G 🦢 retweeted
questa cucciola li deve fare scoppiare tutti 💖 questo succede quando sei talentuossima e bellissima
G 🦢 retweeted
"how much did they pay alexander skarsgard" it's alexander skarsgard, he probably thought it sounded fun and did it for free
Una sitcom ambientata nel mondo della televisione con tutti i retroscena che ne seguono è esattamente ciò di cui avevo bisogno grazie tina fey
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G 🦢 retweeted
eu quando acordar e tiver um homem com as costas enormes e o biceps maior que a minha cabeça sem camisa fazendo cafe da manha pra mim
G 🦢 retweeted
choosing to believe quinn didn’t even pay him a crazy amount and he’s just doing this for the pure love of the game
Ma quanta gente è passata per everwood prima di avere il successo in altre serie sono scioccata non mi ricordavo
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G 🦢 retweeted
Knowing Alexander Skarsgård’s freaky ass he probably told Quinn no charge & is doing it purely for the love of the game lol
G 🦢 retweeted
la combo culotte di paillettes nera, calze di pizzo nere, blazer nero e texani neri poi…💀
vi giuro in paese TUTTE COSÌ VIENE DA PIANGERE
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E SI GODE! voi volete così tanto che una ragazza di 23 anni venga odiata da tutta l’industria musicale perché secondo voi ogni suo lavoro è un plagio ma la realtà è che lei è stimata e gli artisti che avrebbe Presumibilmente plagiato sono normali about her… voi invece…beh
Robbie Williams defends Olivia Rodrigo after she was accused of copying his song “Candy” with “take me home (4 christmas)”:
“Artists deserve to be protected. But there’s a difference between protecting your work and treating every vaguely familiar sequence of notes as a winning lottery ticket. It sounds to me as though she may have accidentally stumbled across a musical echo of mine in one of her new songs. And do you know what? I couldn’t care less. I don’t know whether there’s technically a publishing issue, a copyright issue, or no issue whatsoever. And I don’t want to know. I’m not going after her. Because I think at some point, some f**king sanity has to prevail […] We all stand on the shoulders of people who came before us. Sometimes consciously. Sometimes without even knowing it. That’s how music works. If we keep punishing people for accidentally arriving somewhere somebody else has already been, eventually we’re going to frighten the creativity out of everyone.”


























