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Krea 3 Ultra just landed at #4 on the Artificial Analysis image editing leaderboard.
1151 Elo. Nano Banana 2.1 is at 1152.
That's just one point.
Weird to see an indie lab in that lineup, huh? 😁
Style refs and LoRA training are next!
🤝 Paid partnership
today, Krea 3 makes it to the top of image arenas.
- "Fast" pushes the pareto curve of speed and quality.
- "Ultra" ranks top-4, only surpassed by OpenAI models.
the only company valued under $1T in the top-10!
more below 👇
And this is why Canva acquired Leonardo AI
Introducing Canva Craft 🚀
Extraordinary image generation is now available to everyone, powered by our first frontier model built specifically for design.
With Craft, Canva is now the world's second most advanced AI lab for image generation on @DesignArena's global leaderboard.
See what it can do 👇
Made in @higgsfield_ai
PROMPT:
Genuine iPhone video, filmed handheld by a laughing friend standing one step above the man, 1 to 2 metres away, vertical. The phone is never still: natural hand shake and micro-jitter in every frame, the friend shifting his weight, bouncing when he laughs, quick reframes to follow the food and the octopus, iPhone autofocus and exposure hunting, slight rolling-shutter wobble, raindrops on the lens. Not a gimbal, not a tripod, not cinematic, no CGI sheen. The video starts exactly on the start image. The camera stays within 2 metres of the man.
THE MAN (see references for his face; he wears exactly what the start image shows, plain brown boots): a normal-sized adult, completely natural and alive the whole time, like real candid footage of a friend. Loose shoulders, relaxed posture, constant small natural movements: breathing, blinking, head tilts, hand gestures, shifting on the step, glancing at the friend behind the camera. Real, readable facial expressions that change in real time: bliss, surprise, laughing disbelief. Never frozen, never posing, never stiff.
THE OCTOPUS: a real live common octopus (Octopus vulgaris), big market size: wet, slimy, glistening skin, mottled brown-red with small bumps, rows of pale suckers, heavy soft body that sags and flops with gravity, curling arm tips, water streaming off it. Fast, curious, greedy, several arms working at once.
CONTINUITY: there is exactly one white bowl in the whole video. Everything that is grabbed stays grabbed; nothing reappears or duplicates.
0-2s: Pure happiness. He takes a long slow sip of wine from the white bowl, eyes closing with pleasure, then lowers it, sighs "mmm" with a huge relaxed grin, wipes his lip with his thumb and laughs at his friend. No octopus yet; only at about 2 s the tip of one wet arm curls up over the edge of the lower step at the bottom of the frame, he does not notice it.
2-6s: The octopus hauls itself up the wet steps from the sea below and three dripping arms raid the board at once: one snatches a paprika-red slice of octopus, one grabs a chunk of bread, one scoops a fistful of green peppers. His grin turns to wide-eyed surprise, he laughs "hey, hey, HEY!", leans in and tries to pull the board back with his free hand.
6-10s: Total mess. The octopus drags the board off the step and flips it: mussels, peppers, bread and red oily octopus slices fly and splatter across the wet granite and onto his jeans and jacket. Another arm flicks the white bowl out of his hand, wine splashing over his chest. He throws both hands up, laughing in disbelief, head shaking, oil and paprika on his fingers.
10-14s: With its loot the octopus slides heavily down the step into the sea with a big wet splash. He leans over the edge on his knees, still laughing, looking down at the ripples, then back at the friend, shoulders shaking.
14-18s: One arm rises from the water and gently sets the empty white bowl back on the step in front of him with a small live green crab inside, legs waving. He stares at the crab, looks straight into the camera with a deadpan face for a beat, then breaks into helpless laughter, wiping paprika off his cheek. The friend's laughter makes the phone bounce.
Sound: drizzle, gulls, water lapping on stone, wet slaps of the arms, board clattering on granite, mussel shells rattling, wine splashing, a big splash, the man's "mmm", "hey, hey, HEY!" and laughter, the friend laughing off camera. No music, no subtitles, no text, no logos or brand marks anywhere.
This is huge!
I can't wait to play with it tonight.
Congrats, @mo_norouzi
Today, we’re introducing Ideogram's first vector model.
Generate clean, editable SVGs with smooth gradients and sharp typography from a text prompt, or turn any image into a detailed, scalable vector.
Live in Ideogram and the API: ideogram.ai/models/vector
There is only one model that produces high fidelity footage: Kling 4.0
You can have amazing texture and details.
I’ve had access to the full model for over a month and I tested it extensively.
Now, it’s available on Higgsfield, soon in 4K:
Step 1: Get a random product from Creative Market
Step 2: Tell Claude to use Higgsfield to create a promo video for the product
Step 3: Claude Code magic 🪄
Step 4: Profit!
Total time & cost: ~40mins and $20
You'd be crazy not to do this for your product!
Krea 3 is one of the most fun models out there.
Smart, fast, and... available now.
Krea 3 Ultra just landed at #4 on the Artificial Analysis image editing leaderboard.
1151 Elo. Nano Banana 2.1 is at 1152.
That's just one point.
Weird to see an indie lab in that lineup, huh? 😁
Style refs and LoRA training are next!
Made with:
Claude Code Opus 5.5 Extra @claudeai
Higgsfield MCP @higgsfield_ai
Seedance 2.5, Nano Banana Pro
ElevenMusic v2.5 @elevenmusic_io
Skills:
music-video: my own pipeline for song analysis, lyric timing, cost ledger, and mux verification.
seedance-2-5: the house prompt format for every Seedance prompt.
built-in-browser: guidance for driving the in-app browser.
Local tools:
Demucs, faster-whisper, wav2vec2, MediaPipe Face Landmarker, librosa, PyTorch on CUDA and Hugging Face transformers, FFmpeg and ffprobe, yt-dlp, with Node.js, OpenCV, NumPy and Pillow, curl.
Python scripts I wrote for this run: prompt builder, assembler, voice map, word-lag sync, per-word residual check, and the B-roll mouth scan.
I still can't believe I can do this all by myself!
I vibecoded a new synth engine with a vintage twist in the browser.
All vibecoded with Argon High in Antigravity.
This is by far the most complex and best-sounding so far.
Play with it. Still WIP: argonsynth.si/prism
All I do these days:
1. Talk to Grok Bot to organize my life, both professionally and personally
2. Generate videos in Claude Code using Higgsfield MCP/API
3. Vibe code with Antigravity, using Argon High
4. Research and Computer Use with ChatGPT
I've made such a robust system that I feel like anything is possible.
Of everything on the list, the most mind-blowing thing lately has been Grok Bot.
I can't live without it now.
Ingredients:
A link from Creative Market
Higgsfield MCP
Claude Code
ElevenMusic
Time:
~34min
Cost:
~$8-17
That's all you need to create a 30-sec showcase for your digital product.
In this case, a font:
Alex Patrascu retweeted
X-Wave synth, completely vibe-coded in Antigravity with Gemini 4 Argon.
All done from scratch, just by talking in natural language.
Granular control, all in the browser.
Available here: argonsynth.si/xwave/
Have fun!
X-Wave synth, completely vibe-coded in Antigravity with Gemini 4 Argon.
All done from scratch, just by talking in natural language.
Granular control, all in the browser.
Available here: argonsynth.si/xwave/
Have fun!
Claude Opus 5.5 + Higgsfield 👇
I had this idea earlier today while browsing Creative Market for fonts, and I thought:
"Why don't these fonts have a video showcase?"
The prompt was very simple:
"Make a 30-second showcase for this font: [LINK]. Figure it out and don't ask me anything. You have everything you need."
It took 55 minutes, and it cost just 481 credits in Higgsfield, which is ~$24
The music is also AI, made with ElevenMusic v2.5






