Pick review: thefilmstage.com/cannes-revi…
Jordan Raup retweeted
John Turturro shines in Noah Segan’s 'The Only Living Pickpocket in New York,' an engrossing tale of coming to terms with the imbalance of the good and bad of a life, and if that even matters in the end.
Read @the_kentman's Critic's Pick review: thefilmstage.com/sundance-re…
Jordan Raup retweeted
Continuity shots from Ken Russell's 'The Devils.'
Read or listen to our extended conversation with Mark Kermode on the film's extraordianry history and legacy: thefilmstage.com/i-cant-quit…
Jordan Raup retweeted
Mayor Zohran Mamdani on teaming up with NEON to offer free NYC screenings of one of the year's best docs:
“ONCE UPON A TIME IN HARLEM brings the personalities, ideas, and debates behind the Harlem Renaissance to life for a new generation of New Yorkers. We are proud to partner with the filmmaking team to offer free screenings to New Yorkers this weekend, ensuring that as many New Yorkers as possible get the chance to experience this film. Our city owes a debt of gratitude to the artists of the Harlem Renaissance whose enduring legacy is still felt in every jazz club, in every gallery, and in the movement for social justice that still continues to this day.”
RSVP here: eventbrite.com/cc/free-nyc-s…
Jordan Raup retweeted
U.S. poster for Kogonada's 'zi,' which opens on November 6.
Watch the new trailer: thefilmstage.com/haley-lu-ri…
Jordan Raup retweeted
Our season-long deep dive into Stanley Kubrick's entire career begins with his early documentary shorts, 'Fear and Desire,' and 'Killer’s Kiss': thefilmstage.com/the-complet…
Jordan Raup retweeted
In celebration of the release of @Criterion's The Complete Kubrick box set, we are kicking off a season-long appreciation of the legendary director's entire career: thefilmstage.com/the-complet…
Jordan Raup retweeted
On the new episode, we're joined by the legendary Mark Kermode for a long discussion of Ken Russell's The Devils, which finally begins playing in its full, uncut form tomorrow.
Listen now: thefilmstage.com/i-cant-quit…
Jordan Raup retweeted
This led me to watch the 25-minutes-shorter international cut of The Shining (Kubrick's preferred version) which lacks the child-psychologist scene and is much better for it—Jack's abuse is revelation instead of exposition, whole movie becomes more trapped in his horrible psyche.
I had a very long, thorough conversation with Michael Chaiken about producing Criterion's The Complete Kubrick set, out today: thefilmstage.com/he-wanted-t…
Jordan Raup retweeted
'You Can See Everything' expands to 2,600+ theaters today. You need to see it:
Nathan Fielder and Lance Oppenheim's 'You Can See Everything' is an extraordinary, troubling work in the spirit of Abbas Kiarostami.
Read @Nick_Newman's review: thefilmstage.com/you-can-see…
Jordan Raup retweeted
#PossibleLove is another novelistic gem from Lee Chang-dong, the kind of richly detailed and intricately scripted yarn in which alluring themes like class, sex, and sociology are always on the table to be picked at.
Read @RorySeanOC's Critic's Pick review as the film opens in theaters: thefilmstage.com/venice-revi…
Jordan Raup retweeted
Itab Azzam and Jack MacInnes’ 'One in a Million' tells an epic saga of exile and assimilation.
Read @jpraup's review as the Sundance winner opens in theaters: thefilmstage.com/sundance-re…
Jordan Raup retweeted
"Stanley was, from what I understand, less perfectionist as people seem to believe. He understood that there were certain limitations. You always 𝘵𝘳𝘺, but if you can't get it 𝘱𝘦𝘳𝘧𝘦𝘤𝘵, it's 𝘧𝘪𝘯𝘦. He was much more interested in people seeing these films, people being engaged in the story. If you're looking at the number of pixels, you're not watching the movie—you're watching your equipment, you know? And I think that he, more than anything else, wanted these films to survive. He wanted to be remembered for his work. For me, that's the essential thing. How do we push these films forward? I think this set helps us to do that."
With Criterion's 'The Complete Kubrick' arriving today, @Nick_Newman speaks with set producer Michael Chaiken about assembling the definitive collection of an unparalleled artist: thefilmstage.com/he-wanted-t…
